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Daniele Amfitheatrof

Composer · Died June 7, 1983, aged 81 · St. Petersburg, Russian Empire [now Russia]

Born
October 29, 1901
Died
June 7, 1983 (aged 81)
From
St. Petersburg, Russian Empire [now Russia]
Works as
Composer
Titles
73 on MovieCove · 127 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 9% in 30 days

What are Daniele Amfitheatrof's films like?

Across their 55 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama24 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Drama movies
Crime12 titlesTypical Midcredits score: 65th percentile
: browse their Crime movies
Comedy11 titlesTypical Midcredits score: 64th percentile
: browse their Comedy movies
Adventure5 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Adventure movies
Action2 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
30%
Bonds
24%
Power
14%
Self
12%
Survival
12%
Society
7%
Ideas
2%
Romantic love16 titles, browse their movies with this themeJustice16 titles, browse their movies with this themeSurvival10 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themeDeception9 titles, browse their movies with this themeGreed5 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themeCorruption4 titles, browse their movies with this theme

What they feel like to watch

their average across 55 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 19 · Serious 12 · Dark 24

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 33 · Stylized 19 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 10 · Charged 32 · Intense 13

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 25 · Shifting 28 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 38 · Some laughs 10 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 24 · Even-paced 28 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 25 · Engaged 29 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 17 · Affecting 21 · Heavy 17

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 48 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
38
Melancholic
30
Warm
15
Romantic
12
Joyful
7
Other
41

How their films linger

Bittersweet24 titles, browse their movies with this aftertasteFeel-good16 titles, browse their movies with this aftertasteHopeful17 titles, browse their movies with this aftertasteHaunting12 titles, browse their movies with this aftertasteThought-provoking12 titles, browse their movies with this aftertasteFun12 titles, browse their movies with this aftertaste

How their films end · 10 with a twist

  • Happy24
  • Bittersweet20
  • Tragic7
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniele Amfitheatrof's films?

As of October 24, 2026, 15 of their 73 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Daniele Amfitheatrof's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

127 credits, 73 with a MovieCove page.

  • Major Dundee(1965)

    Composer

    Midcredits score: 71st percentile of all films

  • Heller in Pink Tights(1960)

    Composer

    Midcredits score: 36th percentile of all films

  • Edge of Eternity(1959)

    Composer

    Midcredits score: 62nd percentile of all films

  • That Kind of Woman(1959)

    Composer

    Midcredits score: 47th percentile of all films

  • I Married a Monster from Outer Space(1958)

    Composer

    Midcredits score: 56th percentile of all films

  • Fräulein(1958)

    Composer

    Midcredits score: 60th percentile of all films

  • From Hell to Texas(1958)

    Composer

    Midcredits score: 74th percentile of all films

  • Spanish Affair (not in the MovieCove catalog yet)(1957)

    Composer

  • The Unholy Wife(1957)

    Composer

    Midcredits score: 29th percentile of all films

  • The Werewolf(1956)

    Composer

    Midcredits score: 32nd percentile of all films

  • The Mountain(1956)

    Composer

    Midcredits score: 74th percentile of all films

  • The Last Hunt(1956)

    Composer

    Midcredits score: 74th percentile of all films

  • Trial(1955)

    Composer · Music Director

    Midcredits score: 74th percentile of all films

  • The Desperate Hours(1955)

    Composer

    Midcredits score: 92nd percentile of all films

  • Human Desire(1954)

    Composer

    Midcredits score: 83rd percentile of all films

  • The Naked Jungle(1954)

    Composer

    Midcredits score: 70th percentile of all films

  • The Big Heat(1953)

    Additional Music

    Midcredits score: 98th percentile of all films

  • Devil's Canyon(1953)

    Composer

    Midcredits score: 13th percentile of all films

  • Angels in the Outfield(1951)

    Composer

    Midcredits score: 85th percentile of all films

  • The Desert Fox: The Story of Rommel(1951)

    Composer

    Midcredits score: 77th percentile of all films

  • Iron Man(1951)

    Composer

    Midcredits score: 44th percentile of all films

  • Tomorrow Is Another Day(1951)

    Composer

    Midcredits score: 80th percentile of all films

  • Hollywood Story (not in the MovieCove catalog yet)(1951)

    Additional Music

  • The Painted Hills(1951)

    Composer

    Midcredits score: 5th percentile of all films

  • Bird of Paradise (not in the MovieCove catalog yet)(1951)

    Composer

  • Bud Abbott and Lou Costello Meet the Invisible Man(1951)

    Composer

    Midcredits score: 69th percentile of all films

  • Storm Warning(1950)

    Composer

    Midcredits score: 83rd percentile of all films

  • Copper Canyon(1950)

    Composer

    Midcredits score: 45th percentile of all films

  • Undercover Girl (not in the MovieCove catalog yet)(1950)

    Composer

  • Shakedown (not in the MovieCove catalog yet)(1950)

    Composer

  • Devil's Doorway(1950)

    Composer · Conductor

    Midcredits score: 84th percentile of all films

  • Abbott and Costello in the Foreign Legion(1950)

    Composer

    Midcredits score: 59th percentile of all films

  • Winchester '73(1950)

    Composer

    Midcredits score: 95th percentile of all films

  • Spy Hunt (not in the MovieCove catalog yet)(1950)

    Composer

  • The Damned Don't Cry(1950)

    Composer

    Midcredits score: 84th percentile of all films

  • The Capture(1950)

    Composer

    Midcredits score: 34th percentile of all films

  • Under My Skin (not in the MovieCove catalog yet)(1950)

    Composer

  • Backfire(1950)

    Composer

    Midcredits score: 58th percentile of all films

  • Woman in Hiding (not in the MovieCove catalog yet)(1950)

    Additional Music

  • Abandoned (not in the MovieCove catalog yet)(1949)

    Composer

  • Sand (not in the MovieCove catalog yet)(1949)

    Composer

  • House of Strangers(1949)

    Composer

    Midcredits score: 89th percentile of all films

  • The Great Gatsby(1949)

    Additional Music

    Midcredits score: 58th percentile of all films

  • Bud Abbott Lou Costello Meet the Killer Boris Karloff(1949)

    Composer

    Midcredits score: 73rd percentile of all films

  • The Fan (not in the MovieCove catalog yet)(1949)

    Composer

  • Rogues' Regiment (not in the MovieCove catalog yet)(1948)

    Composer

  • Mexican Hayride(1948)

    Composer

    Midcredits score: 57th percentile of all films

  • An Act of Murder(1948)

    Composer

    Midcredits score: 74th percentile of all films

  • You Gotta Stay Happy(1948)

    Composer

    Midcredits score: 72nd percentile of all films

  • Another Part of the Forest(1948)

    Composer

    Midcredits score: 83rd percentile of all films

  • Letter from an Unknown Woman(1948)

    Composer

    Midcredits score: 96th percentile of all films

  • The Lost Moment(1947)

    Composer

    Midcredits score: 71st percentile of all films

  • Singapore (not in the MovieCove catalog yet)(1947)

    Composer

  • Ivy (not in the MovieCove catalog yet)(1947)

    Composer

  • The Beginning or the End(1947)

    Composer

    Midcredits score: 60th percentile of all films

  • Smash-Up: The Story of a Woman(1947)

    Composer

    Midcredits score: 55th percentile of all films

  • The Senator Was Indiscreet(1947)

    Composer

    Midcredits score: 64th percentile of all films

  • Time Out of Mind(1947)

    Composer

    Midcredits score: 40th percentile of all films

  • Temptation (not in the MovieCove catalog yet)(1946)

    Composer

  • Song of the South(1946)

    Music Arranger

    Midcredits score: 68th percentile of all films

  • Suspense (not in the MovieCove catalog yet)(1946)

    Composer

  • O.S.S.(1946)

    Composer

    Midcredits score: 69th percentile of all films

  • The Virginian(1946)

    Composer

    Midcredits score: 59th percentile of all films

  • Miss Susie Slagle's(1946)

    Composer

    Midcredits score: 60th percentile of all films

  • My Name Is Julia Ross(1945)

    Additional Music

    Midcredits score: 81st percentile of all films

  • Guest Wife(1945)

    Composer

    Midcredits score: 56th percentile of all films

  • I'll Be Seeing You(1944)

    Composer

    Midcredits score: 85th percentile of all films

  • The Missing Juror (not in the MovieCove catalog yet)(1944)

    Additional Music

  • The Soul of a Monster (not in the MovieCove catalog yet)(1944)

    Composer

  • Days of Glory(1944)

    Composer

    Midcredits score: 42nd percentile of all films

  • Gaslight(1944)

    Additional Music

    Midcredits score: 97th percentile of all films

  • Lost Angel (not in the MovieCove catalog yet)(1943)

    Composer

  • Lassie Come Home(1943)

    Composer

    Midcredits score: 83rd percentile of all films

  • Swing Shift Maisie (not in the MovieCove catalog yet)(1943)

    Composer

  • I Dood It (not in the MovieCove catalog yet)(1943)

    Composer

  • Bataan(1943)

    Composer

    Midcredits score: 78th percentile of all films

  • Above Suspicion(1943)

    Additional Music

    Midcredits score: 57th percentile of all films

  • Dr. Gillespie's Criminal Case(1943)

    Composer

    Midcredits score: 41st percentile of all films

  • Aerial Gunner (not in the MovieCove catalog yet)(1943)

    Composer

  • A Stranger in Town(1943)

    Composer

    Midcredits score: 79th percentile of all films

  • Cry 'Havoc'(1943)

    Composer

    Midcredits score: 78th percentile of all films

  • White Cargo (not in the MovieCove catalog yet)(1942)

    Composer

  • The Price of Victory (not in the MovieCove catalog yet)(1942)

    Composer

  • Andy Hardy's Double Life(1942)

    Composer

    Midcredits score: 58th percentile of all films

  • Dr. Gillespie's New Assistant (not in the MovieCove catalog yet)(1942)

    Composer

  • We Refuse to Die (not in the MovieCove catalog yet)(1942)

    Composer · Music Director

  • Eyes in the Night(1942)

    Composer

    Midcredits score: 68th percentile of all films

  • A Letter From Bataan (not in the MovieCove catalog yet)(1942)

    Composer

  • Calling Dr. Gillespie (not in the MovieCove catalog yet)(1942)

    Composer

  • Further Prophecies of Nostradamus (not in the MovieCove catalog yet)(1942)

    Composer

  • Sunday Punch (not in the MovieCove catalog yet)(1942)

    Composer

  • Fingers at the Window(1942)

    Composer

    Midcredits score: 50th percentile of all films

  • Kid Glove Killer (not in the MovieCove catalog yet)(1942)

    Additional Music

  • Nazi Agent (not in the MovieCove catalog yet)(1942)

    Composer

  • Joe Smith, American (not in the MovieCove catalog yet)(1942)

    Composer

  • Mr. and Mrs. North (not in the MovieCove catalog yet)(1942)

    Composer

  • USS VD: Ship of Shame (not in the MovieCove catalog yet)(1942)

    Composer

  • A Yank on the Burma Road(1942)

    Composer

    Midcredits score: 23rd percentile of all films

  • Keeper of the Flame(1942)

    Composer

    Midcredits score: 68th percentile of all films

  • Tish(1942)

    Composer

    Midcredits score: 44th percentile of all films

  • Johnny Eager (not in the MovieCove catalog yet)(1941)

    Composer

  • Dr. Jekyll and Mr. Hyde(1941)

    Composer

    Midcredits score: 71st percentile of all films

  • Whistling in the Dark(1941)

    Composer

    Midcredits score: 69th percentile of all films

  • The Big Store(1941)

    Composer

    Midcredits score: 65th percentile of all films

  • The Get-Away (not in the MovieCove catalog yet)(1941)

    Composer

  • This Is the Bowery (not in the MovieCove catalog yet)(1941)

    Composer

  • You Can't Fool a Camera (not in the MovieCove catalog yet)(1941)

    Composer

  • Out of Darkness (not in the MovieCove catalog yet)(1941)

    Composer

  • Whispers (not in the MovieCove catalog yet)(1941)

    Composer

  • H.M. Pulham, Esq.(1941)

    Composer

    Midcredits score: 77th percentile of all films

  • I Was a Criminal (not in the MovieCove catalog yet)(1941)

    Composer

  • Comrade X (not in the MovieCove catalog yet)(1940)

    Composer

  • Dreams (not in the MovieCove catalog yet)(1940)

    Composer

  • Eyes of the Navy (not in the MovieCove catalog yet)(1940)

    Composer

  • A New Romance of Celluloid: The Miracle of Sound (not in the MovieCove catalog yet)(1940)

    Music Editor

  • Utopia of Death (not in the MovieCove catalog yet)(1940)

    Composer

  • A Failure at Fifty (not in the MovieCove catalog yet)(1940)

    Composer

  • And One Was Beautiful(1940)

    Composer

    Midcredits score: 54th percentile of all films

  • XXX Medico (not in the MovieCove catalog yet)(1940)

    Composer

  • The Old South (not in the MovieCove catalog yet)(1940)

    Composer

  • Third Finger, Left Hand(1940)

    Composer

    Midcredits score: 78th percentile of all films

  • We Who Are Young(1940)

    Composer

    Midcredits score: 45th percentile of all films

  • Nick Carter, Master Detective (not in the MovieCove catalog yet)(1939)

    Composer

  • Forgotten Victory (not in the MovieCove catalog yet)(1939)

    Composer

  • Fast and Furious (not in the MovieCove catalog yet)(1939)

    Composer

  • One Against the World (not in the MovieCove catalog yet)(1939)

    Additional Music

  • Everybody's Woman(1934)

    Composer

    Midcredits score: 87th percentile of all films

Career shape

A full career of 116 titles from 1934 to 1965.

Biggest box office

Lassie Come Home (1943)

$99K worldwide

Highest rated

Letter from an Unknown Woman (1948)

Midcredits 96th

Most popular right now

Major Dundee (1965)

By role

only this rolewith another role
Music114 of 116: 111 only music, 3 with another role · typical Midcredits score69thOther crew5 of 116: 2 only other crew, 3 with another role

116 titles, 3 with more than one role — music and other crew overlap on 3 of them.

By decade

1930s5 · crew1940s72 · crew1950s37 · crew1960s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Daniele Amfitheatrof's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 73; across their 55 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 55

Approval · how many liked their films

67thpercentile
Typical film, the median of 55

Reach · how many have seen their films

51stpercentile
Typical film, the median of 55

Midcredits score across 73 titles, by percentile

  • 75th and up23
  • 50th to 74th35
  • 25th to 49th12
  • Below 25th3

Shape of the crowd

52 of their 73 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser52
  • Broadly Agreed13
  • Mixed3

Most divisive · composer

The Painted Hills (1951)

64th percentile spread · 59% rated it 4 or lower

Most loved · composer

The Big Heat (1953)

Midcredits 98th · 89% liked

Reviewers score the sound and music 55/100 in their films, across 37 reviewed titles; fans 63, detractors 43. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniele Amfitheatrof work with?

People who share at least 2 of Daniele Amfitheatrof's MovieCove titles, grouped by what they did on them; Bronislau Kaper shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles