
Charles Coburn
Actor · Died August 30, 1961, aged 84 · Macon, Georgia, USA
Charles Douville Coburn (June 19, 1877 – August 30, 1961) was an American film and theatre actor. Best known for his work in comedies, Coburn received the Academy Award for Best Supporting Actor for 1943's The More the Merrier. Coburn was born in Macon, Georgia, the son of Scotch-Irish Americans Emma Louise Sprigman (May 11, 1838 Springfield, Ohio – November 12, 1896 Savannah, Georgia) and Moses Douville Coburn (April 27, 1834 Savannah, Georgia – December 27, 1902 Savannah, Georgia). Growing up in Savannah, he started out at age 14 doing odd jobs at the local Savannah Theater, handing out programs, ushering, or being the doorman. By age 17 or 18, he was the theater manager. He later became an actor, making his debut on Broadway in 1901. Coburn formed an acting company with actress Ivah Wills in 1905. They married in 1906. In addition to managing the company, the couple performed frequently on Broadway. After his wife's death in 1937, Coburn relocated to Los Angeles, California and began film work. He won an Academy Award for Best Supporting Actor for his role as a retired millionaire playing Cupid in The More the Merrier in 1943. He was also nominated for The Devil and Miss Jones in 1941 and The Green Years in 1946. Other notable film credits include Of Human Hearts (1938), The Lady Eve (1941), Kings Row (1942), The Constant Nymph (1943), Heaven Can Wait (1943), Wilson (1944), Impact (1949), The Paradine Case (1947), Everybody Does It (1950), Has Anybody Seen My Gal? (1952), Monkey Business (1952), Gentlemen Prefer Blondes (1953), and John Paul Jones (1959). He usually played comedic parts, but Kings Row and Wilson were dramatic parts, showing his versatility. For his contributions to motion pictures, in 1960, Coburn was honored with a star on the Hollywood Walk of Fame at 6268 Hollywood Boulevard.
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Biography from TMDB.
- June 18, 1877
- August 30, 1961 (aged 84)
- Macon, Georgia, USA
- Actor
- 46 on MovieCove · 73 credits in all
What are Charles Coburn's films like?
Across their 45 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 5 · Earnest 38
Light 22 · Serious 12 · Dark 11
A split, not a type: Grounded 23 · Stylized 19 · Heightened 3
A split, not a type: Gentle 24 · Charged 19 · Intense 2
A split, not a type: Steady 24 · Shifting 18 · Whiplash 3
A split, not a type: Straight-faced 21 · Some laughs 8 · Funny 16
A split, not a type: Slow burn 26 · Even-paced 19 · Relentless 0
Casual 27 · Engaged 18 · Full focus 0
Easy watch 28 · Affecting 10 · Heavy 7
Resolved 42 · Open-ended 3 · Ambiguous 0
Roles they play
Usually the Mentor: 23 of 39 analyzed roles.
Show the 39 rolesHide the roles
- Mentoras George R. 'Traps' Stuart in The People's Enemy (1935)
- Mentoras Dr. Charles Shingle in Of Human Hearts (1938)
- Shadowas Peter Morgan Sr. in Vivacious Lady (1938)
- Heraldas J. B. Merlin in Bachelor Mother (1939)
- Mentoras Dr. Waldersee in Idiot's Delight (1939)
- Mentoras Judge Joseph M. Doolittle in Made for Each Other (1939)
- Mentoras Gardner Hubbard in The Story of Alexander Graham Bell (1939)
- Mentoras General Powell in Edison, the Man (1940)
- Threshold guardianas Joshua Mallon IV in Road to Singapore (1940)
- Mentoras Dr. Karl Braun in Three Faces West (1940)
- Shapeshifteras John P. Merrick in The Devil and Miss Jones (1941)
- Threshold guardianas Mr. Pulham Sr. in H.M. Pulham, Esq. (1941)
- Mentoras 'Colonel' Harrington in The Lady Eve (1941)
- Mentoras Professor Drake in Our Wife (1941)
- Shadowas Dr. Henry Gordon in Kings Row (1942)
- Mentoras Grandpa Van Cleve in Heaven Can Wait (1943)
- Shapeshifteras Benjamin Dingle in The More the Merrier (1943)
- Heroas Woodrow Wilson in Wilson (1944)
- Mentoras Professor Henry Holmes in Wilson (1944)
- Mentoras Max Dreyfus in Rhapsody in Blue (1945)
- Threshold guardianas Robert Drexel Gow in Over 21 (1945)
- Tricksteras Chancellor Nicolai Ilyitch in A Royal Scandal (1945)
- Heroas Col. Will Seaborn Effingham in Colonel Effingham's Raid (1946)
- Mentoras Sir Simon Flaquer in The Paradine Case (1947)
- Mentoras Inspector Harley Temple in Lured (1947)
- Mentoras B.F. Fulton in B.F.'s Daughter (1948)
- Shadowas Dr. John Corday in The Doctor and the Girl (1949)
- Mentoras Gen. Michael O'Hara in The Gal Who Took the West (1949)
- Mentoras Lt. Quincy in Impact (1949)
- Mentoras Professor Jason Hartley in Yes Sir, That's My Baby (1949)
- Heraldas Oliver Oxley in Monkey Business (1952)
- Mentoras Samuel Fulton in Has Anybody Seen My Gal (1952)
- Tricksteras Sir Francis 'Piggy' Beekman in Gentlemen Prefer Blondes (1953)
- Mentoras Father Burke in Trouble Along the Way (1953)
- Mentoras Gardiner in The Long Wait (1954)
- Mentoras Dr. Tweed in How to Be Very, Very Popular (1955)
- Allyas Guy Eliot in The Power and the Prize (1956)
- Threshold guardianas Grampa Pennypacker in The Remarkable Mr. Pennypacker (1958)
- Mentoras Benjamin Franklin in John Paul Jones (1959)
Moods and endings
- Happy26
- Bittersweet16
- Tragic1
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Charles Coburn's films?
As of October 24, 2026, 11 of their 46 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Charles Coburn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
73 credits, 46 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

