Anya Rous
Anya Rous is a Brooklyn-based Producer and Vice President of Production at Multitude Films, an independent production company dedicated to telling stories by and about underrepresented communities. Anya co-produced the following critically-acclaimed films: ALWAYS IN SEASON (Independent Lens), which premiered in competition at the 2019 Sundance Film Festival and won the Special Jury Award for Moral Urgency, THE FEELING OF BEING WATCHED (Tribeca 2018, PBS) dubbed "a journalistic thriller" by The New York Times, and NAILA AND THE UPRISING (IDFA 2017, PBS), and co-executive produced CALL HER GANDA (Tribeca 2018, PBS). Anya brings a combined 10 years of experience in funding strategy and impact campaigns for stories that further movements for racial, economic, and gender justice. She formerly served as the Director of Strategic Relationships at Just Vision, as a grantmaker at the Nathan Cummings Foundation, and the coordinator of a multi-state oral history project at the Bob Bullock State History Museum in Austin, TX. Anya is a Sundance Creative Producing Fellow and an Impact Partners Documentary Producing Fellow. She is also on the board of Jews for Racial and Economic Justice.
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Biography from IMDb.
- Producer
- 8 on MovieCove
What are Anya Rous' films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 1 · Serious 1 · Dark 6
Grounded 8 · Stylized 0 · Heightened 0
A split, not a type: Gentle 1 · Charged 3 · Intense 4
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 8 · Some laughs 0 · Funny 0
Slow burn 7 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 5 · Full focus 2
Easy watch 1 · Affecting 1 · Heavy 6
Resolved 4 · Open-ended 4 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anya Rous' films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Anya Rous' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page.
Life After(2025)
Midcredits score: 86th percentile of all films
Power(2024)
Midcredits score: 55th percentile of all films
How We Get Free(2023)
Midcredits score: 39th percentile of all films
It's Only Life After All(2023)
Midcredits score: 95th percentile of all films
Midcredits score: 74th percentile of all films
Pray Away(2021)
Midcredits score: 68th percentile of all films
Call Her Ganda(2018)
Midcredits score: 59th percentile of all films
Naila and the Uprising(2017)
Midcredits score: 91st percentile of all films
Career shape
Across their 8 MovieCove titles from 2017 to 2025.
How do Anya Rous' films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th1
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Divisive2
- Cult Classic2
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Anya Rous work with?
People who share at least 2 of Anya Rous' MovieCove titles, grouped by what they did on them; Jess Devaney shares the most, 8.
Directors
- Geeta GandbhirShared titles: How We Get Free (2023), Lowndes County and the Road to Black Power (2022)See all 2 shared titles with Geeta Gandbhir
Composers
- Robert Aiki Aubrey LoweShared titles: Life After (2025), Power (2024)See all 2 shared titles with Robert Aiki Aubrey Lowe
Producers
- Jess DevaneyShared titles: Life After (2025), Power (2024), How We Get Free (2023), It's Only Life After All (2023), Lowndes County and the Road to Black Power (2022), Pray Away (2021), Call Her Ganda (2018), Naila and the Uprising (2017)See all 8 shared titles with Jess Devaney
- Colleen CassinghamShared titles: Life After (2025), Power (2024), It's Only Life After All (2023), Lowndes County and the Road to Black Power (2022), Pray Away (2021)See all 5 shared titles with Colleen Cassingham
- Jot SahiShared titles: Power (2024), How We Get Free (2023), It's Only Life After All (2023), Lowndes County and the Road to Black Power (2022)See all 4 shared titles with Jot Sahi
- Daniel J. ChalfenShared titles: Life After (2025), Pray Away (2021), Call Her Ganda (2018)See all 3 shared titles with Daniel J. Chalfen
