Maya Scherr-Willson
- Producer
- 10 on MovieCove
What are Maya Scherr-Willson's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 8
Light 0 · Serious 4 · Dark 6
Grounded 1 · Stylized 5 · Heightened 4
A split, not a type: Gentle 3 · Charged 2 · Intense 5
Steady 4 · Shifting 4 · Whiplash 2
Straight-faced 8 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 5 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 7
A split, not a type: Easy watch 2 · Affecting 3 · Heavy 5
Resolved 1 · Open-ended 4 · Ambiguous 5
Moods and endings
- Bittersweet4
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maya Scherr-Willson's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Maya Scherr-Willson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
The End(2024)
Midcredits score: 26th percentile of all films
Midcredits score: 82nd percentile of all films
Lost in the Night(2023)
Midcredits score: 42nd percentile of all films
The Echo(2023)
Midcredits score: 91st percentile of all films
Burning Days(2022)
Midcredits score: 92nd percentile of all films
Scarlet(2022)
Midcredits score: 70th percentile of all films
Midcredits score: 42nd percentile of all films
Memoria(2021)
Midcredits score: 56th percentile of all films
Prayers for the Stolen(2021)
Midcredits score: 92nd percentile of all films
Midcredits score: 76th percentile of all films
Career shape
Across their 10 MovieCove titles from 2021 to 2024.
Biggest box office
Kidnapped: The Abduction of Edgardo Mortara (2023)
Highest rated
Burning Days (2022)
Most popular right now
Kidnapped: The Abduction of Edgardo Mortara (2023)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Maya Scherr-Willson's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th3
Shape of the crowd
6 of their 10 titles are Crowd Pleasers.
- Crowd Pleaser6
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Maya Scherr-Willson's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Maya Scherr-Willson work with?
People who share at least 2 of Maya Scherr-Willson's MovieCove titles, grouped by what they did on them; Michael Weber shares the most, 10.
Directors
- Tatiana HuezoShared titles: The Echo (2023), Prayers for the Stolen (2021)See all 2 shared titles with Tatiana Huezo
Actors
- Tilda SwintonShared titles: The End (2024), Memoria (2021)See all 2 shared titles with Tilda Swinton
Composers and editors
- Jacobo LiebermanShared titles: The Echo (2023), Prayers for the Stolen (2021)See all 2 shared titles with Jacobo Lieberman
- Leonardo HeiblumShared titles: The Echo (2023), Prayers for the Stolen (2021)See all 2 shared titles with Leonardo Heiblum
- Lee ChatametikoolShared titles: Memoria (2021), Vengeance Is Mine, All Others Pay Cash (2021)See all 2 shared titles with Lee Chatametikool
Producers
- Michael WeberShared titles: The End (2024), Kidnapped: The Abduction of Edgardo Mortara (2023), Lost in the Night (2023), The Echo (2023), Burning Days (2022), Scarlet (2022), The Cow Who Sang a Song Into the Future (2022), Memoria (2021), Prayers for the Stolen (2021), Vengeance Is Mine, All Others Pay Cash (2021)See all 10 shared titles with Michael Weber
- Viola FügenShared titles: The End (2024), Kidnapped: The Abduction of Edgardo Mortara (2023), Lost in the Night (2023), The Echo (2023), Burning Days (2022), Scarlet (2022), The Cow Who Sang a Song Into the Future (2022), Memoria (2021), Prayers for the Stolen (2021), Vengeance Is Mine, All Others Pay Cash (2021)See all 10 shared titles with Viola Fügen
- Cécile Tollu-PolonowskiShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Lost in the Night (2023), The Echo (2023), Burning Days (2022), Scarlet (2022), The Cow Who Sang a Song Into the Future (2022), Memoria (2021), Prayers for the Stolen (2021)See all 8 shared titles with Cécile Tollu-Polonowski
- Dan WechslerShared titles: Lost in the Night (2023), The Cow Who Sang a Song Into the Future (2022), Memoria (2021), Prayers for the Stolen (2021)See all 4 shared titles with Dan Wechsler
