Matt Robertson

What are Matt Robertson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matt Robertson's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.

• HBO Max1 title, browse their movies on this service
  • Navalny (2022) · composer
• Hulu1 title, browse their movies on this service
  • Bad Genius (2024) · composer
• Netflix1 title, browse their movies on this service
  • The AI Doc: Or How I Became an Apocaloptimist (2026) · composer
• Tubi1 title, browse their movies on this service
  • The New Corporation: The Unfortunately Necessary Sequel (2020) · composer · free

Subscription and free streaming for Matt Robertson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The AI Doc: Or How I Became an Apocaloptimist(2026)

  Composer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Bad Genius(2024)

  Composer

  Midcredits score: 56th percentile of all films56^th
• 

  Navalny(2022)

  Composer

  Midcredits score: 97th percentile of all films97^th
• 

  The New Corporation: The Unfortunately Necessary Sequel(2020)

  Composer

  Midcredits score: 79th percentile of all films79^th

Career shape

Across a limited sample of 4 MovieCove titles from 2020 to 2026.

Biggest box office

The AI Doc: Or How I Became an Apocaloptimist (2026)

$1.3M worldwide

Highest rated

Navalny (2022)

Midcredits 97^th

Most popular right now

The AI Doc: Or How I Became an Apocaloptimist (2026)

How do Matt Robertson's films land?

Their typical MovieCove film has a Midcredits score in the 76^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

211

• Crowd Pleaser2
• Broadly Agreed1
• Mixed1

Most divisive · composer

The New Corporation: The Unfortunately Necessary Sequel (2020)

60^th percentile spread · 15% rated it 4 or lower

Most loved · composer

Navalny (2022)

Midcredits 97^th · 86% liked

Reviewers score the sound and music 50/100 in their films, across 4 reviewed titles; fans 58, detractors 25. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Matt Robertson work with?

People who share at least 2 of Matt Robertson's MovieCove titles, grouped by what they did on them; Marius De Vries shares the most, 3.