Mario Castelnuovo-Tedesco

What are Mario Castelnuovo-Tedesco's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario Castelnuovo-Tedesco's films?

As of October 24, 2026, 6 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Bataan (1943) · composer · free
  • The Return of the Vampire (1943) · composer · free
  • The Werewolf (1956) · composer · free
  • The Giant Claw (1957) · composer · free
• Prime Video1 title, browse their movies on this service
  • And Then There Were None (1945) · composer
• The Roku Channel1 title, browse their movies on this service
  • And Then There Were None (1945) · composer · free

Subscription and free streaming for Mario Castelnuovo-Tedesco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 24 with a MovieCove page.

• 

  Martinez, Margaritas and Murder! (not in the MovieCove catalog yet)(2024)

  Thanks
• 

  The Giant Claw(1957)

  Composer

  Midcredits score: 11th percentile of all films11^th
• 

  The Werewolf(1956)

  Composer

  Midcredits score: 32nd percentile of all films32^nd
• 

  The Long Wait(1954)

  Composer

  Midcredits score: 58th percentile of all films58^th
• 

  The Brigand (not in the MovieCove catalog yet)(1952)

  Composer
• 

  Mask of the Avenger(1951)

  Composer

  Midcredits score: 30th percentile of all films30^th
• 

  The Loves of Carmen(1948)

  Composer

  Midcredits score: 48th percentile of all films48^th
• 

  Time Out of Mind(1947)

  Composer

  Midcredits score: 40th percentile of all films40^th
• 

  Undercurrent(1946)

  Additional Music

  Midcredits score: 61st percentile of all films61^st
• 

  Courage of Lassie(1946)

  Composer

  Midcredits score: 48th percentile of all films48^th
• 

  Shadowed (not in the MovieCove catalog yet)(1946)

  Composer
• 

  Dangerous Business (not in the MovieCove catalog yet)(1946)

  Composer
• 

  Mysterious Intruder (not in the MovieCove catalog yet)(1946)

  Additional Music
• 

  Night Editor (not in the MovieCove catalog yet)(1946)

  Composer
• 

  My Name Is Julia Ross(1945)

  Additional Music

  Midcredits score: 81st percentile of all films81^st
• 

  And Then There Were None(1945)

  Composer

  Midcredits score: 88th percentile of all films88^th
• 

  Voice of the Whistler(1945)

  Composer

  Midcredits score: 45th percentile of all films45^th
• 

  The Strange Affair of Uncle Harry(1945)

  Composer

  Midcredits score: 73rd percentile of all films73^rd
• 

  I Love a Mystery (not in the MovieCove catalog yet)(1945)

  Composer
• 

  Main Street After Dark(1945)

  Composer

  Midcredits score: 23rd percentile of all films23^rd
• 

  The Crime Doctor's Courage(1945)

  Composer

  Midcredits score: 41st percentile of all films41^st
• 

  The Missing Juror (not in the MovieCove catalog yet)(1944)

  Additional Music
• 

  The Mark of the Whistler(1944)

  Composer

  Midcredits score: 64th percentile of all films64^th
• 

  The Soul of a Monster (not in the MovieCove catalog yet)(1944)

  Composer
• 

  Secret Command (not in the MovieCove catalog yet)(1944)

  Composer
• 

  She's a Soldier Too (not in the MovieCove catalog yet)(1944)

  Composer
• 

  Gaslight(1944)

  Additional Music

  Midcredits score: 97th percentile of all films97^th
• 

  The Black Parachute (not in the MovieCove catalog yet)(1944)

  Composer
• 

  Two-Man Submarine (not in the MovieCove catalog yet)(1944)

  Composer
• 

  The Return of the Vampire(1943)

  Composer

  Midcredits score: 48th percentile of all films48^th
• 

  Forgotten Treasure (not in the MovieCove catalog yet)(1943)

  Composer
• 

  Hitler's Madman (not in the MovieCove catalog yet)(1943)

  Composer
• 

  Bataan(1943)

  Additional Music

  Midcredits score: 78th percentile of all films78^th
• 

  Above Suspicion(1943)

  Composer

  Midcredits score: 57th percentile of all films57^th
• 

  Fingers at the Window(1942)

  Composer

  Midcredits score: 50th percentile of all films50^th
• 

  Keeper of the Flame(1942)

  Composer

  Midcredits score: 68th percentile of all films68^th
• 

  Tortilla Flat(1942)

  Composer

  Midcredits score: 51st percentile of all films51^st
• 

  Dr. Jekyll and Mr. Hyde(1941)

  Composer

  Midcredits score: 71st percentile of all films71^st
• 

  Rage in Heaven(1941)

  Composer

  Midcredits score: 56th percentile of all films56^th

Career shape

A full career of 34 titles from 1941 to 2024.

Biggest box office

Keeper of the Flame (1942)

$15K worldwide

Highest rated

And Then There Were None (1945)

Midcredits 88^th

How do Mario Castelnuovo-Tedesco's films land?

Their typical MovieCove film has a Midcredits score in the 54^th percentile, the median of all 24; across their 16 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Shape of the crowd

15 of their 24 titles are Crowd Pleasers.

156

• Universally Loved1
• Crowd Pleaser15
• Broadly Agreed6
• Mixed2

Most divisive · composer

The Giant Claw (1957)

64^th percentile spread · 48% rated it 4 or lower

Most loved · composer

Gaslight (1944)

Midcredits 97^th · 88% liked

Reviewers score the sound and music 48/100 in their films, across 13 reviewed titles; fans 58, detractors 39. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mario Castelnuovo-Tedesco work with?

People who share at least 2 of Mario Castelnuovo-Tedesco's MovieCove titles, grouped by what they did on them; Bronislau Kaper shares the most, 5.