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Cindy Teperman

Cindy Teperman

Producer

Cindy Teperman is an Argentine -Portuguese film producer and the founder and president of the acclaimed US/UK production company Infinity Hill. With a career spanning over 30 productions across Argentina, Spain, and the United States, she has established herself as a driving force in international cinema. Her credits include critically acclaimed local films such as Animal, directed by Academy Award winner Armando Bo; El Amor Menos Pensado, starring Ricardo Darín and Mercedes Moran; and the Golden Globe-winning, Academy Award- and BAFTA-nominated Argentina, 1985. Teperman has collaborated with some of the most prominent names in international film, including Brian Cox, Alan Cumming, Ursula Corberó, Bill Nighy, Imelda Staunton, Marina de Tavira, Dominic West, Elena Anaya, Anna Paquin, Ray Winstone, and Karla Souza. She has produced some of the most impactful local-language films in recent years, notably the Spanish box-office hit Padre no hay más que uno. Her work has been showcased at the world's top film festivals, including Venice, Toronto, Berlin, Tribeca, San Sebastián, Zurich, London BFI, and Morelia, cementing her reputation as a global player in contemporary cinema.

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Biography from IMDb.

Works as
Producer
Titles
25 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 16% in 30 days

What are Cindy Teperman's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama8 titlesTypical Midcredits score: 49th percentile
: browse their Drama movies
Comedy7 titlesTypical Midcredits score: 44th percentile
: browse their Comedy movies
Crime3 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
36%
Self
23%
Morality
19%
Survival
14%
Society
7%
Ideas
1%
Power
1%
Family bonds14 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeTrauma3 titles, browse their movies with this themeCommunity4 titles, browse their movies with this theme

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 5 · Dark 10

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 17 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 9 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 13 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 14 · Some laughs 4 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 13 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 10 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 6 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 4 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
13
Joyful
6
Hopeful
8
Dread
5
Other
21

How their films linger

Thought-provoking10 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteUnsettling7 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy6
  • Bittersweet10
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cindy Teperman's films?

As of October 24, 2026, 18 of their 25 MovieCove titles stream on a subscription or free service, most on Prime Video (6).

Also on these channels

Subscription and free streaming for Cindy Teperman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 25 with a MovieCove page.

  • & Sons(2025)

    Producer

    Midcredits score: 44th percentile of all films

  • Love Is Love(2026)

    Producer

    Midcredits score: 21st percentile of all films

  • Blue Box(2026)

    Producer

    Midcredits score: 20th percentile of all films

  • Barreda(2026)

    Producer

    Midcredits score: 59th percentile of all films

  • Glenrothan(2025)

    Producer

    Midcredits score: 38th percentile of all films

  • An Odd Turn (not in the MovieCove catalog yet)(2024)

    Co-Executive Producer

  • Kill the Jockey(2024)

    Producer

    Midcredits score: 64th percentile of all films

  • The Freshly Cut Grass(2024)

    Producer

    Midcredits score: 47th percentile of all films

  • The Rescue: The Weight of the World(2023)

    Producer

    Midcredits score: 50th percentile of all films

  • La hija de Dios(2023)

    Show Producer

    Midcredits score: 60th percentile of all shows (provisional, few ratings)

  • El gerente(2022)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Argentina, 1985(2022)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • All Hail(2022)

    Associate Producer

    Midcredits score: 29th percentile of all films

  • A Bit of Light(2022)

    Producer

    Midcredits score: 46th percentile of all films

  • Dive(2022)

    Producer

    Midcredits score: 83rd percentile of all films

  • The Humming of the Beast (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • Reefa(2021)

    Producer

    Midcredits score: 12th percentile of all films

  • Nasha Natasha (not in the MovieCove catalog yet)(2020)

    Associate Producer

  • Staged(2020)

    Show 6 episodes · Executive Producer

    Midcredits score: 97th percentile of all shows

  • The Intruder(2020)

    Producer

    Midcredits score: 44th percentile of all films

  • Get Her... If You Can(2019)

    Producer

    Midcredits score: 28th percentile of all films

  • Father There Is Only One(2019)

    Producer

    Midcredits score: 56th percentile of all films

  • The Retirement(2019)

    Producer

    Midcredits score: 44th percentile of all films

  • El Potro: Unstoppable (not in the MovieCove catalog yet)(2018)

    Producer

  • An Unexpected Love(2018)

    Associate Producer

    Midcredits score: 69th percentile of all films

  • Animal(2018)

    Producer

    Midcredits score: 54th percentile of all films

  • Perdida(2018)

    Producer

    Midcredits score: 32nd percentile of all films

  • You Only Live Once(2017)

    Producer

    Midcredits score: 18th percentile of all films

  • I'm Gilda (not in the MovieCove catalog yet)(2016)

    Co-Producer

  • Refugiado(2014)

    Co-Producer

    Midcredits score: 57th percentile of all films

  • Cerro Bayo (not in the MovieCove catalog yet)(2011)

    Associate Producer

  • Cuddle (not in the MovieCove catalog yet)

    Producer

  • Las Malas (not in the MovieCove catalog yet)

    Producer

  • Psyche (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 24 titles, 21 of them dated from 2011 to 2026.

Biggest box office

Father There Is Only One (2019)

$16M worldwide

Highest rated

Argentina, 1985 (2022)

Midcredits 97th

Most popular right now

Staged (2020)

By role

only this rolewith another role
Producing24 of 24: 24 only producing, 0 with another role · typical Midcredits score50th

By decade

2010s8 · crew2020s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Cindy Teperman's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 23; across their 22 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 22

Approval · how many liked their films

46thpercentile
Typical film, the median of 22

Reach · how many have seen their films

75thpercentile
Typical film, the median of 22

Midcredits score across 25 titles, by percentile

  • 75th and up4
  • 50th to 74th8
  • 25th to 49th9
  • Below 25th4

Shape of the crowd

10 of their 25 titles are Mixed.

  • Universally Loved2
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed5
  • Mixed10

Most divisive · producer

Love Is Love (2026)

97th percentile spread · 54% rated it 4 or lower

Most loved · producer

Argentina, 1985 (2022)

Midcredits 97th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Cindy Teperman's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles5–69 · median 26 · mildnear the median of all filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 55 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Cindy Teperman work with?

People who share at least 2 of Cindy Teperman's MovieCove titles, grouped by what they did on them; Axel Kuschevatzky shares the most, 18.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles