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Amy E. Duddleston

Amy E. Duddleston

Editor, also actor · Born June 3, 1965 (61) · Tuscon, Arizona, USA

Primetime Emmy nominee

Amy E. Duddleston was born in Tucson, Arizona, USA. She is an editor, known for Task (2025), Mare of Easttown (2021) and The First Omen (2024).

Biography from IMDb.

Born
June 3, 1965 (61)
From
Tuscon, Arizona, USA
Works as
Editor, also actor
Titles
25 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 5% in 30 days

What are Amy E. Duddleston's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy6 titlesTypical Midcredits score: 46th percentile
: browse their Comedy movies
Drama6 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 38th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
31%
Morality
20%
Self
20%
Survival
16%
Power
7%
Society
4%
Ideas
3%
Family bonds5 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeMortality2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 4 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 10 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 8 · Shifting 6 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 9 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 8 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 7 · Engaged 6 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
10
Dread
4
Warm
5
Contemplative
4
Other
12

How their films linger

Bittersweet7 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy2
  • Bittersweet9
  • Tragic4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amy E. Duddleston's films?

As of October 24, 2026, 18 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Amy E. Duddleston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 25 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Imperfect Women(2026)

    Show 3 episodes · Editor

    Midcredits score: 22nd percentile of all shows

  • Task(2025)

    Show 4 episodes · Editor

    Midcredits score: 89th percentile of all shows

  • The First Omen(2024)

    Editor

    Midcredits score: 65th percentile of all films

  • Love & Death(2023)

    Show 2 episodes · Editor

    Midcredits score: 84th percentile of all shows

  • Mare of Easttown(2021)

    Show 7 episodes · Editor

    Midcredits score: 98th percentile of all shows

  • Hunters(2020)

    Show 3 episodes · Editor

    Midcredits score: 59th percentile of all shows

  • The Last Tycoon(2016)

    Show 3 episodes · Editor

    Midcredits score: 73rd percentile of all shows

  • The Backup Dancer(2016)

    Editor

    Midcredits score: 45th percentile of all films

  • Rosemary's Baby(2014)

    Show 2 episodes · Editor

    Midcredits score: 5th percentile of all shows

  • Nothing Like the Holidays(2008)

    Editor

    Midcredits score: 47th percentile of all films

  • Elegy(2008)

    Editor

    Midcredits score: 68th percentile of all films

  • Mama's Boy(2007)

    Editor

    Midcredits score: 13th percentile of all films

  • Beautiful Ohio(2006)

    Editor

    Midcredits score: 39th percentile of all films

  • Dexter(2006)

    Show 8 episodes · Editor

    Midcredits score: 98th percentile of all shows

  • Lies & Alibis(2006)

    Editor

    Midcredits score: 53rd percentile of all films

  • Cavedweller(2004)

    Editor

    Midcredits score: 31st percentile of all films

  • Dandelion (not in the MovieCove catalog yet)(2004)

    Editor

  • Who Killed the Idea? (not in the MovieCove catalog yet)(2003)

    Editor

  • Laurel Canyon(2002)

    Editor

    Midcredits score: 55th percentile of all films

  • Welcome to Collinwood(2002)

    Editor

    Midcredits score: 53rd percentile of all films

  • A Time for Dancing(2002)

    Editor

    Midcredits score: 57th percentile of all films

  • My Horrible Year! (not in the MovieCove catalog yet)(2001)

    Editor

  • Things You Can Tell Just by Looking at Her(2000)

    Editor

    Midcredits score: 59th percentile of all films

  • Brokedown Palace(1999)

    First Assistant Editor

    Midcredits score: 57th percentile of all films

  • Psycho(1998)

    Editor

    Midcredits score: 10th percentile of all films

  • High Art(1998)

    Editor

    Midcredits score: 67th percentile of all films

  • Dinner Party (not in the MovieCove catalog yet)(1997)

    Additional Editor

  • Even Cowgirls Get the Blues(1993)

    Associate Editor

    Midcredits score: 9th percentile of all films

  • Cruel (not in the MovieCove catalog yet)(1994)

    Editor

  • My Own Private Idaho(1991)

    Assistant Editor

    Midcredits score: 83rd percentile of all films

Career shape

A full career of 29 titles from 1991 to 2026.

Biggest box office

The First Omen (2024)

$54M worldwide

Highest rated

78/52 (2017)

Midcredits 90th

Most popular right now

Imperfect Women (2026)

By role

only this rolewith another role
Editing26 of 29: 26 only editing, 0 with another role · typical Midcredits score55thOther crew3 of 29: 3 only other crew, 0 with another role

By decade

1990s7 · crew2000s13 · crew2010s3 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 2021–2026.

  1. 2026
    • Primetime Emmy, nominated · Outstanding Picture Editing for a Drama Series
  2. 2021
    • Primetime Emmy, nominated ×2 · Outstanding Single-Camera Picture Editing for a Limited or Anthology Series or Movie

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Amy E. Duddleston's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 17; across their 15 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 15

Approval · how many liked their films

52ndpercentile
Typical film, the median of 15

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 15

Midcredits score across 25 titles, by percentile

  • 75th and up5
  • 50th to 74th11
  • 25th to 49th4
  • Below 25th5

Shape of the crowd

14 of their 25 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser14
  • Mixed9

Most divisive · editor

A Time for Dancing (2002)

69th percentile spread · 19% rated it 4 or lower

Most loved · editor

Dexter (2006)

Midcredits 98th · 93% liked

Reviewers score the pacing 43/100 in their films, across 13 reviewed titles; fans 53, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Amy E. Duddleston's work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity8 titles40–59 · median 50 · moderateheavier than most filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Amy E. Duddleston work with?

People who share at least 2 of Amy E. Duddleston's MovieCove titles, grouped by what they did on them; Lisa Cholodenko shares the most, 3.

Directors

Actors

Composers

Producers