Alex Pritz

What are Alex Pritz's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Pritz's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

• Disney+2 titles, browse their movies on this service
  • The Territory (2022) · director, producer, cinematographer, editor
  • Photographer (2024) · cinematographer
• Curiosity Stream1 title
  • When Lambs Become Lions (2018) · producer, cinematographer
• Hulu1 title, browse their movies on this service
  • The First Wave (2021) · cinematographer
• Prime Video1 title, browse their movies on this service
  • Murder 101 (2026) · cinematographer

Subscription and free streaming for Alex Pritz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 6 with a MovieCove page.

• 

  Nuisance Bear(2026)

  Executive Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Murder 101(2026)

  Show Cinematographer

  Midcredits score: 67th percentile of all shows67^th
• 

  Photographer(2024)

  Show Cinematographer

  Midcredits score: 82nd percentile of all shows82^nd
• 

  The Territory(2022)

  Director · Cinematographer · Editor · Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  The First Wave(2021)

  Cinematographer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Undocumented in the Pandemic (not in the MovieCove catalog yet)(2020)

  Additional Camera
• 

  When Lambs Become Lions(2018)

  Cinematographer · Producer

  Midcredits score: 79th percentile of all films79^th

Career shape

A full career of 3 titles from 2020 to 2026.

Biggest box office

The Territory (2022)

$87K worldwide

Highest rated

The Territory (2022)

Midcredits 93^rd

Most popular right now

Nuisance Bear (2026)

Awards

a Primetime Emmy and 2 other major awards from 7 major nominations, 2022–2023.

1. 2023
   • Primetime Emmy, won · Exceptional Merit in Documentary Filmmaking
   • Primetime Emmy, nominated · Outstanding Cinematography for a Nonfiction Program
   • Primetime Emmy, nominated · Outstanding Directing for a Documentary/Nonfiction Program
   • +1 other major body · 1 nomination

     • Producers Guild Award, nominated · Outstanding Producer of Documentary Motion Pictures
2. 2022
   • Sundance award, won · Documentary Craft
   • Sundance award, won · World Cinema - Documentary
   • Sundance award, nominated · World Cinema - Documentary

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Alex Pritz's films land?

Their typical MovieCove film has a Midcredits score in the 85^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 86^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

42

• Crowd Pleaser4
• Mixed2

Most divisive · cinematographer

The First Wave (2021)

72^nd percentile spread · 17% rated it 4 or lower

Most loved · director, producer, cinematographer, editor

The Territory (2022)

Midcredits 93^rd · 80% liked

Reviewers score the cinematography 83/100 in their films, across 4 reviewed titles; fans 86, detractors 78. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alex Pritz work with?

People who share at least 2 of Alex Pritz's MovieCove titles, grouped by what they did on them; Ross McDonnell shares the most, 2.