Pepe(1960)
Midcredits score: 35th percentile of all films
Startime (not in the MovieCove catalog yet)(1959)

John Paul Jones(1959)
Midcredits score: 59th percentile of all films
A Stranger in My Arms(1959)
Midcredits score: 37th percentile of all films
Midcredits score: 53rd percentile of all films
The Story of Mankind(1957)
Midcredits score: 11th percentile of all films
How to Murder a Rich Uncle (not in the MovieCove catalog yet)(1957)

Town on Trial (not in the MovieCove catalog yet)(1957)
Midcredits score: 69th percentile of all films
The Power and the Prize(1956)
Midcredits score: 41st percentile of all films
Midcredits score: 14th percentile of all films
December Bride (not in the MovieCove catalog yet)(1954)

Studio 57 (not in the MovieCove catalog yet)(1954)

The Long Wait(1954)
Midcredits score: 58th percentile of all films
The Rocket Man (not in the MovieCove catalog yet)(1954)

Gentlemen Prefer Blondes(1953)
Midcredits score: 89th percentile of all films
Trouble Along the Way(1953)
Midcredits score: 71st percentile of all films
Monkey Business(1952)
Midcredits score: 76th percentile of all films
Has Anybody Seen My Gal(1952)
Midcredits score: 83rd percentile of all films
The Highwayman (not in the MovieCove catalog yet)(1951)

Mr. Music (not in the MovieCove catalog yet)(1950)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

Peggy (not in the MovieCove catalog yet)(1950)

Louisa (not in the MovieCove catalog yet)(1950)

Everybody Does It (not in the MovieCove catalog yet)(1949)

The Doctor and the Girl(1949)
Midcredits score: 72nd percentile of all films
Yes Sir, That's My Baby(1949)
Midcredits score: 66th percentile of all films
Midcredits score: 42nd percentile of all films
Impact(1949)
Midcredits score: 76th percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

