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Robert Craig

Robert Craig

Producer

Robert Craig is the founder of Robert Craig Films and a Producers Guild of America producer driven by his faith in Christ and the conviction that film can move hearts toward hope, compassion, and real change. Craig began his career in the late 1980s as Casting Director for the John Robert Powers Talent Agency in Sacramento, casting actors and models in film and video productions, including casting Colin Hanks (Tom Hank’s son) in his first feature film, Forever Young (1991). In 1990, he co-produced the educational film Breaking Into Show Business for the Actor and Model, interviewing leading Hollywood casting directors from major productions including Aliens, Back to the Future, Blade Runner, Indiana Jones and the Last Crusade, and The Godfather Part II. These early experiences shaped his long-term vision to produce feature films. Alongside his early entertainment work, Craig built and led successful entrepreneurial ventures in the manufacturing and home improvement sector. Throughout that period, he produced numerous educational films, national commercials, infomercials, customer-driven documentary content, and large-scale media campaigns, refining his expertise in production, distribution strategy, and audience engagement. In 2012, his national public relations campaign, "Bringing China Manufacturing Back to California," earned top recognition from media giant PR Newswire, winning the Earnie Award for Best Integrated Campaign on a Shoestring Budget and earning finalist honors for The Earnies Grand Prix. The campaign demonstrated his ability to combine strategic messaging, storytelling, and national media placement at scale, skills that would later shape the growth of Robert Craig Films. Founded in 2018, Robert Craig Films was established to create stories that inspire hope and lead to meaningful impact beyond the screen. Craig is the P.G.A. producer of the feature film No Address (96% Rotten Tomatoes), which earned over 75 Best Screenplay awards worldwide, including Best Film in a Limited Theatrical Release at the 2026 ICVM Awards, and secured nationwide theatrical release through Fathom Entertainment. The film stars William Baldwin, Beverly D’Angelo, Ashanti, Ty Pennington, and Xander Berkeley. He also produced the companion documentary Americans With No Address, winner of Best Documentary at the 2025 Movieguide Awards with a 96% audience score through Rotten Tomatoes. Both films are streaming on virtually all major platforms, with No Address recently securing a streaming partnership with Angel Studios. Together, the No Address slate has generated more than 10.6 billion media impressions and partnerships with over 1,400 nonprofit organizations nationwide, including The Salvation Army. Reflecting Craig’s belief that stories of hope should lead to tangible action, Robert Craig Films has committed 50% of net profits from related projects to organizations serving individuals experiencing homelessness. Through Robert Craig Films, Craig continues to develop faith-forward films designed for wide release and lasting impact.

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Biography from IMDb.

Works as
Producer
Titles
4 on MovieCove

What are Robert Craig's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Survival.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 4

Grounded 4 · Stylized 0 · Heightened 0

A split, not a type: Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 3 · Full focus 1

Easy watch 0 · Affecting 0 · Heavy 4

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Hopeful
3
Dread
2
Melancholic
2
Bittersweet
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Craig's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Prime Video (2).

Subscription and free streaming for Robert Craig's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • No Address(2025)

    Producer

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 92nd percentile of all films (provisional, few ratings)
  • Maya(2023)

    Producer

    Midcredits score: 29th percentile of all films
  • Angie: Lost Girls(2020)

    Producer

    Midcredits score: 34th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2020 to 2025.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Robert Craig's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 4

Approval · how many liked their films

43rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

38thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Craig work with?

People who share at least 2 of Robert Craig's MovieCove titles, grouped by what they did on them; Julia Verdin shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers