Susan A. Stover
- Producer
- 12 on MovieCove · 17 credits in all
What are Susan A. Stover's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
Light 1 · Serious 5 · Dark 5
A split, not a type: Grounded 6 · Stylized 4 · Heightened 1
Gentle 1 · Charged 7 · Intense 3
Steady 1 · Shifting 10 · Whiplash 0
Straight-faced 5 · Some laughs 5 · Funny 1
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 8 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 4 · Heavy 6
Resolved 2 · Open-ended 7 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet2
- Tragic2
- Ambiguous4
- Cyclical1
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Susan A. Stover's films?
As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Susan A. Stover's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 12 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
South Mountain(2019)
Midcredits score: 27th percentile of all films
Midcredits score: 88th percentile of all films
Glass Chin(2014)
Midcredits score: 39th percentile of all films
Syrup(2013)
Midcredits score: 29th percentile of all films
Ode (not in the MovieCove catalog yet)(2010)
One Last Thing...(2005)
Midcredits score: 58th percentile of all films
Everyday People(2004)
Midcredits score: 62nd percentile of all films
Laurel Canyon(2002)
Midcredits score: 55th percentile of all films
Midcredits score: 53rd percentile of all films
Happy Accidents(2000)
Midcredits score: 80th percentile of all films
High Art(1998)
Midcredits score: 67th percentile of all films
Girls Night Out (not in the MovieCove catalog yet)(1997)
The Sticky Fingers of Time (not in the MovieCove catalog yet)(1997)
Flux (not in the MovieCove catalog yet)(1996)
River of Grass (not in the MovieCove catalog yet)(1995)
Habit(1995)
Midcredits score: 59th percentile of all films
Welcome to the Dollhouse(1995)
Midcredits score: 89th percentile of all films
Career shape
A full career of 14 titles from 1995 to 2019.
Film career
- 1995Screen debut· River of Grass
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Susan A. Stover's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th6
- 25th to 49th3
Shape of the crowd
9 of their 12 titles are Crowd Pleasers.
- Crowd Pleaser9
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Susan A. Stover's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Susan A. Stover work with?
People who share at least 2 of Susan A. Stover's MovieCove titles, grouped by what they did on them; Aram Rappaport shares the most, 2.
Directors
- Aram RappaportShared titles: John Leguizamo's Latin History for Morons (2018), Syrup (2013)See all 2 shared titles with Aram Rappaport
- Lisa CholodenkoShared titles: Laurel Canyon (2002), High Art (1998)See all 2 shared titles with Lisa Cholodenko
Composers and editors
- Amy E. DuddlestonShared titles: Laurel Canyon (2002), High Art (1998)See all 2 shared titles with Amy E. Duddleston
- Craig WedrenShared titles: Laurel Canyon (2002), High Art (1998)See all 2 shared titles with Craig Wedren
Producers
- Jason KliotShared titles: One Last Thing... (2005), Welcome to the Dollhouse (1995)See all 2 shared titles with Jason Kliot
- Joana VicenteShared titles: One Last Thing... (2005), Welcome to the Dollhouse (1995)See all 2 shared titles with Joana Vicente
- Ramsey FongShared titles: One Last Thing... (2005), The Business of Strangers (2001)See all 2 shared titles with Ramsey Fong
- Jeffrey Kusama-HinteShared titles: Laurel Canyon (2002), High Art (1998)See all 2 shared titles with Jeffrey Kusama-Hinte