Green Grass of Wyoming (not in the MovieCove catalog yet)(1948)

B.F.'s Daughter(1948)
Midcredits score: 46th percentile of all films
The Paradine Case(1947)
Midcredits score: 60th percentile of all films
Lured(1947)
Midcredits score: 80th percentile of all films
The Green Years (not in the MovieCove catalog yet)(1946)

Colonel Effingham's Raid(1946)
Midcredits score: 33rd percentile of all films
Shady Lady (not in the MovieCove catalog yet)(1945)

Over 21(1945)
Midcredits score: 50th percentile of all films
Rhapsody in Blue(1945)
Midcredits score: 78th percentile of all films
A Royal Scandal(1945)
Midcredits score: 67th percentile of all films
Together Again (not in the MovieCove catalog yet)(1944)

The Impatient Years (not in the MovieCove catalog yet)(1944)

Wilson(1944)
Midcredits score: 48th percentile of all films
Knickerbocker Holiday (not in the MovieCove catalog yet)(1944)

My Kingdom for a Cook (not in the MovieCove catalog yet)(1943)

Princess O'Rourke (not in the MovieCove catalog yet)(1943)

Heaven Can Wait(1943)
Midcredits score: 88th percentile of all films
The Constant Nymph(1943)
Midcredits score: 68th percentile of all films
The More the Merrier(1943)
Midcredits score: 93rd percentile of all films
Midcredits score: 74th percentile of all films
In This Our Life(1942)
Midcredits score: 88th percentile of all films
Kings Row(1942)
Midcredits score: 90th percentile of all films
H.M. Pulham, Esq.(1941)
Midcredits score: 77th percentile of all films
Unexpected Uncle (not in the MovieCove catalog yet)(1941)

Our Wife(1941)
Midcredits score: 46th percentile of all films
The Devil and Miss Jones(1941)
Midcredits score: 94th percentile of all films
The Lady Eve(1941)
Midcredits score: 95th percentile of all films
Three Faces West(1940)
Midcredits score: 46th percentile of all films
The Captain is a Lady (not in the MovieCove catalog yet)(1940)

Florian (not in the MovieCove catalog yet)(1940)

Edison, the Man(1940)
Midcredits score: 80th percentile of all films
Road to Singapore(1940)
Midcredits score: 70th percentile of all films
In Name Only(1939)
Midcredits score: 80th percentile of all films
Stanley and Livingstone (not in the MovieCove catalog yet)(1939)

Bachelor Mother(1939)
Midcredits score: 93rd percentile of all films
Midcredits score: 74th percentile of all films
Made for Each Other(1939)
Midcredits score: 53rd percentile of all films
Idiot's Delight(1939)
Midcredits score: 60th percentile of all films
Lord Jeff (not in the MovieCove catalog yet)(1938)

Yellow Jack (not in the MovieCove catalog yet)(1938)

Vivacious Lady(1938)
Midcredits score: 87th percentile of all films
Of Human Hearts(1938)
Midcredits score: 70th percentile of all films
The People's Enemy(1935)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 73 titles from 1935 to 1960.

Biggest box office
Kings Row (1942)

Highest rated
The Lady Eve (1941)

Most popular right now
Gentlemen Prefer Blondes (1953)
Film career
Top draw in 9 MovieCove titles.
- 1938Screen debut· Of Human Hearts
- 1952First top-billed film· Has Anybody Seen My Gal?
- 1953Career best· Gentlemen Prefer Blondes
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Charles Coburn's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 46; across their 45 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up17
- 50th to 74th17
- 25th to 49th10
- Below 25th2
Shape of the crowd
30 of their 46 titles are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser30
- Broadly Agreed2
- Mixed8
Reviewers score the acting 72/100 in their films, across 44 reviewed titles; fans 80, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Charles Coburn's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Charles Coburn work with?
People who share at least 2 of Charles Coburn's MovieCove titles, grouped by what they did on them; Spring Byington shares the most, 4.
Directors
- Clarence BrownShared titles: Edison, the Man (1940), Idiot's Delight (1939), Of Human Hearts (1938)See all 3 shared titles with Clarence Brown

