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Get Her... If You Can

Get Her... If You Can

2019102 minTV-MAMidcredits score: 28th percentile of all films
Director
Inés de León
Starring
Amaia Salamanca, Javier Rey, Leticia Dolera, Mariam Hernández

Roberto and Daniela are two siblings who live in a world of wealth and glamor thanks to the shipping company they inherited from their father. Both share the direction of the company, although they have a completely opposite attitude to life: Daniela is thorough and perfectionist; Roberto, on the other hand, is a visionary genius who hates the meticulousness of his sister. However, both find the way out of their disagreements when they fall in love with the same woman: Isabel (Dolera), a monologist who Roberto has hired to seduce Daniela and so be as fun as she was before taking the address of the company.

Where to watch

Where can I watch Get Her... If You Can?

As of October 24, 2026, MovieCove lists Get Her... If You Can streaming on FlixLatino via Prime Video and to rent or buy on Apple TV and Prime Video.

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via Prime Video

Your rating, lists and review

Highlights

What stands out about Get Her... If You Can?

Get Her... If You Can earns 2 badges, led by Feel-good and Award Nominee.

  • Craft and mood
  • Awards and box office

Reception

Is Get Her... If You Can worth watching?

Get Her... If You Can's Midcredits score is the 28th percentile of all films, from 2.3K ratings across 4 sources. 31% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

28th percentile

Better received than 28% of films

30th percentile among Comedy29th percentile among 2010s
Acclaim (how much people like it)34th
Approval (how many liked it)24th

57 /100

34th percentile of all films

38th percentile among Comedy36th percentile among 2010s

Rating distribution

A broad spread centered near 5.7 — solid but not unanimous.

31% liked it

24th percentile of all films

25th percentile among Comedy24th percentile among 2010s
31% rated it 7–1069% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 0 wins / 1 noms overall

Reach

How many have seen it

62nd percentile

2.3K ratings across platforms

56th percentile among Comedy65th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Up 2% in 30 days

Box office

Budget€2.8M

In euro, not converted to dollars.

Worldwide gross$329K

32nd percentile earner in its genre.

What reviewers say

Common ground

A screwball-style romantic comedy with witty, over-the-top dialogue and a madcap premise revolving around seduction and corporate power struggles.

Fans praised

  • quirky and cute lead performance
  • feel-good factor and huge smiles
  • clever and left-field humor

Detractors panned

  • ridiculous and sharp dialogue feels forced
  • premise too convoluted and implausible

What stands out

Acting75

Leticia Dolera's energetic recital; strong cast chemistry noted

HumorDivisive70

lighthearted, left-field gags that divide on quality

DialogueDivisive60

sharp and witty versus ridiculous and forced

Characters55

quirky archetypes but uneven depth

Ending55

punchline comedy finale that lands well for some

Plot and storyDivisive45

convoluted seduction scheme and corporate tug-of-war

Watch experience

What is Get Her... If You Can like to watch?

Conclusions only — categories and positions, no plot detail.

Easy laugh: browse every movie of this kind

Watch this when you want something light that makes you laugh and does not take itself seriously.

It is gentle and leaves you feeling good. Skip it when you want something with weight.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Very little.

What it feels like

Easy laugh.

Moods
JoyfulRomanticAbsurd
Heaviest: middle
Absurdist humor: Deliberately illogical; embraces nonsense.
Register
PlayfulWry · 7% of films: Amused and slightly dry about it.
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film plays its screwball comedy and romantic entanglements with a light, humorous touch, knowing but not cynical.
The rideThe film maintains a light, playful energy with comedic chaos in the middle act, and the romantic developments keep the mood buoyant throughout.
StructureConventional romantic comedy structure.

How it leaves you

what you carry away

Feeling good.

Feel-goodFun
Why it leaves you this wayLighthearted and entertaining, leaves a smile.
How it ends · evidence
Bittersweet endingTwist

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Comedy
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11% (this title): Romantic comedy 4% · Comedy of errors 3% (this title) · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Comedy: Confusion and cross-purposes resolved into harmony. · Comedy of errors: Mistaken identity or misunderstanding drives the plot.

11% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeRoberto hires Isabel to seduce his sister to win a business vote, leading to mistaken identity and romantic confusion.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfRomanticlove
Every theme, clockwise from the top
  • Bonds 27% (this title): Romantic love 15% (this title) · Marriage 2% · Family bonds 21% (this title) · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9% (this title)
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Bonds

Romantic love · 15% of filmsDeception · 9% of filmsFamily bonds
Celebrates its theme: Affirms its theme — this is good and worth having.Intimate stakes: Consequences reach a person or a household.Dual lead
How it treats its themeThe story revolves around romantic entanglements born from a deceptive plot, while also exploring the strained bonds between siblings vying for control of a family company.
StanceThe film affirms romantic love and connection, presenting the chaotic journey toward it as ultimately positive and feel-good.

The world

ContemporaryUrbanInstitutionalDomesticStylized realism
Orchestral modernPopSupportive music · hybrid · Alfonso G. Aguilar
SettingMadrid's high-finance corporate world and the working-class bar scene where Isabel performs stand-up
MusicThe score likely blends light orchestral themes with upbeat pop to complement the comedic and romantic tone.

Content guide

Is Get Her... If You Can okay for kids?

Ratings in 1 other country
  • Spain7

No detailed content scores for this title yet.

What content warnings does Get Her... If You Can have?

Not screened for content warnings yet.

Cast and crew

Who is in Get Her... If You Can?

Cast

Amaia Salamanca
as Daniela Allende-Salazar
Career best: Their highest-reaching film role by billing, audience size and rating.Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Javier Rey
as Roberto Allende-Salazar
Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Leticia Dolera
as Isabel
Mariam Hernández
as Alexia
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.
Brays Efe
as Álex
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.
Dani Pérez Prada
as Fernando Allende-Salazar
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.
Santiago Segura
as Luis
Veteran: 15 or more years in, with as much work as the typical long-career actor.Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Hugo Silva
as Abelardo
Nacho Vigalondo
as Vecino iracundo
Nicolás Furtado
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.

Crew

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Movies like Get Her... If You Can include Heartbreakers (2001), Rosaline (2022) and Priceless (2006). Of the 12 closest matches, several are comedies of errors, and most are films set in high society.

Balanced: every group counts the same, and production only breaks ties.

10 of these 12 share its character type: partners in crime. Those cards say what else they share.

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What else shares a premise, people or place with Get Her... If You Can?

759 other films share the rarest tag below, kind of film: screwball comedy. Each tag opens Browse with the films that share it.