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Armando Trovajoli

Armando Trovajoli

Composer · Died February 28, 2013, aged 95 · Rome, Lazio, Italy

Armando Trovajoli (also Trovaioli, 2 September 1917 – 28 February 2013) was an Italian film composer and pianist with over 300 credits as composer and/or conductor, many of them jazz scores for exploitation films of the Commedia all'italiana genre. He collaborated with Vittorio De Sica on a number of projects, including one segment of Boccaccio '70. Trovajoli was also the author of several Italian musicals: among them, Rugantino and Aggiungi un posto a tavola. Trovajoli was the husband of actress Pier Angeli. He died in Rome at the age of 95 on 28 February 2013. After graduating from the Accademia Nazionale di Santa Cecilia in Rome (1948), Trovajoli was entrusted by RAI with the direction of a pop music orchestra, set with 12 violins, 4 violas, 4 cellos, 1 flute, 1 oboe, 1 clarinet, 1 horn, harp, vibraphone, electric guitar, bass, drums and the piano (played by Trovajoli himself). In 1952–53 he collaborated with Piero Piccioni in Eclipse, a weekly musical broadcast in which the orchestra is directed alternately by the two composers, in a style extremely refined and sophisticated, very different from the music of radio orchestras at that time. Together with Goffredo Petrassi, Trovajoli composed the score of Giuseppe De Santis' Bitter Rice (1949). In 1951, Trovajoli was invited by Dino De Laurentiis to write music for Anna, a film directed by Alberto Lattuada: particularly the song El Negro Zumbón became an international success: inspired by tropical rhythms, is sung in playback and danced by Silvana Mangano, but actually performed by Flo Sandon's. Since then, Trovajoli wrote soundtracks for directors as Dino Risi, Vittorio De Sica, Ettore Scola and others, for a total of over 300 scores. Source: Article "Armando Trovajoli" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
September 2, 1917
Died
February 28, 2013 (aged 95)
From
Rome, Lazio, Italy
Works as
Composer
Titles
66 on MovieCove · 213 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 6% in 30 days

What are Armando Trovajoli's films like?

Across their 62 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy39 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Comedy movies
Drama12 titlesTypical Midcredits score: 57th percentile, at or above their average across these genres
: browse their Drama movies
Adventure5 titlesTypical Midcredits score: 23rd percentile
: browse their Adventure movies
Action2 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Action movies
Crime2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Morality
25%
Self
16%
Power
15%
Survival
7%
Society
6%
Ideas
4%
Romantic love17 titles, browse their movies with this themeDeception19 titles, browse their movies with this themeMarriage9 titles, browse their movies with this themeGreed8 titles, browse their movies with this themeObsession6 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeJustice8 titles, browse their movies with this theme

What they feel like to watch

their average across 62 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 13 · Wry 12 · Earnest 34

Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 36 · Serious 14 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 23 · Stylized 25 · Heightened 14

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 21 · Charged 32 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 32 · Shifting 22 · Whiplash 8

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 15 · Some laughs 18 · Funny 29

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 24 · Even-paced 34 · Relentless 4

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 41 · Engaged 18 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 50 · Open-ended 8 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
27
Tense
24
Joyful
16
Melancholic
17
Warm
14
Other
43

How their films linger

Fun25 titles, browse their movies with this aftertasteBittersweet27 titles, browse their movies with this aftertasteFeel-good22 titles, browse their movies with this aftertasteThought-provoking17 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteHaunting8 titles, browse their movies with this aftertaste

How their films end · 10 with a twist

  • Happy21
  • Bittersweet26
  • Tragic6
  • Ambiguous7
  • Cyclical1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Armando Trovajoli's films?

As of October 24, 2026, 30 of their 66 MovieCove titles stream on a subscription or free service, most on Tubi (18).

Also on these channels

Subscription and free streaming for Armando Trovajoli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

213 credits, 66 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Sono Gassman! - Vittorio re della commedia (not in the MovieCove catalog yet)(2018)

    Composer

  • Life Is a Wonderful Thing (not in the MovieCove catalog yet)(2010)

    Composer

  • Marcello, una vita dolce(2006)

    Composer · as Self

    Midcredits score: 75th percentile of all films

  • Lives of the Saints (not in the MovieCove catalog yet)(2004)

    Show 2 episodes · Composer

  • People of Rome (not in the MovieCove catalog yet)(2003)

    Composer

  • La notte di Pasquino (not in the MovieCove catalog yet)(2003)

    Composer

  • Unfair Competition (not in the MovieCove catalog yet)(2001)

    Composer

  • Rugantino (not in the MovieCove catalog yet)(1998)

    Composer

  • The Dinner (not in the MovieCove catalog yet)(1998)

    Composer

  • Marcello Mastroianni: I Remember (not in the MovieCove catalog yet)(1997)

    Composer

  • Giovani e belli (not in the MovieCove catalog yet)(1996)

    Composer

  • The Story of a Poor Young Man (not in the MovieCove catalog yet)(1995)

    Composer

  • Mario, Maria and Mario (not in the MovieCove catalog yet)(1993)

    Composer

  • Berlin '39 (not in the MovieCove catalog yet)(1993)

    Composer

  • Centro storico (not in the MovieCove catalog yet)(1992)

    Composer

  • Cinecittà Cinecittà (not in the MovieCove catalog yet)(1992)

    Composer

  • Gangsters (not in the MovieCove catalog yet)(1992)

    Composer

  • The Wicked (not in the MovieCove catalog yet)(1991)

    Composer

  • The Voyage of Captain Fracassa(1990)

    Composer

    Midcredits score: 84th percentile of all films

  • Aggiungi un posto a tavola (not in the MovieCove catalog yet)(1990)

    Composer

  • What Time Is It? (not in the MovieCove catalog yet)(1989)

    Composer

  • Running Away (not in the MovieCove catalog yet)(1989)

    Composer

  • Splendor (not in the MovieCove catalog yet)(1989)

    Composer

  • Days of Inspector Ambrosio (not in the MovieCove catalog yet)(1988)

    Composer

  • Miss Arizona (not in the MovieCove catalog yet)(1988)

    Composer

  • The Family(1987)

    Composer

    Midcredits score: 92nd percentile of all films

  • A Thorn in the Heart (not in the MovieCove catalog yet)(1986)

    Composer

  • Macaroni (not in the MovieCove catalog yet)(1985)

    Composer

  • Frankenstein 90 (not in the MovieCove catalog yet)(1984)

    Composer

  • Le Bal (not in the MovieCove catalog yet)(1983)

    Music Consultant

  • Dagger Eyes(1983)

    Composer

    Midcredits score: 28th percentile of all films

  • Sing Sing(1983)

    Composer

    Midcredits score: 27th percentile of all films

  • Count Tacchia (not in the MovieCove catalog yet)(1982)

    Composer

  • The Balad of Mamelouk (not in the MovieCove catalog yet)(1982)

    Composer

  • More Beautiful Than Me You Die(1982)

    Composer

    Midcredits score: 9th percentile of all films

  • Viuuulentemente mia (not in the MovieCove catalog yet)(1982)

    Composer

  • Grand Hotel Excelsior (not in the MovieCove catalog yet)(1982)

    Composer

  • That Night in Varennes(1982)

    Composer

    Midcredits score: 83rd percentile of all films

  • Il paramedico(1982)

    Composer

    Midcredits score: 15th percentile of all films

  • Passion of Love(1981)

    Composer

    Midcredits score: 75th percentile of all films

  • Shut Up When You Speak!(1981)

    Composer

    Midcredits score: 11th percentile of all films

  • Perché non facciamo l'amore (not in the MovieCove catalog yet)(1981)

    Composer

  • Arrivano i bersaglieri (not in the MovieCove catalog yet)(1980)

    Composer

  • The Terrace (not in the MovieCove catalog yet)(1980)

    Composer

  • La amante ingenua (not in the MovieCove catalog yet)(1980)

    Composer

  • Life Is Beautiful(1979)

    Composer

    Midcredits score: 65th percentile of all films

  • The Swap(1979)

    Composer

    Midcredits score: 1st percentile of all films

  • Dr. Jekyll Likes Them Hot(1979)

    Composer

    Midcredits score: 12th percentile of all films

  • My Loves (not in the MovieCove catalog yet)(1978)

    Composer

  • Rugantino (not in the MovieCove catalog yet)(1978)

    Composer

  • Aggiungi un posto a tavola (not in the MovieCove catalog yet)(1978)

    Composer

  • Viva Italia!(1977)

    Composer

    Midcredits score: 83rd percentile of all films

  • In the Name of the Pope King (not in the MovieCove catalog yet)(1977)

    Composer

  • Wifemistress (not in the MovieCove catalog yet)(1977)

    Composer

  • A Special Day(1977)

    Composer

    Midcredits score: 99th percentile of all films

  • The Bishop's Bedroom(1977)

    Composer

    Midcredits score: 50th percentile of all films

  • Keep It To Yourself! (not in the MovieCove catalog yet)(1976)

    Composer

  • Dimmi che fai tutto per me (not in the MovieCove catalog yet)(1976)

    Composer

  • Evil Thoughts (not in the MovieCove catalog yet)(1976)

    Composer

  • Ugly, Dirty and Bad(1976)

    Composer

    Midcredits score: 95th percentile of all films

  • As of Tomorrow(1976)

    Composer

    Midcredits score: 16th percentile of all films

  • La banca di Monate (not in the MovieCove catalog yet)(1976)

    Composer

  • Luna di miele in tre (not in the MovieCove catalog yet)(1976)

    Composer

  • Shadows in an Empty Room(1976)

    Composer

    Midcredits score: 49th percentile of all films

  • The Career of a Chambermaid (not in the MovieCove catalog yet)(1976)

    Composer

  • Duck in Orange Sauce(1975)

    Composer

    Midcredits score: 53rd percentile of all films

  • Valentina... The Virgin Wife (not in the MovieCove catalog yet)(1975)

    Composer

  • We All Loved Each Other So Much(1974)

    Composer

    Midcredits score: 99th percentile of all films

  • Scent of a Woman(1974)

    Composer

    Midcredits score: 92nd percentile of all films

  • The Way of the Baboons (not in the MovieCove catalog yet)(1974)

    Composer

  • Di mamma non ce n'è una sola (not in the MovieCove catalog yet)(1974)

    Composer

  • Amore e ginnastica (not in the MovieCove catalog yet)(1973)

    Composer

  • How Funny Can Sex Be?(1973)

    Composer

    Midcredits score: 44th percentile of all films

  • Rugantino(1973)

    Composer

    Midcredits score: 30th percentile of all films

  • The Sensual Man (not in the MovieCove catalog yet)(1973)

    Composer

  • La Tosca (not in the MovieCove catalog yet)(1973)

    Composer

  • It Was I (not in the MovieCove catalog yet)(1973)

    Composer

  • The Most Wonderful Evening of My Life(1972)

    Composer

    Midcredits score: 83rd percentile of all films

  • The Italian Connection(1972)

    Composer

    Midcredits score: 84th percentile of all films

  • The Migratory Bird (not in the MovieCove catalog yet)(1972)

    Composer

  • The Valachi Papers(1972)

    Composer

    Midcredits score: 60th percentile of all films

  • My Name Is Rocco Papaleo (not in the MovieCove catalog yet)(1971)

    Composer

  • That's How We Women Are (not in the MovieCove catalog yet)(1971)

    Composer

  • Homo Eroticus (not in the MovieCove catalog yet)(1971)

    Composer

  • The Double (not in the MovieCove catalog yet)(1971)

    Composer

  • No One Will Notice You're Naked (not in the MovieCove catalog yet)(1971)

    Composer

  • Stanza 17-17 palazzo delle tasse, ufficio imposte (not in the MovieCove catalog yet)(1971)

    Composer

  • The Priest's Wife(1970)

    Composer

    Midcredits score: 53rd percentile of all films

  • The Married Priest (not in the MovieCove catalog yet)(1970)

    Composer

  • May Morning(1970)

    Composer

    Midcredits score: 16th percentile of all films

  • The Pizza Triangle(1970)

    Composer

    Midcredits score: 89th percentile of all films

  • Normal Young Man (not in the MovieCove catalog yet)(1969)

    Composer

  • Lovemaker (not in the MovieCove catalog yet)(1969)

    Composer

  • The Conspirators (not in the MovieCove catalog yet)(1969)

    Composer

  • Police Chief Pepe (not in the MovieCove catalog yet)(1969)

    Composer

  • Where Are You Going All Naked?(1969)

    Composer

    Midcredits score: 16th percentile of all films

  • How, When, and with Whom (not in the MovieCove catalog yet)(1969)

    Composer

  • I See Naked (not in the MovieCove catalog yet)(1969)

    Composer

  • A Bullet for Rommel (not in the MovieCove catalog yet)(1969)

    Composer

  • The Libertine(1968)

    Composer

    Midcredits score: 31st percentile of all films

  • Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa? (not in the MovieCove catalog yet)(1968)

    Composer

  • Faustina (not in the MovieCove catalog yet)(1968)

    Composer

  • Straziami ma di baci saziami(1968)

    Composer

    Midcredits score: 75th percentile of all films

  • Seven Times Seven(1969)

    Composer

    Midcredits score: 75th percentile of all films

  • La Famiglia Benvenuti (not in the MovieCove catalog yet)(1968)

    Show 13 episodes · Composer

  • Fuller Report, Base Stockholm (not in the MovieCove catalog yet)(1968)

    Composer

  • The Prophet (not in the MovieCove catalog yet)(1968)

    Composer

  • Il marito è mio e l'ammazzo quando mi pare (not in the MovieCove catalog yet)(1968)

    Composer

  • Acid Delirium of the Senses (not in the MovieCove catalog yet)(1968)

    Composer

  • I Am What I Am(1967)

    Composer

    Midcredits score: 26th percentile of all films

  • Anyone Can Play (not in the MovieCove catalog yet)(1967)

    Composer

  • Spy Today, Die Tomorrow(1967)

    Composer

    Midcredits score: 6th percentile of all films

  • Assault on the State Treasure (not in the MovieCove catalog yet)(1967)

    Composer

  • Don Juan in Sicily (not in the MovieCove catalog yet)(1967)

    Composer

  • Long Days of Vengeance(1967)

    Composer

    Midcredits score: 49th percentile of all films

  • Operazione San Pietro(1967)

    Composer

    Midcredits score: 10th percentile of all films

  • Maigret at the Pigalle (not in the MovieCove catalog yet)(1966)

    Composer

  • The Devil in Love (not in the MovieCove catalog yet)(1966)

    Composer

  • The Treasure of San Gennaro(1966)

    Composer

    Midcredits score: 81st percentile of all films

  • Our Husbands (not in the MovieCove catalog yet)(1966)

    Composer

  • The Spy Who Loved Flowers (not in the MovieCove catalog yet)(1966)

    Composer

  • Kill, Baby... Kill!(1966)

    Composer

    Midcredits score: 76th percentile of all films

  • The Queens(1966)

    Composer

    Midcredits score: 39th percentile of all films

  • Adultery Italian Style (not in the MovieCove catalog yet)(1966)

    Composer

  • Seven Golden Men Strike Again (not in the MovieCove catalog yet)(1966)

    Composer

  • So This Is God's Country? (not in the MovieCove catalog yet)(1966)

    Composer

  • Violence and Love (not in the MovieCove catalog yet)(1965)

    Composer · Compositor

  • I complessi(1965)

    Composer · Conductor · as Self (segment "Guglielmo il Dentone") (uncredited)

    Midcredits score: 88th percentile of all films

  • Casanova 70(1965)

    Composer · Conductor

    Midcredits score: 56th percentile of all films

  • Assassination in Rome(1965)

    Composer

    Midcredits score: 15th percentile of all films

  • The Dolls (not in the MovieCove catalog yet)(1965)

    Composer

  • 7 uomini d'oro(1965)

    Composer

    Midcredits score: 66th percentile of all films

  • Beautiful Families (not in the MovieCove catalog yet)(1964)

    Composer

  • Marriage Italian Style(1964)

    Composer · Conductor

    Midcredits score: 94th percentile of all films

  • My Wife (not in the MovieCove catalog yet)(1964)

    Composer

  • The Magnificent Cuckold(1964)

    Composer · Conductor

    Midcredits score: 77th percentile of all films

  • Il gaucho (not in the MovieCove catalog yet)(1964)

    Composer

  • Attack and Retreat (not in the MovieCove catalog yet)(1964)

    Composer

  • What Ever Happened to Baby Toto? (not in the MovieCove catalog yet)(1964)

    Composer

  • Let's Talk About Women (not in the MovieCove catalog yet)(1964)

    Composer

  • Un momento muy largo (not in the MovieCove catalog yet)(1964)

    Composer

  • The Thursday (not in the MovieCove catalog yet)(1964)

    Composer · Conductor

  • High Infidelity(1964)

    Composer

    Midcredits score: 36th percentile of all films

  • Una storia di notte (not in the MovieCove catalog yet)(1964)

    Sound

  • The Visit(1963)

    Composer

    Midcredits score: 90th percentile of all films

  • Yesterday, Today and Tomorrow(1963)

    Composer · Music Director · as Giorgio Ferrario

    Midcredits score: 90th percentile of all films

  • The Monsters(1963)

    Composer

    Midcredits score: 92nd percentile of all films

  • Gli onorevoli (not in the MovieCove catalog yet)(1963)

    Composer

  • Totò sexy (not in the MovieCove catalog yet)(1963)

    Composer

  • Il fornaretto di Venezia(1963)

    Composer

    Midcredits score: 46th percentile of all films

  • I terribili sette (not in the MovieCove catalog yet)(1963)

    Composer

  • In Italia si chiama amore (not in the MovieCove catalog yet)(1963)

    Composer

  • The Monk of Monza (not in the MovieCove catalog yet)(1963)

    Composer

  • Toto at Night (not in the MovieCove catalog yet)(1962)

    Composer

  • Warriors Five(1962)

    Composer

    Midcredits score: 13th percentile of all films

  • Totò e Peppino divisi a Berlino (not in the MovieCove catalog yet)(1962)

    Composer · Conductor

  • Alone Against Rome (not in the MovieCove catalog yet)(1962)

    Composer

  • The Four Monks (not in the MovieCove catalog yet)(1962)

    Composer

  • East Zone, West Zone (not in the MovieCove catalog yet)(1962)

    Composer

  • Always on Sunday (not in the MovieCove catalog yet)(1962)

    Composer · Sound

  • Il mio amico Benito (not in the MovieCove catalog yet)(1962)

    Composer

  • Boccaccio '70(1962)

    Composer

    Midcredits score: 83rd percentile of all films

  • Planets Around Us (not in the MovieCove catalog yet)(1962)

    Composer

  • Down with Uncle (not in the MovieCove catalog yet)(1962)

    Composer

  • Ten Italians for One German (not in the MovieCove catalog yet)(1961)

    Composer

  • His Women (not in the MovieCove catalog yet)(1961)

    Composer

  • Fists, Girls and Sailors (not in the MovieCove catalog yet)(1961)

    Composer · Conductor

  • Hercules in the Haunted World(1961)

    Composer

    Midcredits score: 50th percentile of all films

  • Werewolf in a Girls' Dormitory(1961)

    Composer

    Midcredits score: 11th percentile of all films

  • The Girl of a Thousand Months (not in the MovieCove catalog yet)(1961)

    Composer

  • The Orderly (not in the MovieCove catalog yet)(1961)

    Composer

  • The Giant of Metropolis (not in the MovieCove catalog yet)(1961)

    Composer

  • Mole Men Against the Son of Hercules (not in the MovieCove catalog yet)(1961)

    Composer

  • Laura nuda (not in the MovieCove catalog yet)(1961)

    Composer

  • The Grand Olympics (not in the MovieCove catalog yet)(1961)

    Composer

  • Ghosts of Rome (not in the MovieCove catalog yet)(1961)

    Conductor

  • Totò, Peppino and... the Sweet Life (not in the MovieCove catalog yet)(1961)

    Composer

  • Slave of Rome(1961)

    Composer

    Midcredits score: 23rd percentile of all films

  • Hercules and the Captive Women(1961)

    Composer

    Midcredits score: 9th percentile of all films

  • Two Women(1960)

    Composer

    Midcredits score: 97th percentile of all films

  • Il corazziere (not in the MovieCove catalog yet)(1960)

    Composer

  • Call 22-22 Lieutenant Sheridan (not in the MovieCove catalog yet)(1960)

    Composer · Conductor

  • Little Girls and High Finance (not in the MovieCove catalog yet)(1960)

    Composer

  • Questo amore ai confini del mondo (not in the MovieCove catalog yet)(1960)

    Composer

  • Il carro armato dell'8 settembre (not in the MovieCove catalog yet)(1960)

    Composer

  • Le pillole di Ercole (not in the MovieCove catalog yet)(1960)

    Composer

  • Atom Age Vampire (not in the MovieCove catalog yet)(1960)

    Composer

  • I piaceri del sabato notte (not in the MovieCove catalog yet)(1960)

    Composer

  • I piaceri dello scapolo (not in the MovieCove catalog yet)(1960)

    Composer · Conductor

  • A Soldier and a Half (not in the MovieCove catalog yet)(1960)

    Composer

  • La Dolce Vita(1960)

    Music Arranger

    Midcredits score: 97th percentile of all films

  • A qualcuna piace calvo (not in the MovieCove catalog yet)(1959)

    Composer

  • The Widower(1959)

    Composer · Conductor

    Midcredits score: 90th percentile of all films

  • Uncle Was a Vampire(1959)

    Composer · Music Director

    Midcredits score: 19th percentile of all films

  • La cento chilometri (not in the MovieCove catalog yet)(1959)

    Composer · Conductor

  • Winter Holidays (not in the MovieCove catalog yet)(1959)

    Composer

  • Poor Millionaires (not in the MovieCove catalog yet)(1959)

    Composer

  • Camping (not in the MovieCove catalog yet)(1958)

    Composer

  • Il cocco di mamma (not in the MovieCove catalog yet)(1957)

    Composer

  • America By Night (not in the MovieCove catalog yet)(1957)

    Composer

  • Bravissimo (not in the MovieCove catalog yet)(1955)

    Conductor

  • Le amiche(1955)

    Musician

    Midcredits score: 85th percentile of all films

  • The Prince with the Red Mask (not in the MovieCove catalog yet)(1955)

    Composer

  • Caravan of songs (not in the MovieCove catalog yet)(1955)

    Conductor

  • Woman of the River(1954)

    Composer

    Midcredits score: 48th percentile of all films

  • Two Nights with Cleopatra(1954)

    Composer · Conductor

    Midcredits score: 12th percentile of all films

  • Of Life and Love (not in the MovieCove catalog yet)(1954)

    Composer · Conductor

  • A Day in Court(1954)

    Composer

    Midcredits score: 62nd percentile of all films

  • Funniest Show on Earth (not in the MovieCove catalog yet)(1953)

    Composer · Conductor

  • Era lei che lo voleva! (not in the MovieCove catalog yet)(1953)

    Composer

  • The Unfaithfuls (not in the MovieCove catalog yet)(1953)

    Composer · Conductor

  • Girls Marked Danger (not in the MovieCove catalog yet)(1952)

    Composer

  • Brothers of Italy (not in the MovieCove catalog yet)(1952)

    Composer

Career shape

A full career of 210 titles from 1952 to 2018.

Biggest box office

Dr. Jekyll Likes Them Hot (1979)

$514K worldwide

Highest rated

A Special Day (1977)

Midcredits 99th

Most popular right now

We All Loved Each Other So Much (1974)

Film career

By role

only this rolewith another role
Acting1 of 210: 0 only acting, 1 with another roleMusic203 of 210: 184 only music, 19 with another role · typical Midcredits score53rdOther crew26 of 210: 7 only other crew, 19 with another role · typical Midcredits score87th

210 titles, 19 with more than one role — music and other crew overlap on 19 of them.

By decade

1950s22 · crew1960s97 · 1 acting · 97 crew1970s46 · crew1980s25 · crew1990s13 · crew2000s5 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Armando Trovajoli's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 66; across their 62 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 62

Approval · how many liked their films

52ndpercentile
Typical film, the median of 62

Reach · how many have seen their films

51stpercentile
Typical film, the median of 62

Midcredits score across 66 titles, by percentile

  • 75th and up28
  • 50th to 74th9
  • 25th to 49th12
  • Below 25th17

Shape of the crowd

27 of their 66 titles are Crowd Pleasers.

  • Universally Loved6
  • Universally Panned3
  • Crowd Pleaser27
  • Broadly Agreed10
  • Mixed20

Most divisive · composer

More Beautiful Than Me You Die (1982)

70th percentile spread · 60% rated it 4 or lower

Most loved · composer

A Special Day (1977)

Midcredits 99th · 91% liked

Reviewers score the sound and music 61/100 in their films, across 37 reviewed titles; fans 67, detractors 42. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Armando Trovajoli's work okay for kids?

Across up to 9 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity9 titles29–74 · median 53 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Armando Trovajoli work with?

People who share at least 2 of Armando Trovajoli's MovieCove titles, grouped by what they did on them; Ettore Scola shares the most, 16.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles