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MovieCove

James Scott

Producer

Works as
Producer
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 39 days to Oct 28Down 18% in 30 days

What are James Scott's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
38%
Self
28%
Society
19%
Survival
9%
Morality
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

Grounded 3 · Stylized 1 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

A split, not a type: Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 0 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Joyful
2
Hopeful
3
Tense
1
Absurd
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James Scott's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for James Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page.

  • Fisherman's Friends: One and All(2022)

    Executive Producer

    Midcredits score: 56th percentile of all films
  • Fisherman's Friends(2019)

    Executive Producer

    Midcredits score: 78th percentile of all films
  • Tone-Deaf(2019)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • Patrick the Pug(2018)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • An American in Paris: The Musical (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • A Street Cat Named Bob(2016)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • The Day Israel Attacked America (not in the MovieCove catalog yet)(2014)

    Producer

  • The Scurry (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 8 titles, 7 of them dated from 2014 to 2022.

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score56th

By decade

2010s6 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do James Scott's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 4

Approval · how many liked their films

51stpercentile
Typical film, the median of 4

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does James Scott work with?

People who share at least 2 of James Scott's MovieCove titles, grouped by what they did on them; Compton Ross shares the most, 3.

Writers

Actors

Composers and editors

Producers