- Howard HawksShared titles: Gentlemen Prefer Blondes (1953), Monkey Business (1952)See all 2 shared titles with Howard Hawks

- Douglas SirkShared titles: Has Anybody Seen My Gal (1952), Lured (1947)See all 2 shared titles with Douglas Sirk

- Ernst LubitschShared titles: A Royal Scandal (1945), Heaven Can Wait (1943)See all 2 shared titles with Ernst Lubitsch

Writers
- Ben HechtShared titles: John Paul Jones (1959), Monkey Business (1952), The Paradine Case (1947)See all 3 shared titles with Ben Hecht

- Lamar TrottiShared titles: Colonel Effingham's Raid (1946), Wilson (1944), The Story of Alexander Graham Bell (1939)See all 3 shared titles with Lamar Trotti

- Charles LedererShared titles: Gentlemen Prefer Blondes (1953), Monkey Business (1952)See all 2 shared titles with Charles Lederer

- Oscar BrodneyShared titles: The Gal Who Took the West (1949), Yes Sir, That's My Baby (1949)See all 2 shared titles with Oscar Brodney
Actors
- Spring ByingtonShared titles: B.F.'s Daughter (1948), Heaven Can Wait (1943), The Devil and Miss Jones (1941), The Story of Alexander Graham Bell (1939)See all 4 shared titles with Spring Byington

- Cary GrantShared titles: It's Showtime (1976), Monkey Business (1952), In Name Only (1939)See all 3 shared titles with Cary Grant

- Vincent PriceShared titles: The Story of Mankind (1957), A Royal Scandal (1945), Wilson (1944)See all 3 shared titles with Vincent Price

- Cedric HardwickeShared titles: The Power and the Prize (1956), Lured (1947), Wilson (1944)See all 3 shared titles with Cedric Hardwicke

Composers and cinematographers
- Max SteinerShared titles: John Paul Jones (1959), Trouble Along the Way (1953), Rhapsody in Blue (1945), In This Our Life (1942)See all 4 shared titles with Max Steiner

- William H. DanielsShared titles: A Stranger in My Arms (1959), The Gal Who Took the West (1949), Lured (1947), Idiot's Delight (1939)See all 4 shared titles with William H. Daniels

- Leigh HarlineShared titles: The Remarkable Mr. Pennypacker (1958), Monkey Business (1952), The More the Merrier (1943)See all 3 shared titles with Leigh Harline

- Milton R. KrasnerShared titles: The Remarkable Mr. Pennypacker (1958), How to Be Very, Very Popular (1955), Monkey Business (1952)See all 3 shared titles with Milton R. Krasner

Producers
- Sol C. SiegelShared titles: Gentlemen Prefer Blondes (1953), Monkey Business (1952), Three Faces West (1940)See all 3 shared titles with Sol C. Siegel

- Hal B. WallisShared titles: The Constant Nymph (1943), In This Our Life (1942), Kings Row (1942)See all 3 shared titles with Hal B. Wallis

- David O. SelznickShared titles: The Paradine Case (1947), Made for Each Other (1939)See all 2 shared titles with David O. Selznick

- Hunt StrombergShared titles: Lured (1947), Idiot's Delight (1939)See all 2 shared titles with Hunt Stromberg

Mixed roles
- Harlan ThompsonShared titles: How to Be Very, Very Popular (1955), Road to Singapore (1940)See all 2 shared titles with Harlan Thompson

- Oscar LevantShared titles: Rhapsody in Blue (1945), Made for Each Other (1939)See all 2 shared titles with Oscar Levant

- Frank RossShared titles: The More the Merrier (1943), The Devil and Miss Jones (1941)See all 2 shared titles with Frank Ross





