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Marie Gabrielle Stewart

Producer

Marie Gabrielle Stewart is a prominent international film executive and producer who serves as the CEO of HanWay Films, one of the world's leading independent film sales, finance, and marketing companies. Over a career spanning more than two decades, she has become a highly respected figure in the global film market, specializing in packaging and distributing prestige independent cinema. Stewart began her career in film sales at Renaissance Films in London before moving to Focus Features International, where she spent eight years serving as Vice President of International Sales. In 2013, she relocated to Los Angeles to help launch Bloom Media as Senior Vice President of International Sales and Distribution. During her tenure at Bloom, she successfully developed strong global distribution partnerships and worked closely with a wide network of independent filmmakers. In 2016, Stewart returned to London to join HanWay Films as Managing Director, making her the first woman to lead the prestigious company. She was later appointed Chief Executive Officer, taking charge of day-to-day operations and strategic growth. Throughout her leadership at HanWay, she has overseen an extensive slate of critically acclaimed, director-driven films, including Matteo Garrone's Pinocchio (2019), Viggo Mortensen's Falling (2020), and The Killing of a Sacred Deer (2017).

Read more

Biography from IMDb.

Works as
Producer
Titles
20 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 43% in 30 days

What are Marie Gabrielle Stewart's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Drama9 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Action3 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Action movies
Comedy3 titlesTypical Midcredits score: 53rd percentile
: browse their Comedy movies
Biography2 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
29%
Morality
26%
Survival
14%
Bonds
12%
Society
10%
Power
8%
Ambition4 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 5 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 12 · Stylized 3 · Heightened 3

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 12 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 4 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 9 · Even-paced 7 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 14 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 4 · Heavy 11

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 9 · Open-ended 4 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
10
Dread
5
Hopeful
7
Contemplative
6
Other
12

How their films linger

Thought-provoking7 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet12
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marie Gabrielle Stewart's films?

As of October 24, 2026, 17 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Marie Gabrielle Stewart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 20 with a MovieCove page.

  • Hot Milk(2025)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • Bad Apples(2025)

    Producer

    Midcredits score: 76th percentile of all films

  • Race for Glory: Audi vs. Lancia(2024)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Timestalker(2024)

    Producer

    Midcredits score: 53rd percentile of all films

  • Seance(2021)

    Executive Producer

    Midcredits score: 17th percentile of all films

  • Made in Italy(2020)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • The Roads Not Taken(2020)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • The Burnt Orange Heresy(2019)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • Minamata(2020)

    Producer

    Midcredits score: 90th percentile of all films

  • Pinocchio(2019)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • The Kindness of Strangers(2019)

    Executive Producer

    Midcredits score: 59th percentile of all films

  • The Hummingbird Project(2018)

    Executive Producer

    Midcredits score: 47th percentile of all films

  • Samurai Marathon(2019)

    Co-Executive Producer

    Midcredits score: 49th percentile of all films

  • The White Crow(2018)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • Swimming with Men(2018)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • Leading Lady Parts (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Farming(2018)

    Producer

    Midcredits score: 55th percentile of all films

  • The Killing of a Sacred Deer(2017)

    Executive Producer

    Midcredits score: 81st percentile of all films

  • A Prayer Before Dawn(2017)

    Producer

    Midcredits score: 78th percentile of all films

  • Mary Shelley(2017)

    Producer

    Midcredits score: 62nd percentile of all films

  • The Siege of Jadotville(2016)

    Producer

    Midcredits score: 88th percentile of all films

  • The Creep (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 15 titles, 14 of them dated from 2017 to 2025.

Biggest box office

Pinocchio (2019)

$24M worldwide

Highest rated

Minamata (2020)

Midcredits 90th

Most popular right now

Bad Apples (2025)

By role

only this rolewith another role
Producing15 of 15: 15 only producing, 0 with another role · typical Midcredits score47th

By decade

2010s8 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marie Gabrielle Stewart's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 20; across their 18 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 18

Approval · how many liked their films

57thpercentile
Typical film, the median of 18

Reach · how many have seen their films

91stpercentile
Typical film, the median of 18

Midcredits score across 20 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th6
  • Below 25th2

Shape of the crowd

8 of their 20 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser8
  • Broadly Agreed6
  • Mixed5

Most divisive · producer

Timestalker (2024)

59th percentile spread · 17% rated it 4 or lower

Most loved · producer

Minamata (2020)

Midcredits 90th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marie Gabrielle Stewart's work okay for kids?

Across up to 14 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles9–84 · median 46 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity14 titles6–63 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity13 titles8–70 · median 41 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs13 titles27–57 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense13 titles18–78 · median 37 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marie Gabrielle Stewart work with?

People who share at least 2 of Marie Gabrielle Stewart's MovieCove titles, grouped by what they did on them; Peter Watson shares the most, 13.

Actors

Composers, cinematographers and editors

Producers

Mixed roles