
Marlene Dietrich
Actor · Died May 6, 1992, aged 90 · Berlin, Germany
Marlene Dietrich (1901–1992) was a German-American actress and singer, widely regarded as one of the most iconic figures of classic Hollywood. She rose to fame in the 1930s with films like The Blue Angel, Shanghai Express, and Destry Rides Again, captivating audiences with her sultry voice, striking beauty, and androgynous style. Known for her ability to reinvent herself, Dietrich transitioned from film star to a celebrated cabaret performer, touring internationally for decades. Beyond her career, Dietrich was known for her progressive views and unconventional lifestyle. She openly defied gender norms, often wearing men's clothing both on and off-screen, which contributed to her enigmatic persona. Her personal life has long been the subject of speculation, particularly regarding her sexuality. While she was married to Rudolf Sieber, she was rumored to have had relationships with both men and women, including actresses Claudette Colbert and Mercedes de Acosta. Some sources suggest she was part of Hollywood’s so-called “sewing circle,” a network of women engaged in same-sex relationships. However, Dietrich never publicly confirmed these rumors, maintaining an air of mystery that only added to her legendary status. Her legacy continues to inspire discussions on gender, sexuality, and Hollywood’s golden age.
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Biography from TMDB.
- December 27, 1901
- May 6, 1992 (aged 90)
- Berlin, Germany
- Actor
- 32 on MovieCove · 69 credits in all
What are Marlene Dietrich's films like?
Across their 28 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 26
A split, not a type: Light 13 · Serious 7 · Dark 8
Grounded 8 · Stylized 11 · Heightened 9
Gentle 7 · Charged 16 · Intense 5
Steady 12 · Shifting 13 · Whiplash 3
A split, not a type: Straight-faced 13 · Some laughs 9 · Funny 6
Slow burn 13 · Even-paced 15 · Relentless 0
A split, not a type: Casual 17 · Engaged 9 · Full focus 2
A split, not a type: Easy watch 14 · Affecting 11 · Heavy 3
Resolved 20 · Open-ended 7 · Ambiguous 1
Roles they play
Usually the Shapeshifter: 10 of 27 analyzed roles.
Show the 27 rolesHide the roles
- Shapeshifteras Lola Lola in The Blue Angel (1930)
- Shapeshifteras Mademoiselle Amy Jolly in Morocco (1930)
- Heroas Marie Kolverer aka X-27 in Dishonored (1931)
- Heroas Helen Faraday in Blonde Venus (1932)
- Shapeshifteras Shanghai Lily in Shanghai Express (1932)
- Heroas Princess Sophia Frederica / Catherine in The Scarlet Empress (1934)
- Shadowas Concha Perez in The Devil Is a Woman (1935)
- Tricksteras Concha Perez in The Devil Is a Woman (1935)
- Shapeshifteras Concha Perez in The Devil Is a Woman (1935)
- Shapeshifteras Madeleine de Beaupre in Desire (1936)
- Heroas Domini Enfilden in The Garden of Allah (1936)
- Heroas Lady Maria Barker in Angel (1937)
- Allyas Countess Alexandra in Knight Without Armor (1937)
- Shapeshifteras Frenchy in Destry Rides Again (1939)
- Heroas Bijou in Seven Sinners (1940)
- Heroas Claire Ledeux in The Flame of New Orleans (1941)
- Shapeshifteras Claire Ledeux in The Flame of New Orleans (1941)
- Heroas Elizabeth 'Liza' Madden in The Lady Is Willing (1942)
- Shapeshifteras Cherry Malotte in The Spoilers (1942)
- Allyas Jamilla in Kismet (1944)
- Shapeshifteras Erika Von Schluetow in A Foreign Affair (1948)
- Tricksteras Charlotte Inwood in Stage Fright (1950)
- Mentoras Monica Teasdale in No Highway in the Sky (1951)
- Shadowas Altar Keane in Rancho Notorious (1952)
- Heroas Maria de Crevecoeur in The Montecarlo Story (1956)
- Shapeshifteras Christine in Witness for the Prosecution (1957)
- Heraldas Baroness von Semering in Just a Gigolo (1978)
Moods and endings
- Happy11
- Bittersweet12
- Tragic3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marlene Dietrich's films?
As of October 24, 2026, 13 of their 32 MovieCove titles stream on a subscription or free service, most on Tubi (11).
- Witness for the Prosecution (1957) · actor · free
- Judgment at Nuremberg (1961) · actor · free
- Touch of Evil (1958) · actor · free
- Cameraman: The Life and Work of Jack Cardiff (2010) · actor · free
- The Blue Angel (1930) · actor · free
- Angel (1937) · actor · free
- Morocco (1930) · actor · free
- Around the World in 80 Days (1956) · actor · free
- Seven Sinners (1940) · actor · free
- Just a Gigolo (1978) · actor · free
- Jigsaw (1949) · actor · free
Subscription and free streaming for Marlene Dietrich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
69 credits, 32 with a MovieCove page; 31 appearances as themselves are hidden until asked for.

