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Shahi Kabir

Writer and director

Works as
Writer and director
Titles
5 on MovieCove

What are Shahi Kabir's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 5

Grounded 5 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 2

Steady 1 · Shifting 3 · Whiplash 1

Straight-faced 5 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 5 · Relentless 0

Casual 0 · Engaged 3 · Full focus 2

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 3

Resolved 1 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
2
Contemplative
3
Melancholic
2
Thrilling
1
Other
1

How their films end · 2 with a twist

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shahi Kabir's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, on Netflix (2).

Subscription and free streaming for Shahi Kabir's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Unmadham(2026)

    Writer

    Midcredits score: 60th percentile of all films
  • Officer on Duty(2025)

    Writer

    Midcredits score: 90th percentile of all films
  • Ela Veezha Poonchira(2022)

    Director

    Midcredits score: 92nd percentile of all films
  • Nayattu(2021)

    Writer

    Midcredits score: 97th percentile of all films
  • Joseph(2018)

    Writer

    Midcredits score: 98th percentile of all films

Career shape

Across their 5 MovieCove titles from 2018 to 2026.

By role

only this rolewith another role
Directing1 of 5: 1 only directing, 0 with another roleWriting4 of 5: 4 only writing, 0 with another role

By decade

2010s1 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Shahi Kabir's films land?

Their typical MovieCove film has a Midcredits score in the 92nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 5

Approval · how many liked their films

96thpercentile
Typical film, the median of 5

Reach · how many have seen their films

76thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up4
  • 50th to 74th1

Reviewers score the dialogue 58/100 and the plot and story 54/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Shahi Kabir work with?

People who share at least 2 of Shahi Kabir's MovieCove titles, grouped by what they did on them; Kunchacko Boban shares the most, 3.

Actors

Cinematographers and editors

Producers