Marius de Vries (born 1961) is an English record producer and composer. He has won a Grammy Award from four nominations, two BAFTA Awards, and an Ivor Novello Award. Description above from the Wikipedia article Marius de Vries, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- January 1, 1961 (65)
- London, UK
- Composer, also producer
- 20 on Motif · 24 credits in all
What are Marius De Vries' films like?
Across their 16 Motif titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 13
A split, not a type: Light 7 · Serious 3 · Dark 6
A split, not a type: Grounded 6 · Stylized 3 · Heightened 7
A split, not a type: Gentle 6 · Charged 4 · Intense 6
A split, not a type: Steady 9 · Shifting 4 · Whiplash 3
A split, not a type: Straight-faced 8 · Some laughs 4 · Funny 4
Slow burn 4 · Even-paced 11 · Relentless 1
Casual 5 · Engaged 6 · Full focus 5
A split, not a type: Easy watch 9 · Affecting 3 · Heavy 4
Resolved 12 · Open-ended 0 · Ambiguous 4
Moods and endings
- Happy4
- Bittersweet6
- Tragic2
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marius De Vries' films?
As of October 24, 2026, 17 of their 20 Motif titles stream on a subscription or free service.
Subscription and free streaming for Marius De Vries' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 20 with a Motif page; 1 appearance as themselves is hidden until asked for.
Tuner(2025)
Midcredits score: 91st percentile of all films
Midcredits score: 73rd percentile of all films
Midcredits score: 91st percentile of all films (provisional, few ratings)
The End(2024)
Midcredits score: 26th percentile of all films
Bad Genius(2024)
Midcredits score: 56th percentile of all films
Dicks: The Musical(2023)
Midcredits score: 31st percentile of all films
Navalny(2022)
Midcredits score: 97th percentile of all films
Spin(2021)
Midcredits score: 58th percentile of all films
CODA(2021)
Midcredits score: 99th percentile of all films
Annette(2021)
Midcredits score: 60th percentile of all films
Teen Spirit(2018)
Midcredits score: 46th percentile of all films
I See You (not in the Motif catalog yet)(2017)
La La Land(2016)
Midcredits score: 97th percentile of all films
Strange Magic(2015)
Midcredits score: 49th percentile of all films
Sucker Punch(2011)
Midcredits score: 48th percentile of all films
Kick-Ass(2010)
Midcredits score: 92nd percentile of all films
Easy Virtue(2008)
Midcredits score: 64th percentile of all films
Moulin Rouge!(2001)
Midcredits score: 92nd percentile of all films
Eye of the Beholder(1999)
Midcredits score: 16th percentile of all films
The Avengers(1998)
Midcredits score: 1st percentile of all films
Romeo + Juliet(1996)
Midcredits score: 74th percentile of all filmsFred & Ginger (not in the Motif catalog yet)
Mary's Monster (not in the Motif catalog yet)
Queen of the Falls (not in the Motif catalog yet)
Career shape
A full career of 23 titles, 20 of them dated from 1996 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
Awards
2 BAFTA Awards and 2 other major awards from 7 major nominations, 1998–2018.
- Grammy Award, won · Best Compilation Soundtrack for Visual Media
- Grammy Award, won · Best Score Soundtrack for Visual Media
- BAFTA Award, won
+1 other major body · 1 nomination
- Grammy Award, nominated · Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media
- Grammy Award, nominated · Album of the Year
- Grammy Award, nominated · Best Engineered Album, Non-Classical
- BAFTA Award, won
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Marius De Vries' films land?
Their typical Motif film has a Midcredits score in the 62nd percentile, the median of all 20; across their 16 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up7
- 50th to 74th6
- 25th to 49th5
- Below 25th2
Shape of the crowd
6 of their 20 titles are Crowd Pleasers.
- Universally Loved4
- Universally Panned1
- Divisive1
- Cult Classic2
- Crowd Pleaser6
- Broadly Agreed1
- Mixed5
Reviewers score the sound and music 62/100 in their films, across 15 reviewed titles; fans 75, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marius De Vries' work okay for kids?
Across up to 11 Motif titles with content scores, alcohol & drugs and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Marius De Vries work with?
People who share at least 2 of Marius De Vries' Motif titles, grouped by what they did on them; Daniel Roher shares the most, 3.
Directors
- Daniel RoherShared titles: The AI Doc: Or How I Became an Apocaloptimist (2026), Tuner (2025), Navalny (2022)See all 3 shared titles with Daniel Roher
- Stephan ElliottShared titles: Easy Virtue (2008), Eye of the Beholder (1999)See all 2 shared titles with Stephan Elliott
Composers, cinematographers and editors
- Matt RobertsonShared titles: The AI Doc: Or How I Became an Apocaloptimist (2026), Bad Genius (2024), Navalny (2022)See all 3 shared titles with Matt Robertson
- Lowell A. MeyerShared titles: The AI Doc: Or How I Became an Apocaloptimist (2026), Tuner (2025)See all 2 shared titles with Lowell A. Meyer
- Sue BlaineyShared titles: Easy Virtue (2008), Eye of the Beholder (1999)See all 2 shared titles with Sue Blainey
Producers
- Diane BeckerShared titles: The AI Doc: Or How I Became an Apocaloptimist (2026), Navalny (2022)See all 2 shared titles with Diane Becker
- Shane BorisShared titles: The AI Doc: Or How I Became an Apocaloptimist (2026), Navalny (2022)See all 2 shared titles with Shane Boris
- Danielle TurkovShared titles: The End (2024), Navalny (2022)See all 2 shared titles with Danielle Turkov
- Patrick WachsbergerShared titles: Bad Genius (2024), CODA (2021)See all 2 shared titles with Patrick Wachsberger