Marilyn Monroe: The Rise of an Icon (not in the MovieCove catalog yet)(2026)

1939: Secrets of Hollywood's Golden Year (not in the MovieCove catalog yet)(2023)

Mythos Côte d'Azur - Liebe, Luxus, Leidenschaft (not in the MovieCove catalog yet)(2021)

Normandie ne partira pas ce soir (not in the MovieCove catalog yet)(2021)
Bodies and Spaces, Fabric and Light (not in the MovieCove catalog yet)(2018)
Midcredits score: 94th percentile of all films
The Great Yiddish Love (not in the MovieCove catalog yet)(2002)

No Angel: A Life of Marlene Dietrich (not in the MovieCove catalog yet)(1996)

The Casting Couch (not in the MovieCove catalog yet)(1995)
Midcredits score: 90th percentile of all films
The Meeting of Two Queens (not in the MovieCove catalog yet)(1991)
Nylon Blues: A History of the Nylon Stocking (not in the MovieCove catalog yet)(1991)

Just a Gigolo(1978)
Midcredits score: 25th percentile of all films
Ettan gästar: Marlene Dietrich (not in the MovieCove catalog yet)(1971)

Paris When It Sizzles(1964)
Midcredits score: 55th percentile of all films
Where Have All the Flowers Gone? (not in the MovieCove catalog yet)(1963)

Black Fox: The Rise and Fall of Adolf Hitler (not in the MovieCove catalog yet)(1962)

Judgment at Nuremberg(1961)
Midcredits score: 99th percentile of all films
Touch of Evil(1958)
Midcredits score: 97th percentile of all films
Midcredits score: 99th percentile of all films
The Montecarlo Story(1956)
Midcredits score: 25th percentile of all films
Midcredits score: 69th percentile of all films
Rancho Notorious(1952)
Midcredits score: 75th percentile of all films
No Highway in the Sky(1951)
Midcredits score: 85th percentile of all films
Stage Fright(1950)
Midcredits score: 79th percentile of all films
Jigsaw(1949)
Midcredits score: 24th percentile of all films
A Foreign Affair(1948)
Midcredits score: 90th percentile of all films
Golden Earrings (not in the MovieCove catalog yet)(1947)

Martin Roumagnac (not in the MovieCove catalog yet)(1946)

Kismet(1944)
Midcredits score: 38th percentile of all films
Follow the Boys (not in the MovieCove catalog yet)(1944)

Pittsburgh (not in the MovieCove catalog yet)(1942)

The Spoilers(1942)
Midcredits score: 67th percentile of all films
The Lady Is Willing(1942)
Midcredits score: 56th percentile of all films
Manpower (not in the MovieCove catalog yet)(1941)

The Flame of New Orleans(1941)
Midcredits score: 59th percentile of all films
Seven Sinners(1940)
Midcredits score: 62nd percentile of all films
Destry Rides Again(1939)
Midcredits score: 94th percentile of all films
Angel(1937)
Midcredits score: 88th percentile of all films
Knight Without Armor(1937)
Midcredits score: 72nd percentile of all films
The Garden of Allah(1936)
Midcredits score: 37th percentile of all films
Desire(1936)
Midcredits score: 84th percentile of all films
The Devil Is a Woman(1935)
Midcredits score: 77th percentile of all films
The Scarlet Empress(1934)
Midcredits score: 91st percentile of all films
The Song of Songs(1933)
Midcredits score: 74th percentile of all films
The Film Parade (not in the MovieCove catalog yet)(1933)

Blonde Venus(1932)
Midcredits score: 83rd percentile of all films
Shanghai Express(1932)
Midcredits score: 88th percentile of all films
Dishonored(1931)
Midcredits score: 87th percentile of all films
Marlene Dietrich, “The Blue Angel” Screen Test (not in the MovieCove catalog yet)(1930)

Morocco(1930)
Midcredits score: 79th percentile of all films
The Blue Angel(1930)
Midcredits score: 94th percentile of all films
Dangers of the Engagement Period (not in the MovieCove catalog yet)(1930)

The Ship of Lost Men (not in the MovieCove catalog yet)(1929)

The Woman One Longs For (not in the MovieCove catalog yet)(1929)

I Kiss Your Hand, Madame (not in the MovieCove catalog yet)(1929)

Art of Love (not in the MovieCove catalog yet)(1928)

Cafe Electric (not in the MovieCove catalog yet)(1927)

His Greatest Bluff (not in the MovieCove catalog yet)(1927)

Heads Up, Charley (not in the MovieCove catalog yet)(1927)

The Imaginary Baron (not in the MovieCove catalog yet)(1927)
A Modern Dubarry (not in the MovieCove catalog yet)(1927)

Manon Lescaut (not in the MovieCove catalog yet)(1926)

Her Dancing Partner (not in the MovieCove catalog yet)(1925)

Leap Into Life (not in the MovieCove catalog yet)(1924)

The Countess of Paris (not in the MovieCove catalog yet)(1923)

The Tragedy of Love (not in the MovieCove catalog yet)(1923)

Man by the Roadside (not in the MovieCove catalog yet)(1923)
Im Schatten des Glücks (not in the MovieCove catalog yet)(1919)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 69 titles from 1919 to 2026; peak year 1977.
Film career
Peak 1977 · back in prominent film roles after a quiet stretch. Top draw in 17 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1930Screen debut· The Blue Angel
- 1931First top-billed film· Dishonored
- 1957Career best· Witness for the Prosecution
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Marlene Dietrich's films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 32; across their 28 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up19
- 50th to 74th8
- 25th to 49th4
- Below 25th1
Shape of the crowd
None of their 32 titles divides audiences: 21 are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser21
- Broadly Agreed3
- Mixed2
Reviewers score the acting 75/100 in their films, across 27 reviewed titles; fans 81, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marlene Dietrich's work okay for kids?
Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Marlene Dietrich work with?
People who share at least 2 of Marlene Dietrich's MovieCove titles, grouped by what they did on them; Josef von Sternberg shares the most, 7.
Directors
- Josef von SternbergShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934), Blonde Venus (1932), Shanghai Express (1932), Dishonored (1931), Morocco (1930), The Blue Angel (1930)See all 7 shared titles with Josef von Sternberg

- Billy WilderShared titles: Witness for the Prosecution (1957), A Foreign Affair (1948)See all 2 shared titles with Billy Wilder

Writers
- Jules FurthmanShared titles: Blonde Venus (1932), Shanghai Express (1932), Morocco (1930)See all 3 shared titles with Jules Furthman

- John MeehanShared titles: Kismet (1944), Seven Sinners (1940)See all 2 shared titles with John Meehan

- Edwin Justus MayerShared titles: Desire (1936), The Song of Songs (1933)See all 2 shared titles with Edwin Justus Mayer

- Samuel HoffensteinShared titles: Desire (1936), The Song of Songs (1933)See all 2 shared titles with Samuel Hoffenstein

Actors
- Mischa AuerShared titles: The Montecarlo Story (1956), The Flame of New Orleans (1941), Seven Sinners (1940), Destry Rides Again (1939)See all 4 shared titles with Mischa Auer

- Max BarwynShared titles: The Devil Is a Woman (1935), The Song of Songs (1933), Dishonored (1931)See all 3 shared titles with Max Barwyn

- Judy GarlandShared titles: Vito (2011), Judgment at Nuremberg (1961)See all 2 shared titles with Judy Garland

- Shirley MacLaineShared titles: Vito (2011), Around the World in 80 Days (1956)See all 2 shared titles with Shirley MacLaine

Composers, cinematographers and editors
- Friedrich HollaenderShared titles: A Foreign Affair (1948), Angel (1937), Desire (1936), The Blue Angel (1930)See all 4 shared titles with Friedrich Hollaender

- Sam WinstonShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934), Morocco (1930), The Blue Angel (1930)See all 4 shared titles with Sam Winston
- Karl HajosShared titles: The Song of Songs (1933), Shanghai Express (1932), Dishonored (1931), Morocco (1930)See all 4 shared titles with Karl Hajos
- Charles LangShared titles: A Foreign Affair (1948), Angel (1937), Desire (1936)See all 3 shared titles with Charles Lang

Producers
- Joe PasternakShared titles: The Flame of New Orleans (1941), Seven Sinners (1940), Destry Rides Again (1939)See all 3 shared titles with Joe Pasternak

- Charles K. FeldmanShared titles: The Lady Is Willing (1942), The Spoilers (1942)See all 2 shared titles with Charles K. Feldman
- Ernst LubitschShared titles: Angel (1937), Desire (1936)See all 2 shared titles with Ernst Lubitsch

- Emanuel CohenShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934)See all 2 shared titles with Emanuel Cohen



