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Stanford C. Allen

Editor

Works as
Editor
Titles
18 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 35% in 30 days

What are Stanford C. Allen's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Adventure3 titlesTypical Midcredits score: 33rd percentile
: browse their Adventure movies
Drama3 titlesTypical Midcredits score: 73rd percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
33%
Bonds
28%
Morality
19%
Survival
16%
Power
4%
Family bonds4 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeDuty3 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 4 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 7 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 8 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 8 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 11 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 7 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 4 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Thrilling
3
Melancholic
5
Hopeful
3
Joyful
2
Other
14

How their films linger

Feel-good5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stanford C. Allen's films?

As of October 24, 2026, 9 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Stanford C. Allen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 18 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Quest for Camelot(1998)

    Editor

    Midcredits score: 60th percentile of all films

  • NYPD Blue(1993)

    Show 13 episodes · Editor

    Midcredits score: 80th percentile of all shows

  • Praying Mantis (not in the MovieCove catalog yet)(1993)

    Editor

  • Into the Badlands (not in the MovieCove catalog yet)(1991)

    Editor

  • Dillinger (not in the MovieCove catalog yet)(1991)

    Editor

  • Exile (not in the MovieCove catalog yet)(1990)

    Editor

  • Roots: The Gift(1988)

    Editor

    Midcredits score: 73rd percentile of all films

  • The Night Stalker (not in the MovieCove catalog yet)(1987)

    Editor

  • U.S. Marshals: Waco & Rhinehart(1987)

    Editor

    Midcredits score: 33rd percentile of all films (provisional, few ratings)

  • A Conspiracy of Love(1987)

    Editor

    Midcredits score: 17th percentile of all films

  • The Richest Cat in the World (not in the MovieCove catalog yet)(1986)

    Editor

  • Doin' Time (not in the MovieCove catalog yet)(1985)

    Editor

  • Cracking Up(1983)

    Associate Editor

    Midcredits score: 47th percentile of all films

  • Mortuary(1982)

    Editor

    Midcredits score: 16th percentile of all films

  • T.J. Hooker(1982)

    Show 6 episodes · Editor

    Midcredits score: 15th percentile of all shows

  • Nighthawks(1981)

    Editor

    Midcredits score: 56th percentile of all films

  • The Gods Must Be Crazy(1980)

    Consulting Editor

    Midcredits score: 88th percentile of all films

  • The Hollywood Knights(1980)

    Editor

    Midcredits score: 49th percentile of all films

  • Rocky II(1979)

    Editor

    Midcredits score: 92nd percentile of all films

  • The Fifth Floor(1978)

    Editor

    Midcredits score: 18th percentile of all films

  • Rabbit Test (not in the MovieCove catalog yet)(1978)

    Editor

  • March or Die(1977)

    Editor

    Midcredits score: 49th percentile of all films

  • Silent Movie(1976)

    Editor

    Midcredits score: 70th percentile of all films

  • The Blue Bird(1976)

    Editor

    Midcredits score: 32nd percentile of all films

  • Take a Hard Ride(1975)

    Editor

    Midcredits score: 33rd percentile of all films

  • Young Frankenstein(1974)

    Assistant Editor

    Midcredits score: 97th percentile of all films

  • Hex (not in the MovieCove catalog yet)(1973)

    Assistant Editor

  • The Touch of Satan (not in the MovieCove catalog yet)(1971)

    Assistant Editor

Career shape

A full career of 27 titles from 1971 to 1998.

Biggest box office

Rocky II (1979)

$85M worldwide

Highest rated

Rocky II (1979)

Midcredits 92nd

By role

only this rolewith another role
Editing22 of 27: 22 only editing, 0 with another role · typical Midcredits score49thOther crew5 of 27: 5 only other crew, 0 with another role

By decade

1970s10 · crew1980s11 · crew1990s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Stanford C. Allen's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 13

Approval · how many liked their films

48thpercentile
Typical film, the median of 13

Reach · how many have seen their films

70thpercentile
Typical film, the median of 13

Midcredits score across 18 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th4

Shape of the crowd

7 of their 18 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic4
  • Crowd Pleaser7
  • Mixed6

Most divisive · editor

U.S. Marshals: Waco & Rhinehart (1987)

80th percentile spread · 30% rated it 4 or lower

Most loved · editor

Rocky II (1979)

Midcredits 92nd · 80% liked

Reviewers score the pacing 40/100 in their films, across 11 reviewed titles; fans 53, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Stanford C. Allen's work okay for kids?

Across up to 7 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 52 · moderateMedian of all films: 44
Sex & Nudity7 titles5–52 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 32 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 31 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 46 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Stanford C. Allen work with?

People who share at least 2 of Stanford C. Allen's MovieCove titles, grouped by what they did on them; Howard Avedis shares the most, 2.

Directors

Writers

Actors

Editors

Producers