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Alex Mansour

Alex Mansour

Composer

Alexander Mansour is a composer, pianist, and cellist from Los Angeles California. As a composer, Alex is passionate about writing for both the concert hall and the screen. Most recently, he scored an AFI Feature Documentary selection, "Hesburgh" (dir. Patrick Creadon), which just finished its theatrical distribution. His chamber music has been performed at the Bowdoin and Atlantic Music Festivals. He will study and premier a new commission at the Yale School of Music this summer (2020) for the Norfolk New Music Festival. A recent orchestral work (Fantasy Noir) was premiered by USC's Thornton Symphony in February 2020, and a prior orchestral work (Across the Sea) was commissioned and performed by the Notre Dame Symphony Orchestra in 2018. His music for media has been featured on NBC Broadcasts and Netflix original content. Over the years, he has been recognized twice an ASCAP Finalist in the Morton Gould Young Composer Competition and the Herb Alpert Young Jazz Composer Awards. Alex is very grateful to join the USC Thornton School of Music where he studies with Professor Donald Crockett in pursuit of the Masters in Music degree. He previously studied with John Liberatore at the University of Notre Dame, where he double majored in cello performance and film studies. As a pianist, Alex arranged and played for Arturo Sandoval's Christmas album, performing with him at Walt Disney Concert Hall in 2018. He attended the 2019 BANFF International Workshop for Jazz and Creative Music, a program helmed by Vijay Iyer and Tyshawn Sorey and is the pianist of the USC Jazz Honors Combo.. As a cellist, Alex serves as principal of American Youth Symphony, and has joined the New York String Orchestra Seminar for their Christmas concerts at Carnegie Hall. He has also appeared on NPR's "From the Top". He has studied with Katinka Kleijn (CSO) and during an exchange in London, Richard Lester (Royal College of Music).

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Biography from TMDB.

Works as
Composer
Titles
8 on MovieCove · 22 credits in all
TMDB popularity, last 65 days to Oct 28Down 29% in 30 days

What are Alex Mansour's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 0

Grounded 5 · Stylized 1 · Heightened 1

Gentle 4 · Charged 3 · Intense 0

Steady 7 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 3 · Funny 1

Slow burn 6 · Even-paced 1 · Relentless 0

Casual 4 · Engaged 3 · Full focus 0

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Hopeful
4
Warm
3
Joyful
3
Elegiac
2
Other
2

How their films end

  • Happy2
  • Bittersweet2
  • Tragic1
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Mansour's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Alex Mansour's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 8 with a MovieCove page.

  • Breathe, Brother, Breathe (not in the MovieCove catalog yet)(2026)

    Composer

  • Royally Screwed(2026)

    Composer

    Midcredits score: 41st percentile of all films
  • The Room: A Tribute(2025)

    Composer

    Midcredits score: 68th percentile of all films
  • There's Gold In Them Hills (not in the MovieCove catalog yet)(2025)

    Composer

  • The King of Color(2025)

    Composer

    Midcredits score: 70th percentile of all films
  • Endling (not in the MovieCove catalog yet)(2024)

    Composer

  • All Bark Never Bite (not in the MovieCove catalog yet)(2024)

    Composer

  • Giselle (not in the MovieCove catalog yet)(2024)

    Composer

  • First Time Caller (not in the MovieCove catalog yet)(2023)

    Composer

  • Providence (not in the MovieCove catalog yet)(2023)

    Composer

  • Radical Wolfe(2023)

    Composer

    Midcredits score: 80th percentile of all films
  • Babylon(2022)

    as Cello

    Midcredits score: 85th percentile of all films
  • Swept Under (not in the MovieCove catalog yet)(2022)

    Composer

  • We Are Like Waves (not in the MovieCove catalog yet)(2022)

    Composer

  • The Whole Animal(2022)

    Composer

    Midcredits score: 76th percentile of all films (provisional, few ratings)
  • Midcredits score: 96th percentile of all films
  • You Missed a Spot (not in the MovieCove catalog yet)(2020)

    Composer

  • Cutioner.exe (not in the MovieCove catalog yet)(2019)

    Composer

  • Hesburgh(2018)

    Composer

    Midcredits score: 93rd percentile of all films
  • BOOBA (not in the MovieCove catalog yet)

    Composer

  • Carrie Fisher is Dead (not in the MovieCove catalog yet)

    Composer

  • Four of a Kind (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 18 titles, 15 of them dated from 2019 to 2026.

By role

only this rolewith another role
Acting1 of 18: 1 only acting, 0 with another roleMusic17 of 18: 17 only music, 0 with another role

By decade

2010s2 · crew2020s13 · 1 acting · 12 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Alex Mansour's films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 7

Approval · how many liked their films

72ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

56thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alex Mansour work with?

People who share at least 2 of Alex Mansour's MovieCove titles, grouped by what they did on them; William Neal shares the most, 3.

Directors

Editors

Producers