Mike Im

What are Mike Im's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mike Im's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mike Im's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Hide and Seek(2021)

  Producer

  Midcredits score: 4th percentile of all films4^th
• 

  Doraemon: Nobita's Chronicle of the Moon Exploration(2019)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Take Point(2018)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Blade of the Phantom Master(2004)

  Producer

  Midcredits score: 50th percentile of all films50^th

Career shape

Across a limited sample of 4 MovieCove titles from 2004 to 2021.

Biggest box office

Doraemon: Nobita's Chronicle of the Moon Exploration (2019)

$65M worldwide

Highest rated

Doraemon: Nobita's Chronicle of the Moon Exploration (2019)

Midcredits 85^th

How do Mike Im's films land?

Their typical MovieCove film has a Midcredits score in the 42^nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 48^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Universally Panned1
• Crowd Pleaser1
• Mixed2

Most divisive · producer

Take Point (2018)

55^th percentile spread · 27% rated it 4 or lower

Most loved · producer

Doraemon: Nobita's Chronicle of the Moon Exploration (2019)

Midcredits 85^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mike Im work with?

People who share at least 2 of Mike Im's MovieCove titles, grouped by what they did on them; Jeong Tae-sung shares the most, 3.