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Ettore Scola

Ettore Scola

Writer and director, also editor · Died January 19, 2016, aged 84 · Trevico, Campania, Italy

Ettore Scola (Italian pronunciation: [ˈɛttore ˈskɔːla]; 10 May 1931 – 19 January 2016) was an Italian screenwriter and film director. He received a Golden Globe for Best Foreign Film in 1978 for his film A Special Day and over the course of his film career was nominated for five Academy Awards for Best Foreign Language Film. Scola was born in Trevico, Avellino, Campania. From age 15, he became a ghostwriter. He entered the film industry as a screenwriter in 1953, and collaborated with director Dino Risi and fellow writer Ruggero Maccari on the screenplay for Risi's feature, Il Sorpasso (1962). He directed his first film, Let's Talk About Women, in 1964. In 1974 Scola enjoyed international success with We All Loved Each Other So Much (C'eravamo tanto amati), a wide fresco of post-World War II Italian life and politics, dedicated to fellow director Vittorio De Sica. The film won the Golden Prize at the 9th Moscow International Film Festival. In 1976 he won the Prix de la mise en scène at the 1976 Cannes Film Festival for Brutti, sporchi e cattivi. Scola made further successful films, including A Special Day (1977), That Night In Varennes (1982), What Time Is It? (1989) and Captain Fracassa's Journey (1990). He directed close to 40 films in some 40 years. His film Passione d'amore, adapted from a 19th-century novel, was adapted by Stephen Sondheim and James Lapine into the award-winning musical Passion. He was a member of the jury at the 1988 Cannes Film Festival. Scola died in Rome on 19 January 2016 at the age of 84. Description above from the Wikipedia article Ettore Scola, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
May 10, 1931
Died
January 19, 2016 (aged 84)
From
Trevico, Campania, Italy
Works as
Writer and director, also editor
Titles
26 on MovieCove · 98 credits in all
TMDB popularity, last 37 days to Oct 26Up 3% in 30 days

What are Ettore Scola's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Power and Self.

What they feel like to watch

their average across 25 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 9 · Wry 4 · Earnest 12

A split, not a type: Grounded 12 · Stylized 8 · Heightened 5

Gentle 8 · Charged 14 · Intense 3

A split, not a type: Steady 15 · Shifting 8 · Whiplash 2

Straight-faced 2 · Some laughs 9 · Funny 14

Slow burn 12 · Even-paced 12 · Relentless 1

Casual 18 · Engaged 4 · Full focus 3

A split, not a type: Easy watch 11 · Affecting 10 · Heavy 4

Resolved 17 · Open-ended 6 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
13
Warm
9
Melancholic
10
Joyful
7
Tense
7
Other
14

How their films end · 3 with a twist

  • Happy3
  • Bittersweet13
  • Tragic5
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ettore Scola's films?

As of October 24, 2026, 6 of their 26 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (5).

Subscription and free streaming for Ettore Scola's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

98 credits, 26 with a MovieCove page; 29 appearances as themselves are hidden until asked for.

  • Down So Long (not in the MovieCove catalog yet)(2023)

    Original Story

  • A Bookshop in Paris(2021)

    Original Story

    Midcredits score: 28th percentile of all films
  • Morceaux de Cannes (not in the MovieCove catalog yet)(2021)

    Actor

  • Puccini: La Bohème (not in the MovieCove catalog yet)(2016)

    Director · Stage Director

  • At War with Love(2016)

    Thanks

    Midcredits score: 80th percentile of all films
  • How Strange to be Named Federico (not in the MovieCove catalog yet)(2013)

    Director · Writer

  • Furio Scarpelli - Il racconto prima di tutto (not in the MovieCove catalog yet)(2012)

    as Sé stesso

  • THE INTERPRETER OF BLACK AND WHITE FILMS (not in the MovieCove catalog yet)(2007)

    as Ettore Scola

  • People of Rome (not in the MovieCove catalog yet)(2003)

    Director · Writer

  • Letters from Palestine (not in the MovieCove catalog yet)(2003)

    Director

  • The Spring of 2002 - Italy Protests, Italy Stops (not in the MovieCove catalog yet)(2002)

    Director

  • Unfair Competition (not in the MovieCove catalog yet)(2001)

    Director · Screenplay

  • The Dinner (not in the MovieCove catalog yet)(1998)

    Director · Writer

  • 1943-1997 (not in the MovieCove catalog yet)(1997)

    Director · Scenario Writer

  • Cresceranno i carciofi a Mimongo (not in the MovieCove catalog yet)(1996)

    Thanks

  • Rome, November 12, 1994 (not in the MovieCove catalog yet)(1995)

    Director

  • The Story of a Poor Young Man (not in the MovieCove catalog yet)(1995)

    Director · Screenplay · Story

  • Mario, Maria and Mario (not in the MovieCove catalog yet)(1993)

    Director · Screenplay · Story

  • The Voyage of Captain Fracassa(1990)

    Director · Screenplay

    Midcredits score: 84th percentile of all films
  • What Time Is It? (not in the MovieCove catalog yet)(1989)

    Director · Screenplay · Story

  • Splendor (not in the MovieCove catalog yet)(1989)

    Director · Screenplay

  • Piazza Navona - Sei opere prime (not in the MovieCove catalog yet)(1988)

    Show 6 episodes · Creator · Producer

  • The Family(1987)

    Director · Editor · Screenplay · Story

    Midcredits score: 92nd percentile of all films
  • Macaroni (not in the MovieCove catalog yet)(1985)

    Director · Screenplay · Story

  • Cinecittà Cinecittà (not in the MovieCove catalog yet)(1985)

    Show 1 episode · Actor

  • Cuori nella tormenta (not in the MovieCove catalog yet)(1984)

    Screenplay

  • Farewell to Enrico Berlinguer (not in the MovieCove catalog yet)(1984)

    Director · as Self

  • Le Bal (not in the MovieCove catalog yet)(1983)

    Director · Scenario Writer · Writer

  • That Night in Varennes(1982)

    Director · Writer

    Midcredits score: 83rd percentile of all films
  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · Story

  • Passion of Love(1981)

    Director · Screenplay

    Midcredits score: 75th percentile of all films
  • Vorrei Che Volo (not in the MovieCove catalog yet)(1980)

    Director · Screenplay

  • The Terrace (not in the MovieCove catalog yet)(1980)

    Director · Screenplay · Story

  • Viva Italia!(1977)

    Director

    Midcredits score: 83rd percentile of all films
  • A Special Day(1977)

    Director · Screenplay · Story

    Midcredits score: 99th percentile of all films
  • Goodnight, Ladies and Gentlemen(1976)

    Director · Story

    Midcredits score: 70th percentile of all films
  • Ugly, Dirty and Bad(1976)

    Director · Writer

    Midcredits score: 95th percentile of all films
  • Il silenzio è complicità (not in the MovieCove catalog yet)(1976)

    Editor · Screenplay

  • We All Loved Each Other So Much(1974)

    Director · Screenplay · Story

    Midcredits score: 99th percentile of all films
  • Trevico-Turin: Voyage in Fiatnam (not in the MovieCove catalog yet)(1973)

    Director · Writer

  • Festival dell’Unità 1972 (not in the MovieCove catalog yet)(1973)

    Director

  • Midcredits score: 83rd percentile of all films
  • My Name Is Rocco Papaleo (not in the MovieCove catalog yet)(1971)

    Director · Screenplay · Story

  • That's How We Women Are (not in the MovieCove catalog yet)(1971)

    Screenplay

  • The Pizza Triangle(1970)

    Director · Screenplay

    Midcredits score: 89th percentile of all films
  • Police Chief Pepe (not in the MovieCove catalog yet)(1969)

    Director · Screenplay

  • Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa? (not in the MovieCove catalog yet)(1968)

    Director · Dialogue · Screenplay

  • The Prophet (not in the MovieCove catalog yet)(1968)

    Screenplay · Story

  • Anyone Can Play (not in the MovieCove catalog yet)(1967)

    Screenplay · Story

  • The Devil in Love (not in the MovieCove catalog yet)(1966)

    Director · Screenplay · Story

  • Made in Italy (not in the MovieCove catalog yet)(1965)

    Screenplay · Story

  • I Knew Her Well(1965)

    Screenplay · Story

    Midcredits score: 95th percentile of all films
  • Thrilling (not in the MovieCove catalog yet)(1965)

    Director · Screenplay · Story

  • I complessi(1965)

    Screenplay · Story

    Midcredits score: 88th percentile of all films
  • One Million Dollars (not in the MovieCove catalog yet)(1964)

    Director · Screenplay · Story

  • The Magnificent Cuckold(1964)

    Dialogue · Screenplay

    Midcredits score: 77th percentile of all films
  • Il gaucho (not in the MovieCove catalog yet)(1964)

    Screenplay · Story

  • Let's Talk About Women (not in the MovieCove catalog yet)(1964)

    Director · Screenplay · Story

  • High Infidelity(1964)

    Screenplay · Story

    Midcredits score: 36th percentile of all films
  • The Visit(1963)

    Screenplay · Story

    Midcredits score: 90th percentile of all films
  • I cuori infranti (not in the MovieCove catalog yet)(1963)

    Story

  • The Monsters(1963)

    Dialogue · Screenplay · Story

    Midcredits score: 92nd percentile of all films
  • Il successo (not in the MovieCove catalog yet)(1963)

    Screenplay · Story

  • The Girl from Parma (not in the MovieCove catalog yet)(1963)

    Screenplay

  • Sex Can Be Difficult (not in the MovieCove catalog yet)(1962)

    Screenplay

  • La marcia su Roma(1962)

    Screenplay · Story

    Midcredits score: 91st percentile of all films
  • Il sorpasso(1962)

    Screenplay · Story

    Midcredits score: 99th percentile of all films
  • Roaring Years (not in the MovieCove catalog yet)(1962)

    Screenplay

  • The Policeman on Horseback (not in the MovieCove catalog yet)(1961)

    Co-Director · Screenplay · Story

  • Ghosts of Rome (not in the MovieCove catalog yet)(1961)

    Screenplay · Story

  • Adua and Her Friends(1960)

    Screenplay · Story

    Midcredits score: 94th percentile of all films
  • Le pillole di Ercole (not in the MovieCove catalog yet)(1960)

    Dialogue

  • Love and Larceny(1960)

    Screenplay

    Midcredits score: 85th percentile of all films
  • Nel blu dipinto di blu (not in the MovieCove catalog yet)(1959)

    Screenplay

  • First Love (not in the MovieCove catalog yet)(1959)

    Screenplay · Story

  • Totò in the Moon (not in the MovieCove catalog yet)(1958)

    Screenplay

  • March's Child (not in the MovieCove catalog yet)(1958)

    Screenplay

  • Il marito (not in the MovieCove catalog yet)(1958)

    Screenplay

  • Non sono più guaglione (not in the MovieCove catalog yet)(1957)

    Screenplay

  • Il conte Max (not in the MovieCove catalog yet)(1957)

    Screenplay

  • Mi permette babbo! (not in the MovieCove catalog yet)(1956)

    Screenplay

  • I giorni più belli (not in the MovieCove catalog yet)(1956)

    Writer

  • Guardia, guardia scelta, brigadiere e maresciallo (not in the MovieCove catalog yet)(1956)

    Screenplay

  • Lo scapolo(1955)

    Screenplay

    Midcredits score: 58th percentile of all films
  • I pappagalli (not in the MovieCove catalog yet)(1955)

    Screenplay

  • It Happened in the Penitentiary (not in the MovieCove catalog yet)(1955)

    Screenplay

  • Good night… lawyer! (not in the MovieCove catalog yet)(1955)

    Screenplay

  • An American in Rome(1954)

    Screenplay · Story

    Midcredits score: 78th percentile of all films
  • A Parisian in Rome (not in the MovieCove catalog yet)(1954)

    Screenplay · Story

  • Rosso e nero (not in the MovieCove catalog yet)(1954)

    Writer

  • It Happened at the Police Station (not in the MovieCove catalog yet)(1954)

    Dialogue · Screenplay

  • Gran varietà (not in the MovieCove catalog yet)(1954)

    Writer

  • Mid-Century Loves (not in the MovieCove catalog yet)(1954)

    Screenplay

  • Two Nights with Cleopatra(1954)

    Screenplay · Story

    Midcredits score: 12th percentile of all films
  • Laugh! Laugh! Laugh! (not in the MovieCove catalog yet)(1954)

    Screenplay

  • Cavalcade of Song (not in the MovieCove catalog yet)(1953)

    Writer

  • Fermi tutti... arrivo io! (not in the MovieCove catalog yet)(1953)

    Screenplay

  • Half a Century of Song (not in the MovieCove catalog yet)(1952)

    Writer

Career shape

A full career of 98 titles from 1952 to 2023.

By role

only this rolewith another role
Acting4 of 98: 4 only acting, 0 with another roleDirecting39 of 98: 6 only directing, 33 with another role · typical Midcredits score84thWriting84 of 98: 51 only writing, 33 with another role · typical Midcredits score87thProducing1 of 98: 0 only producing, 1 with another roleEditing2 of 98: 0 only editing, 2 with another roleOther crew4 of 98: 2 only other crew, 2 with another role

98 titles, 35 with more than one role — writing and directing overlap on 32 of them.

By decade

1950s25 · crew1960s28 · crew1970s12 · crew1980s14 · 1 acting · 13 crew1990s7 · crew2000s5 · 1 acting · 4 crew2010s4 · 1 acting · 3 crew2020s3 · 1 acting · 2 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ettore Scola's films land?

Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 26; across their 25 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 25

Approval · how many liked their films

85thpercentile
Typical film, the median of 25

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 25

Midcredits score across 26 titles, by percentile

  • 75th and up21
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 26 titles divides audiences: 17 are Crowd Pleasers.

  • Universally Loved6
  • Crowd Pleaser17
  • Broadly Agreed1
  • Mixed2

Reviewers score the dialogue 69/100 and the plot and story 58/100 in their films, across 22 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ettore Scola's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ettore Scola work with?

People who share at least 2 of Ettore Scola's MovieCove titles, grouped by what they did on them; Ruggero Maccari shares the most, 18.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers