Jacqueline Monetta is the Vice President at Olive Bridge Entertainment and a producer. She graduated from Duke University in 2018 with a major in Public Policy and certificates in Documentary Studies, Policy Journalism and Media Studies. While at Duke, she discovered a passion for filmmaking—having begun a documentary in high school, which she completed through an independent study and screened on campus—setting the course for her eventual career in entertainment. Soon after graduation, she took a job in the mailroom at United Talent Agency in Los Angeles. Though it paid less than another offer in consulting, she chose UTA for the opportunity to break into the industry. There, she became an assistant for an agent, but it was her ambition to create, write, and produce that drove her forward. Her networking paid off when she landed an interview with director‑producer Will Gluck, co‑founder of Olive Bridge Entertainment, who was impressed with her drive and talent. She joined the company on the production and development team, working closely with Gluck and garnering his support and mentorship. In November 2021, Olive Bridge Entertainment promoted her to Creative Executive in the film division—effectively positioning her in an executive leadership role—where she oversees development of high-profile projects such as Much Ado and End of the World for Columbia, Blackfriars for eOne, along with other features in progress at Searchlight, Disney, and Netflix. She had previously worked on Gluck’s Peter Rabbit 2: The Runaway and had joined the company in 2019. By early 2025, she held the title of creative executive (or vice president–level) at Olive Bridge, contributing significantly to the production of the romantic comedy Anyone But You, which was released in December 2023 and represented the collaboration between Duke alumna screenwriter Ilana Wolpert and Monetta, working in development and production at Olive Bridge.
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Biography from TMDB.
- Producer, director and writer
- 3 on MovieCove · 4 credits in all
What are Jacqueline Monetta's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jacqueline Monetta's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jacqueline Monetta's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
Fake Skating (not in the MovieCove catalog yet)(2027)
One Night Only(2026)
Midcredits score: 40th percentile of all films
Anyone But You(2023)
Midcredits score: 49th percentile of all films
Not Alone(2016)
Midcredits score: 57th percentile of all films
Career shape
A full career of 4 titles, 3 of them dated from 2017 to 2026.
How do Jacqueline Monetta's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 3 titles divides audiences: 2 are Mixed.
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jacqueline Monetta work with?
People who share at least 2 of Jacqueline Monetta's MovieCove titles, grouped by what they did on them; Will Gluck shares the most, 2.
Directors
- Will GluckShared titles: One Night Only (2026), Anyone But You (2023)See all 2 shared titles with Will Gluck
Composers and editors
- Christopher StraceyShared titles: One Night Only (2026), Anyone But You (2023)See all 2 shared titles with Christopher Stracey
- Este HaimShared titles: One Night Only (2026), Anyone But You (2023)See all 2 shared titles with Este Haim
- Tia NolanShared titles: One Night Only (2026), Anyone But You (2023)See all 2 shared titles with Tia Nolan
