
Dorothy Sebastian
Actor · Died April 8, 1957, aged 53 · Birmingham, Alabama, USA
From Wikipedia Dorothy Sebastian (April 26, 1903 – April 8, 1957) was an American film and stage actress. Sebastian was born and raised in Birmingham, Alabama. In her youth, she aspired to be a dancer and a film actress. Her family frowned on both ambitions, however, so she fled to New York at the age of 15. Upon her arrival in New York City, Sebastian's southern drawl was thick enough to "cut with a knife". She followed around theatrical agents before returning at night to a $12-a-month room, after being consistently rejected. Sebastian's first contact in Hollywood was Robert Kane, who gave her a film test at United Studios. She performed in George White's Scandals and later co-starred with Joan Crawford and Anita Page for a popular series of MGM romantic dramas including Our Dancing Daughters (1928) and Our Blushing Brides (1930). Sebastian also appeared in 1929's Spite Marriage, wherein she was cast opposite her then-lover Buster Keaton. By the mid-1930s, Sebastian was semi-retired from acting after marrying Hopalong Cassidy star William Boyd. After their 1936 divorce, she returned to acting appearing in mostly bit parts. Her last onscreen appearance was in the 1948 film The Miracle of the Bells. Sebastian married actor William Boyd in December 1930 in Las Vegas, Nevada. They began a relationship after meeting on the set of His First Command in 1929. They divorced in 1936. In 1947, Sebastian married Miami Beach businessman Harold Shapiro to whom she remained married until her death. On April 8, 1957, Sebastian died of cancer at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. She is buried at Holy Cross Cemetery in Culver City, California. For her contribution to the motion picture industry, Dorothy Sebastian has a star on the Hollywood Walk of Fame at 6655 Hollywood Blvd.
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Biography from TMDB.
- April 26, 1903
- April 8, 1957 (aged 53)
- Birmingham, Alabama, USA
- Actor
- 13 on MovieCove · 60 credits in all
What are Dorothy Sebastian's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 3 · Serious 5 · Dark 0
A split, not a type: Grounded 5 · Stylized 3 · Heightened 0
Gentle 1 · Charged 7 · Intense 0
Steady 2 · Shifting 6 · Whiplash 0
Straight-faced 6 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 4 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 3 · Heavy 1
Resolved 7 · Open-ended 1 · Ambiguous 0
Roles they play
- Allyas Beatrice in Our Dancing Daughters (1928)
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dorothy Sebastian's films?
As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Dorothy Sebastian's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
60 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

The Miracle of the Bells(1948)
Midcredits score: 64th percentile of all films
Among the Living (not in the MovieCove catalog yet)(1941)

Kansas Cyclone (not in the MovieCove catalog yet)(1941)

Days of Jesse James(1939)
Midcredits score: 23rd percentile of all films
The Arizona Kid(1939)
Midcredits score: 41st percentile of all films
The Women(1939)
Midcredits score: 94th percentile of all films
Rough Riders' Round-up(1939)
Midcredits score: 16th percentile of all films
The Mysterious Pilot (not in the MovieCove catalog yet)(1937)

The Life of Vergie Winters (not in the MovieCove catalog yet)(1934)

Allez Oop (not in the MovieCove catalog yet)(1934)

No Sleep on the Deep (not in the MovieCove catalog yet)(1934)

Ship of Wanted Men (not in the MovieCove catalog yet)(1933)

Contrabando (not in the MovieCove catalog yet)(1932)

They Never Come Back(1932)
Midcredits score: 13th percentile of all films
The Wide Open Spaces (not in the MovieCove catalog yet)(1931)

The Deceiver (not in the MovieCove catalog yet)(1931)

The Big Gamble (not in the MovieCove catalog yet)(1931)

Ships of Hate (not in the MovieCove catalog yet)(1931)

The Lightning Flyer (not in the MovieCove catalog yet)(1931)

Screen Snapshots Series 10, No. 5 (not in the MovieCove catalog yet)(1930)

The Utah Kid (not in the MovieCove catalog yet)(1930)

Brothers (not in the MovieCove catalog yet)(1930)

Ladies Must Play (not in the MovieCove catalog yet)(1930)

Our Blushing Brides (not in the MovieCove catalog yet)(1930)

Hell's Island (not in the MovieCove catalog yet)(1930)

Free and Easy(1930)
Midcredits score: 30th percentile of all films
Montana Moon(1930)
Midcredits score: 15th percentile of all films
Officer O'Brien (not in the MovieCove catalog yet)(1930)

The Rounder (not in the MovieCove catalog yet)(1930)

His First Command (not in the MovieCove catalog yet)(1929)

The Unholy Night (not in the MovieCove catalog yet)(1929)

The Single Standard(1929)
Midcredits score: 67th percentile of all films
Spite Marriage (not in the MovieCove catalog yet)(1929)

The Devil's Apple Tree (not in the MovieCove catalog yet)(1929)

The Spirit of Youth (not in the MovieCove catalog yet)(1929)

The Rainbow (not in the MovieCove catalog yet)(1929)

Morgan's Last Raid (not in the MovieCove catalog yet)(1929)

A Woman of Affairs(1928)
Midcredits score: 83rd percentile of all films
Our Dancing Daughters(1928)
Midcredits score: 70th percentile of all films
The Adventurer (not in the MovieCove catalog yet)(1928)
The House of Scandal (not in the MovieCove catalog yet)(1928)
Wyoming (not in the MovieCove catalog yet)(1928)
Their Hour (not in the MovieCove catalog yet)(1928)

The Haunted Ship (not in the MovieCove catalog yet)(1927)

Love(1927)
Midcredits score: 72nd percentile of all films
The Arizona Wildcat (not in the MovieCove catalog yet)(1927)

Tea For Three (not in the MovieCove catalog yet)(1927)

The Isle of Forgotten Women (not in the MovieCove catalog yet)(1927)

Twelve Miles Out (not in the MovieCove catalog yet)(1927)
On Ze Boulevard (not in the MovieCove catalog yet)(1927)

California (not in the MovieCove catalog yet)(1927)

The Demi-Bride (not in the MovieCove catalog yet)(1927)

The Show (not in the MovieCove catalog yet)(1927)

You'd Be Surprised(1926)
Midcredits score: 55th percentile of all films
Beauty à la Mud (not in the MovieCove catalog yet)(1926)

Torrent (not in the MovieCove catalog yet)(1926)

Bluebeard's Seven Wives (not in the MovieCove catalog yet)(1926)

Why Women Love (not in the MovieCove catalog yet)(1925)

Winds of Chance (not in the MovieCove catalog yet)(1925)

Sackcloth and Scarlet (not in the MovieCove catalog yet)(1925)
Career shape
Star power in the 78th percentile of 239,109 people with a billed film role, over a full career of 60 titles from 1925 to 1948.

Biggest box office
Montana Moon (1930)

Highest rated
A Woman of Affairs (1928)

Most popular right now
You'd Be Surprised (1926)
Film career
- 1927Screen debut· Love
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Dorothy Sebastian's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 13; across their 8 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th2
- Below 25th4
Shape of the crowd
8 of their 13 titles are Mixed.
- Universally Loved1
- Crowd Pleaser4
- Mixed8
Reviewers score the acting 62/100 in their films, across 8 reviewed titles; fans 72, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Dorothy Sebastian work with?
People who share at least 2 of Dorothy Sebastian's MovieCove titles, grouped by what they did on them; Johnny Mack Brown shares the most, 4.
Directors
- Joseph KaneShared titles: Rough Riders' Round-up (1939), The Arizona Kid (1939)See all 2 shared titles with Joseph Kane

Writers
- Marian AinsleeShared titles: The Single Standard (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 3 shared titles with Marian Ainslee
- Josephine LovettShared titles: The Single Standard (1929), Our Dancing Daughters (1928)See all 2 shared titles with Josephine Lovett
- Ruth CummingsShared titles: A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 2 shared titles with Ruth Cummings

Actors
- Johnny Mack BrownShared titles: Montana Moon (1930), The Single Standard (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 4 shared titles with Johnny Mack Brown

- Roy RogersShared titles: Rough Riders' Round-up (1939), The Arizona Kid (1939)See all 2 shared titles with Roy Rogers

- Gertrude AstorShared titles: They Never Come Back (1932), A Woman of Affairs (1928)See all 2 shared titles with Gertrude Astor

- Joan CrawfordShared titles: Montana Moon (1930), Our Dancing Daughters (1928)See all 2 shared titles with Joan Crawford

Composers, cinematographers and editors
- William AxtShared titles: The Single Standard (1929), A Woman of Affairs (1928), Our Dancing Daughters (1928)See all 3 shared titles with William Axt
- Lester OrlebeckShared titles: Rough Riders' Round-up (1939), The Arizona Kid (1939)See all 2 shared titles with Lester Orlebeck
- William H. DanielsShared titles: Montana Moon (1930), A Woman of Affairs (1928)See all 2 shared titles with William H. Daniels


