- Producer
- 11 on MovieCove
What are Shirel Kozak's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Society and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 2 · Serious 1 · Dark 4
Grounded 5 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 2 · Intense 3
A split, not a type: Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 4 · Full focus 2
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 3
Resolved 2 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous7
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shirel Kozak's films?
As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on HBO Max (5).
- Curiosity Stream
Subscription and free streaming for Shirel Kozak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 11 with a MovieCove page.
The History of Concrete(2026)
Midcredits score: 96th percentile of all films
It's Florida, Man(2024)
Midcredits score: 24th percentile of all shows
Sex Diaries(2022)
Midcredits score: 1st percentile of all shows
Gossip(2021)
Midcredits score: 17th percentile of all shows
The Forever Prisoner(2021)
Midcredits score: 89th percentile of all films
How to with John Wilson(2020)
Midcredits score: 98th percentile of all shows
The Swamp(2020)
Midcredits score: 67th percentile of all films
And We Go Green(2019)
Midcredits score: 61st percentile of all films
The King(2017)
Midcredits score: 68th percentile of all films
Denial(2016)
Midcredits score: 44th percentile of all films (provisional, few ratings)
The House I Live In(2012)
Midcredits score: 97th percentile of all films
Career shape
Across their 11 MovieCove titles from 2012 to 2026.
Awards
Nominated for a Primetime Emmy in 2024, Outstanding Hosted Nonfiction Series or Special.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Shirel Kozak's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
- Below 25th3
Shape of the crowd
4 of their 11 titles are Mixed.
- Universally Loved2
- Divisive1
- Cult Classic1
- Crowd Pleaser3
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shirel Kozak work with?
People who share at least 2 of Shirel Kozak's MovieCove titles, grouped by what they did on them; Christopher St. John shares the most, 4.
Directors
- Eugene JareckiShared titles: The King (2017), Denial (2016), The House I Live In (2012)See all 3 shared titles with Eugene Jarecki
- John WilsonShared titles: The History of Concrete (2026), How to with John Wilson (2020)See all 2 shared titles with John Wilson
- Jenny CarchmanShared titles: Sex Diaries (2022), Gossip (2021)See all 2 shared titles with Jenny Carchman
Writers
- Christopher St. JohnShared titles: And We Go Green (2019), The King (2017), Denial (2016), The House I Live In (2012)See all 4 shared titles with Christopher St. John
Composers and editors
- Cori WapnowskaShared titles: The History of Concrete (2026), It's Florida, Man (2024), How to with John Wilson (2020)See all 3 shared titles with Cori Wapnowska
- Dan DeaconShared titles: Sex Diaries (2022), And We Go Green (2019)See all 2 shared titles with Dan Deacon
- Paul FrostShared titles: Gossip (2021), The House I Live In (2012)See all 2 shared titles with Paul Frost
- Kyle Scott WilsonShared titles: The Swamp (2020), Denial (2016)See all 2 shared titles with Kyle Scott Wilson
Producers
- Allie VitiShared titles: The History of Concrete (2026), It's Florida, Man (2024), How to with John Wilson (2020)See all 3 shared titles with Allie Viti
- Clark FilioShared titles: The History of Concrete (2026), It's Florida, Man (2024), How to with John Wilson (2020)See all 3 shared titles with Clark Filio
- Daniel DiMauroShared titles: The Swamp (2020), Denial (2016), The House I Live In (2012)See all 3 shared titles with Daniel DiMauro
- Clark ReinkingShared titles: It's Florida, Man (2024), How to with John Wilson (2020)See all 2 shared titles with Clark Reinking
Mixed roles
- Christopher FriersonShared titles: The King (2017), Denial (2016)See all 2 shared titles with Christopher Frierson