Emanuel Cohen
Producer · Died September 9, 1977, aged 85 · Hartford, Connecticut, USA
- August 5, 1892
- September 9, 1977 (aged 85)
- Hartford, Connecticut, USA
- Producer
- 12 on MovieCove · 28 credits in all
What are Emanuel Cohen's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
Light 5 · Serious 3 · Dark 2
A split, not a type: Grounded 7 · Stylized 0 · Heightened 3
Gentle 4 · Charged 4 · Intense 2
Steady 3 · Shifting 7 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 4
Slow burn 5 · Even-paced 5 · Relentless 0
A split, not a type: Casual 4 · Engaged 6 · Full focus 0
Easy watch 6 · Affecting 4 · Heavy 0
Resolved 5 · Open-ended 3 · Ambiguous 2
Moods and endings
- Happy6
- Bittersweet2
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Emanuel Cohen's films?
As of October 24, 2026, 1 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Emanuel Cohen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 12 with a MovieCove page.
Every Day's a Holiday (not in the MovieCove catalog yet)(1937)
Midnight Madonna (not in the MovieCove catalog yet)(1937)
The Girl from Scotland Yard (not in the MovieCove catalog yet)(1937)
On Such a Night(1937)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Mind Your Own Business (not in the MovieCove catalog yet)(1936)
Pennies from Heaven (not in the MovieCove catalog yet)(1936)
Go West Young Man (not in the MovieCove catalog yet)(1936)
The Devil Is a Woman(1935)
Midcredits score: 77th percentile of all films
Rocky Mountain Mystery(1935)
Midcredits score: 32nd percentile of all films
The Gilded Lily(1935)
Midcredits score: 69th percentile of all films
Father Brown, Detective (not in the MovieCove catalog yet)(1934)
It's a Gift(1934)
Midcredits score: 76th percentile of all films
Ready for Love (not in the MovieCove catalog yet)(1934)
Elmer and Elsie (not in the MovieCove catalog yet)(1934)
Thirty Day Princess (not in the MovieCove catalog yet)(1934)
The Scarlet Empress(1934)
Midcredits score: 91st percentile of all films
We're Not Dressing (not in the MovieCove catalog yet)(1934)
Death Takes a Holiday(1934)
Midcredits score: 72nd percentile of all films
Six of a Kind(1934)
Midcredits score: 68th percentile of all films
Search for Beauty (not in the MovieCove catalog yet)(1934)
Four Frightened People (not in the MovieCove catalog yet)(1934)
She Loves Me Not(1934)
Midcredits score: 35th percentile of all films
You're Telling Me!(1934)
Midcredits score: 86th percentile of all films
International House (not in the MovieCove catalog yet)(1933)
Alice in Wonderland(1933)
Midcredits score: 51st percentile of all films
If I Had a Million(1932)
Midcredits score: 76th percentile of all filmsThe Bottom of the World (not in the MovieCove catalog yet)(1930)
With Byrd at the South Pole (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 24 titles from 1930 to 1937.
How do Emanuel Cohen's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th3
Shape of the crowd
9 of their 12 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser9
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Emanuel Cohen work with?
People who share at least 2 of Emanuel Cohen's MovieCove titles, grouped by what they did on them; John Leipold shares the most, 5.
Directors
- Josef von SternbergShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934)See all 2 shared titles with Josef von Sternberg
- Norman Z. McLeodShared titles: It's a Gift (1934), Alice in Wonderland (1933)See all 2 shared titles with Norman Z. McLeod
Writers
- W.C. FieldsShared titles: It's a Gift (1934), Six of a Kind (1934), You're Telling Me! (1934), Alice in Wonderland (1933)See all 4 shared titles with W.C. Fields
- Harry RuskinShared titles: It's a Gift (1934), Six of a Kind (1934)See all 2 shared titles with Harry Ruskin
- J.P. McEvoyShared titles: It's a Gift (1934), You're Telling Me! (1934)See all 2 shared titles with J.P. McEvoy
- Walter DeLeonShared titles: Six of a Kind (1934), You're Telling Me! (1934)See all 2 shared titles with Walter DeLeon
Actors
- Kathleen HowardShared titles: Death Takes a Holiday (1934), It's a Gift (1934), You're Telling Me! (1934)See all 3 shared titles with Kathleen Howard
- Alison SkipworthShared titles: The Devil Is a Woman (1935), Six of a Kind (1934)See all 2 shared titles with Alison Skipworth
- Marlene DietrichShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934)See all 2 shared titles with Marlene Dietrich
- Tammany YoungShared titles: It's a Gift (1934), You're Telling Me! (1934)See all 2 shared titles with Tammany Young
Composers, cinematographers and editors
- John LeipoldShared titles: The Devil Is a Woman (1935), Death Takes a Holiday (1934), It's a Gift (1934), Six of a Kind (1934), You're Telling Me! (1934)See all 5 shared titles with John Leipold
- Henry SharpShared titles: It's a Gift (1934), Six of a Kind (1934), Alice in Wonderland (1933)See all 3 shared titles with Henry Sharp
- Sam WinstonShared titles: The Devil Is a Woman (1935), The Scarlet Empress (1934)See all 2 shared titles with Sam Winston
- Bert GlennonShared titles: The Scarlet Empress (1934), Alice in Wonderland (1933)See all 2 shared titles with Bert Glennon
Producers
- Benjamin GlazerShared titles: She Loves Me Not (1934), Alice in Wonderland (1933)See all 2 shared titles with Benjamin Glazer
- William LeBaronShared titles: It's a Gift (1934), You're Telling Me! (1934)See all 2 shared titles with William LeBaron
