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Christina Wood

Christina Wood

Producer · Singapore

Christina Wood is a Canadian producer currently based in London. Her work spans development, production and business affairs at Canada's leading independent production company; Scythia Films (THE APPRENTICE, THE WITCH). She recently served as a lead Producer on THE EDEN EXPRESS, starring Jonah Hauer-King, as Co-Producer on Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA, starring Gillian Anderson, produced by Plan B and Mubi and Associate Producer on pilot WORRIED, executive produced by Big Beach and Pastel. In 2024 she served as an Executive Producer on Oscar-nominated THE APPRENTICE (Cannes 2024). Past credits include; THE DEAD DON’T HURT [TIFF 2023], directed by Viggo Mortensen and starring Vicky Krieps, and CLOSE TO YOU [TIFF 2023], directed by Dominic Savage and starring Elliot Page and LONGING (dir. Savi Gabizon), starring Richard Gere and Diane Kruger. She was a Business Affairs Associate on notable projects like Sofia Coppola’s PRISCILLA [Venice 2023], Susanna Fogel’s WINNER [Sundance 2024], and Megan Park’s MY OLD ASS [Sundance 2024]. Before moving to Los Angeles in 2022, she had the opportunity to work in Toronto, New York City, and London. Her career began in distribution at Entertainment One UK, where she supported release campaigns for acclaimed titles such as THE BFG, ARRIVAL, JACKIE, THE GIRL ON THE TRAIN, 20th CENTURY WOMEN, and Academy Award and BAFTA winners SPOTLIGHT and I, DANIEL BLAKE. She holds a BA from McGill University and an MFA from Columbia University, and she's proud to be a BAFTA Connect Member. Her passion lies in amplifying international voices in film and TV.

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Biography from TMDB.

From
Singapore
Works as
Producer
Titles
12 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 23% in 30 days

What are Christina Wood's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama4 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 29th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
33%
Self
32%
Survival
21%
Morality
8%
Power
3%
Ideas
3%
Romantic love4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 1 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Tense
4
Bittersweet
4
Romantic
2
Contemplative
1
Other
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Christina Wood's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Also on these channels

Subscription and free streaming for Christina Wood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 12 with a MovieCove page.

  • Teenage Sex and Death at Camp Miasma(2026)

    Co-Producer

    Midcredits score: 74th percentile of all films

  • I, Object(2026)

    Executive Producer

    Midcredits score: 37th percentile of all films (provisional, few ratings)

  • Permanent Damage (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Lilies Not for Me(2024)

    Associate Producer

    Midcredits score: 85th percentile of all films

  • A Kind of Madness(2025)

    Producer

    Midcredits score: 71st percentile of all films

  • A Scam Called Love(2025)

    Associate Producer

    Midcredits score: 45th percentile of all films

  • The Apprentice(2024)

    Executive Producer

    Midcredits score: 83rd percentile of all films

  • My Old Ass(2024)

    Associate Producer

    Midcredits score: 79th percentile of all films

  • Winner(2024)

    Associate Producer

    Midcredits score: 62nd percentile of all films

  • Longing(2024)

    Associate Producer

    Midcredits score: 13th percentile of all films

  • The Dead Don't Hurt(2023)

    Associate Producer

    Midcredits score: 60th percentile of all films

  • Priscilla(2023)

    Associate Producer

    Midcredits score: 65th percentile of all films

  • Close to You(2023)

    Producer

    Midcredits score: 35th percentile of all films

  • Beauty Marks (not in the MovieCove catalog yet)(2021)

    Producer

  • Apparatus (not in the MovieCove catalog yet)

    Executive Producer

  • The Eden Express (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 15 titles, 13 of them dated from 2021 to 2026.

Biggest box office

The Dead Don't Hurt (2023)

$2M worldwide

Highest rated

Lilies Not for Me (2024)

Midcredits 85th

Most popular right now

Longing (2024)

By role

only this rolewith another role
Producing15 of 15: 15 only producing, 0 with another role · typical Midcredits score65th

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Christina Wood's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 12; across their 6 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 6

Approval · how many liked their films

43rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

70thpercentile
Typical film, the median of 6

Midcredits score across 12 titles, by percentile

  • 75th and up3
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

6 of their 12 titles are Crowd Pleasers.

  • Divisive3
  • Crowd Pleaser6
  • Mixed3

Most divisive · producer

A Scam Called Love (2025)

97th percentile spread · 53% rated it 4 or lower

Most loved · producer

Lilies Not for Me (2024)

Midcredits 85th · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Christina Wood's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 46 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Christina Wood work with?

People who share at least 2 of Christina Wood's MovieCove titles, grouped by what they did on them; Hannes Otto shares the most, 3.

Producers