- Producer and writer
- 3 on Motif
What are Wayne Fitzjohn's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 0 · Intense 3
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wayne Fitzjohn's films?
As of October 24, 2026, all 3 Motif titles stream on a subscription or free service.
Subscription and free streaming for Wayne Fitzjohn's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a Motif page.
Boy Kills World(2023)
Motif score: 57th percentile of all films
Redeeming Love(2022)
Motif score: 73rd percentile of all films
I Am All Girls(2021)
Motif score: 48th percentile of all films
Career shape
A full career of 3 titles from 2021 to 2024.
How do Wayne Fitzjohn's films land?
Their typical Motif film has a Motif score in the 57th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Reviewers score the dialogue 38/100 and the plot and story 36/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Wayne Fitzjohn's work okay for kids?
Across a limited sample of up to 3 Motif titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Wayne Fitzjohn work with?
People who share at least 2 of Wayne Fitzjohn's Motif titles, grouped by what they did on them; Simon Swart shares the most, 3.
Actors
- Famke JanssenShared titles: Boy Kills World (2023), Redeeming Love (2022)See all 2 shared titles with Famke Janssen
Editors
- Lucian BarnardShared titles: Boy Kills World (2023), I Am All Girls (2021)See all 2 shared titles with Lucian Barnard
Producers
- Simon SwartShared titles: Boy Kills World (2023), Redeeming Love (2022), I Am All Girls (2021)See all 3 shared titles with Simon Swart
- Humphrey MatheShared titles: Boy Kills World (2023), Redeeming Love (2022)See all 2 shared titles with Humphrey Mathe
- Malwande MgojoShared titles: Boy Kills World (2023), Redeeming Love (2022)See all 2 shared titles with Malwande Mgojo
- Matthew-Judd FitzjohnShared titles: Boy Kills World (2023), Redeeming Love (2022)See all 2 shared titles with Matthew-Judd Fitzjohn