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Carla Farell

Producer · Born December 18, 1976 (49) · Mexico City, Distrito Federal, Mexico

Born on December 18, 1976 in Mexico City, Carla Farell Benet studied photography at the Activa School of Photography and obtained advanced studies in the same field at the prestigious International Center of Photography School in New York City. She later served as assistant manager in several TV commercials produced by the company 35am. In 2007, she joined Corazón Films' team, first as Marketing staff, later promoted to Area Director and finally, since 2014, she was named Director of Operations of the company. In 2016, Corazón Films launches its production area and Carla produces the films El silencio es bienvenido, Anadina (both chosen for the Official Selection of Guadalajara International Film Festival 2017), Rencor tatuado, directed by Julián Hernández, and Ni tú ni yo, directed by Noé Santillán-López.

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Biography from IMDb.

Born
December 18, 1976 (49)
From
Mexico City, Distrito Federal, Mexico
Works as
Producer
Titles
14 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 10% in 30 days

What are Carla Farell's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy7 titlesTypical Midcredits score: 22nd percentile
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Action movies
Horror2 titlesTypical Midcredits score: 22nd percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
26%
Self
19%
Survival
19%
Morality
14%
Society
11%
Power
8%
Ideas
3%
Family bonds3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeClass2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 5 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 6 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 8 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 5 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
5
Absurd
4
Joyful
4
Contemplative
3
Other
6

How their films linger

Bittersweet5 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet6
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carla Farell's films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on Netflix (6).

Also on these channels

Subscription and free streaming for Carla Farell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 14 with a MovieCove page.

  • The Day Everything Changed(2024)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Parvulos(2024)

    Producer

    Midcredits score: 42nd percentile of all films

  • 40 Years Young(2022)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • The Key Game(2022)

    Producer

    Midcredits score: 18th percentile of all films

  • El Ascensor(2021)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • Crazy for Change(2020)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Grandma's Last Wishes (not in the MovieCove catalog yet)(2020)

    Executive Producer

  • Asphalt Goddess(2020)

    Producer

    Midcredits score: 42nd percentile of all films

  • Dad Wanted(2020)

    Producer

    Midcredits score: 43rd percentile of all films

  • Dark Forces(2020)

    Producer

    Midcredits score: 1st percentile of all films

  • Mark of the Devil(2020)

    Producer

    Midcredits score: 1st percentile of all films

  • Mutiny of the Worker Bees(2020)

    Producer

    Midcredits score: 14th percentile of all films

  • El juego de las llaves(2019)

    Show 16 episodes · Executive Producer

    Midcredits score: 38th percentile of all shows

  • Belmonte(2018)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • Tattoo of Revenge(2018)

    Producer

    Midcredits score: 22nd percentile of all films

  • Silence Is Welcome (not in the MovieCove catalog yet)(2017)

    Executive Producer

Career shape

A full career of 8 titles from 2017 to 2024.

Biggest box office

Mutiny of the Worker Bees (2020)

$1.4M worldwide

Highest rated

Dad Wanted (2020)

Midcredits 43rd

Most popular right now

The Key Game (2022)

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score34th

By decade

2010s3 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Carla Farell's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 13

Approval · how many liked their films

30thpercentile
Typical film, the median of 13

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 50th to 74th1
  • 25th to 49th6
  • Below 25th7

Shape of the crowd

7 of their 14 titles are Mixed.

  • Universally Panned3
  • Cult Classic2
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed7

Most divisive · producer

Crazy for Change (2020)

88th percentile spread · 36% rated it 4 or lower

Most loved · producer

The Day Everything Changed (2024)

Midcredits 72nd · 60% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carla Farell work with?

People who share at least 2 of Carla Farell's MovieCove titles, grouped by what they did on them; Eckehardt Von Damm shares the most, 13.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles