Marian Ainslee
Writer · Marceline, Missouri, USA
- Marceline, Missouri, USA
- Writer
- 10 on MovieCove · 22 credits in all
What are Marian Ainslee's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
A split, not a type: Light 4 · Serious 2 · Dark 4
A split, not a type: Grounded 5 · Stylized 3 · Heightened 2
Gentle 0 · Charged 6 · Intense 4
Steady 1 · Shifting 9 · Whiplash 0
Straight-faced 8 · Some laughs 2 · Funny 0
Slow burn 8 · Even-paced 2 · Relentless 0
Casual 5 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 4
Resolved 9 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet6
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marian Ainslee's films?
As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, on Tubi (5).
Subscription and free streaming for Marian Ainslee's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 10 with a MovieCove page.
Carefree (not in the MovieCove catalog yet)(1938)
What Every Woman Knows(1934)
Midcredits score: 68th percentile of all films
Queen Kelly (not in the MovieCove catalog yet)(1929)
Wonder of Women (not in the MovieCove catalog yet)(1929)
The Bridge of San Luis Rey (not in the MovieCove catalog yet)(1929)
Wild Orchids(1929)
Midcredits score: 60th percentile of all films
Hallelujah(1929)
Midcredits score: 67th percentile of all films
Our Modern Maidens(1929)
Midcredits score: 46th percentile of all films
The Single Standard(1929)
Midcredits score: 67th percentile of all films
A Woman of Affairs(1928)
Midcredits score: 83rd percentile of all films
The Masks of the Devil (not in the MovieCove catalog yet)(1928)
Our Dancing Daughters(1928)
Midcredits score: 70th percentile of all films
The Mysterious Lady (not in the MovieCove catalog yet)(1928)
Love(1927)
Midcredits score: 72nd percentile of all films
Foreign Devils (not in the MovieCove catalog yet)(1927)
Lovers (not in the MovieCove catalog yet)(1927)
Flesh and the Devil(1926)
Midcredits score: 92nd percentile of all films
The Tower of Lies (not in the MovieCove catalog yet)(1925)
Proud Flesh (not in the MovieCove catalog yet)(1925)
He Who Gets Slapped(1924)
Midcredits score: 96th percentile of all films
A Lady of Quality (not in the MovieCove catalog yet)(1924)
The Duke of Chimney Butte (not in the MovieCove catalog yet)(1921)
Career shape
A full career of 19 titles from 1921 to 1938.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Marian Ainslee's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up3
- 50th to 74th6
- 25th to 49th1
Shape of the crowd
6 of their 10 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser6
- Mixed2
Reviewers score the dialogue 53/100 and the plot and story 44/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marian Ainslee work with?
People who share at least 2 of Marian Ainslee's MovieCove titles, grouped by what they did on them; William Axt shares the most, 7.
Directors
- Clarence BrownShared titles: A Woman of Affairs (1928), Flesh and the Devil (1926)See all 2 shared titles with Clarence Brown
Writers
- Ruth CummingsShared titles: Our Modern Maidens (1929), Wild Orchids (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928), Love (1927)See all 5 shared titles with Ruth Cummings
- Josephine LovettShared titles: Our Modern Maidens (1929), The Single Standard (1929), Our Dancing Daughters (1928)See all 3 shared titles with Josephine Lovett
Actors
- Greta GarboShared titles: The Single Standard (1929), Wild Orchids (1929), A Woman of Affairs (1928), Love (1927), Flesh and the Devil (1926)See all 5 shared titles with Greta Garbo
- John GilbertShared titles: A Woman of Affairs (1928), Love (1927), Flesh and the Devil (1926), He Who Gets Slapped (1924)See all 4 shared titles with John Gilbert
- Dorothy SebastianShared titles: The Single Standard (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 3 shared titles with Dorothy Sebastian
- Johnny Mack BrownShared titles: The Single Standard (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 3 shared titles with Johnny Mack Brown
Composers, cinematographers and editors
- William AxtShared titles: Our Modern Maidens (1929), The Single Standard (1929), Wild Orchids (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928), Love (1927), He Who Gets Slapped (1924)See all 7 shared titles with William Axt
- Hugh WynnShared titles: Hallelujah (1929), A Woman of Affairs (1928), Love (1927), He Who Gets Slapped (1924)See all 4 shared titles with Hugh Wynn
- William H. DanielsShared titles: Wild Orchids (1929), A Woman of Affairs (1928), Love (1927), Flesh and the Devil (1926)See all 4 shared titles with William H. Daniels
- Blanche SewellShared titles: What Every Woman Knows (1934), The Single Standard (1929)See all 2 shared titles with Blanche Sewell
Producers
- Irving ThalbergShared titles: What Every Woman Knows (1934), Hallelujah (1929), Flesh and the Devil (1926), He Who Gets Slapped (1924)See all 4 shared titles with Irving Thalberg
- Hunt StrombergShared titles: Our Modern Maidens (1929), Our Dancing Daughters (1928)See all 2 shared titles with Hunt Stromberg
