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And We Go Green

And We Go Green

The inside story of Formula E, the world's most electrifying sport.

201999 minMidcredits score: 61st percentile of all films
Directors
Malcolm Venville, Fisher Stevens
Starring
Leonardo DiCaprio, Hazel Southwell, Orlando Bloom, Pope Francis

Professional drivers on the international Formula E circuit — like Formula One, but with eco-friendly electric cars — race for victory across 10 cities.

Where to watch

Where can I watch And We Go Green?

As of October 24, 2026, MovieCove does not list And We Go Green on any major US streaming service.

Your rating, lists and review

Highlights

What stands out about And We Go Green?

And We Go Green earns 3 badges, led by Cult Classic and Feel-good.

  • Reception
  • Craft and mood
  • Awards and box office

Reception

Is And We Go Green worth watching?

And We Go Green's Midcredits score is the 61st percentile of all films, from 611 ratings across 5 sources. 50% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

61st percentile

Better received than 61% of films

26th percentile among Documentary62nd percentile among 2010s
Acclaim (how much people like it)69th
Approval (how many liked it)52nd

67 /100

69th percentile of all films

33rd percentile among Documentary69th percentile among 2010s

Critics 55 · Audience 68

Audiences liked it more than critics did.

Rating distribution

Ratings scatter across the whole scale — one of the most divisive reactions in the catalog.

50% liked it

52nd percentile of all films

22nd percentile among Documentary52nd percentile among 2010s
50% rated it 7–1050% rated it 1–6

Critics 78%

The Rotten Tomatoes critic score.

Awards

0 Oscars won · 0 Oscar noms · 0 wins / 1 noms overall

Reach

How many have seen it

52nd percentile

607 ratings across platforms

78th percentile among Documentary55th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Down 11% in 30 days

What reviewers say

Common ground

A lightweight, cheery Formula E documentary that focuses more on personalities than technical details.

Fans praised

  • entertaining and informative motorsport doc
  • jaunty upbeat tone captures the racing series
  • accessible to non-racing fans

Detractors panned

  • fails as environmental film or racer drama
  • lacks depth on technology and electric transition

What stands out

Atmosphere60

upbeat and entertaining vibe

Pacing55

lightweight and jaunty

Plot and storyDivisive50

follows drivers through season, but not compelling drama

CharactersDivisive50

focus on driver personalities and relationships

Originality40

feels like a branding exercise

Watch experience

What is And We Go Green like to watch?

Conclusions only — categories and positions, no plot detail.

Fun ride: browse every movie of this kind

Watch this when you want a fun ride.

It leaves you feeling good. Skip it when you want something with weight.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Very little.

What it feels like

Fun ride.

The answer rests on this: Moods
ThrillingWarm
Heaviest: late
Register
WarmAdventurous · 11% of films
Told as
Episodic · 13% of films: Loosely connected incidents rather than one driving plot.
ToneThe film treats its subject with cheerful enthusiasm, staying light and accessible throughout.
The rideRacing sequences generate excitement, while driver profiles keep the mood warm throughout.
StructureThe documentary tracks the Formula E season across 10 cities in episodic fashion.

How it leaves you

what you carry away

Feeling good.

The answer rests on this: Feel-goodHopeful
Why it leaves you this wayThe film leaves a positive, enthusiastic impression, with a sense of hope for the future of electric racing.
How it ends · evidence
Happy ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22% (this title)

No archetype fits — true of 22% of films: ensemble pieces, satire, slice-of-life.

Why this archetypeDocumentary format follows real events without a constructed narrative arc.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelf
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% (this title) · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5% (this title): Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1% (this title)

Ideas

Technology · 1% of filmsAmbition · 7% of films
Celebrates its theme: Affirms its theme — this is good and worth having.Community stakes: Consequences reach a town, institution or group.Ensemble lead
How it treats its themeThe film explores the intersection of competitive racing and electric vehicle technology.
StanceThe documentary presents Formula E as an exciting and progressive sport, celebrating its drivers and technology.

The world

ContemporaryIn transitUrbanRealistic
ElectronicOrchestral modernForeground music · original score · Dan Deacon
SettingFormula E electric car racing circuit across 10 global cities
MusicDan Deacon's propulsive electronic score energizes the racing footage.

Cast and crew

Who is in And We Go Green?

Cast

Leonardo DiCaprio
as Self
Hazel Southwell
as Self
Orlando Bloom
as Self
Pope Francis
as Self
André Lotterer
as Self

Crew

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