G.R. Aldo
Cinematographer · Died November 14, 1953, aged 48 · Scorzè, Veneto, Italy
- January 1, 1905
- November 14, 1953 (aged 48)
- Scorzè, Veneto, Italy
- Cinematographer
- 6 on MovieCove · 13 credits in all
What are G.R. Aldo's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 3 · Dark 3
Grounded 2 · Stylized 2 · Heightened 2
Gentle 0 · Charged 4 · Intense 2
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 3 · Heavy 3
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet1
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch G.R. Aldo's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).
Subscription and free streaming for G.R. Aldo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 6 with a MovieCove page.
Senso(1954)
Midcredits score: 92nd percentile of all films
Lo scocciatore (not in the MovieCove catalog yet)(1953)
Stazione Termini(1953)
Midcredits score: 45th percentile of all films
The Wayward Wife (not in the MovieCove catalog yet)(1953)
Three Forbidden Stories (not in the MovieCove catalog yet)(1952)
Umberto D.(1952)
Midcredits score: 98th percentile of all films
Othello(1951)
Midcredits score: 93rd percentile of all films
Miracle in Milan(1951)
Midcredits score: 94th percentile of all films
Tomorrow Is Another Day (not in the MovieCove catalog yet)(1951)
Tomorrow Is Too Late(1950)
Midcredits score: 64th percentile of all films
La Terra Trema (not in the MovieCove catalog yet)(1949)
Heaven Over the Marshes (not in the MovieCove catalog yet)(1949)
La Symphonie fantastique (not in the MovieCove catalog yet)(1942)
Career shape
A full career of 12 titles from 1942 to 1954.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do G.R. Aldo's films land?
Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 90th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 6 titles divides audiences: 4 are Universally Loved.
- Universally Loved4
- Crowd Pleaser1
- Broadly Agreed1
Reviewers score the cinematography 82/100 in their films, across 5 reviewed titles; fans 85, detractors 66. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does G.R. Aldo work with?
People who share at least 2 of G.R. Aldo's MovieCove titles, grouped by what they did on them; Vittorio De Sica shares the most, 4.
Directors
- Vittorio De SicaShared titles: Stazione Termini (1953), Umberto D. (1952), Miracle in Milan (1951), Tomorrow Is Too Late (1950)See all 4 shared titles with Vittorio De Sica
Writers
- Cesare ZavattiniShared titles: Stazione Termini (1953), Umberto D. (1952), Miracle in Milan (1951)See all 3 shared titles with Cesare Zavattini
- Giorgio ProsperiShared titles: Senso (1954), Stazione Termini (1953)See all 2 shared titles with Giorgio Prosperi
- Suso Cecchi D'AmicoShared titles: Senso (1954), Miracle in Milan (1951)See all 2 shared titles with Suso Cecchi D'Amico
Actors
- Maria Pia CasilioShared titles: Stazione Termini (1953), Umberto D. (1952)See all 2 shared titles with Maria Pia Casilio
- Paolo StoppaShared titles: Stazione Termini (1953), Miracle in Milan (1951)See all 2 shared titles with Paolo Stoppa
Composers and editors
- Alessandro CicogniniShared titles: Stazione Termini (1953), Umberto D. (1952), Miracle in Milan (1951), Tomorrow Is Too Late (1950)See all 4 shared titles with Alessandro Cicognini
- Eraldo Da RomaShared titles: Stazione Termini (1953), Umberto D. (1952), Miracle in Milan (1951)See all 3 shared titles with Eraldo Da Roma
Producers
- Angelo RizzoliShared titles: Umberto D. (1952), Tomorrow Is Too Late (1950)See all 2 shared titles with Angelo Rizzoli
- Giuseppe AmatoShared titles: Umberto D. (1952), Tomorrow Is Too Late (1950)See all 2 shared titles with Giuseppe Amato
