Byeong-sik Jung

What are Byeong-sik Jung's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Byeong-sik Jung's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

• Prime Video2 titles, browse their movies on this service
  • The Villainess (2017) · writer
  • Knuckle Girl (2023) · writer
• Netflix1 title, browse their movies on this service
  • Carter (2022) · writer, producer
• The Roku Channel1 title, browse their movies on this service
  • The Villainess (2017) · writer · free

Subscription and free streaming for Byeong-sik Jung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Knuckle Girl(2023)

  Writer

  Midcredits score: 31st percentile of all films31^st
• 

  Carter(2022)

  Producer · Writer

  Midcredits score: 22nd percentile of all films22^nd
• 

  The Villainess(2017)

  Writer

  Midcredits score: 71st percentile of all films71^st

Career shape

Across a limited sample of 3 MovieCove titles from 2017 to 2023.

Biggest box office

The Villainess (2017)

$8.7M worldwide

Highest rated

The Villainess (2017)

Midcredits 71^st

Most popular right now

Carter (2022)

How do Byeong-sik Jung's films land?

Their typical MovieCove film has a Midcredits score in the 31^st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Mixed.

12

• Crowd Pleaser1
• Mixed2

Most divisive · writer, producer

Carter (2022)

64^th percentile spread · 36% rated it 4 or lower

Most loved · writer

The Villainess (2017)

Midcredits 71^st · 60% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Byeong-sik Jung work with?

People who share at least 2 of Byeong-sik Jung's MovieCove titles, grouped by what they did on them; Jung Byung-gil shares the most, 2.