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Edward L. Montoro

Producer and writer

Works as
Producer and writer
Titles
21 on MovieCove · 29 credits in all
TMDB popularity, last 38 days to Oct 27Down 2% in 30 days

What are Edward L. Montoro's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 11 · Stylized 9 · Heightened 1

A split, not a type: Gentle 2 · Charged 9 · Intense 10

Steady 7 · Shifting 11 · Whiplash 3

Straight-faced 13 · Some laughs 7 · Funny 1

Slow burn 6 · Even-paced 15 · Relentless 0

Casual 12 · Engaged 9 · Full focus 0

A split, not a type: Easy watch 11 · Affecting 4 · Heavy 6

Resolved 14 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Dread
11
Thrilling
7
Absurd
6
Cold
5
Other
7

How their films end · 4 with a twist

  • Happy6
  • Bittersweet6
  • Tragic3
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward L. Montoro's films?

As of October 24, 2026, 18 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Subscription and free streaming for Edward L. Montoro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 21 with a MovieCove page.

  • Dark Friday (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • The Act(1983)

    Executive Producer

    Midcredits score: 2nd percentile of all films
  • Mutant(1984)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • Torchlight (not in the MovieCove catalog yet)(1984)

    Executive Producer

  • Alley Cat(1984)

    Executive Producer

    Midcredits score: 22nd percentile of all films
  • The Power (not in the MovieCove catalog yet)(1984)

    Executive Producer

  • Extraterrestrial Visitors (not in the MovieCove catalog yet)(1983)

    Executive Producer

  • Hundra(1983)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Vigilante(1982)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Mortuary(1982)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Pieces(1982)

    Producer

    Midcredits score: 48th percentile of all films
  • Kill and Kill Again (not in the MovieCove catalog yet)(1981)

    Executive Producer

  • The Last Shark(1981)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Texas Lightning(1981)

    Producer

    Midcredits score: 4th percentile of all films
  • The Grim Reaper(1980)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Don't Go in the House(1979)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • The Dark(1979)

    Producer

    Midcredits score: 4th percentile of all films
  • The Visitor(1979)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Hometown U.S.A.(1979)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • The Fifth Floor(1978)

    Producer

    Midcredits score: 18th percentile of all films
  • Day of the Animals(1977)

    Producer · Story

    Midcredits score: 20th percentile of all films
  • Grizzly(1976)

    Executive Producer

    Midcredits score: 17th percentile of all films
  • Karate Killer(1976)

    Producer

    Midcredits score: 16th percentile of all films
  • Beyond the Door(1974)

    Producer

    Midcredits score: 13th percentile of all films
  • Ricco (not in the MovieCove catalog yet)(1973)

    Executive Producer

  • X-Rated Girl(1971)

    Producer

    Midcredits score: 47th percentile of all films
  • Getting Into Heaven (not in the MovieCove catalog yet)(1970)

    Director · Producer · Writer

  • Boot Hill(1969)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Platinum Pussycat (not in the MovieCove catalog yet)(1968)

    Director · Writer

Career shape

A full career of 24 titles from 1968 to 1993.

By role

only this rolewith another role
Directing2 of 24: 0 only directing, 2 with another roleWriting3 of 24: 0 only writing, 3 with another roleProducing23 of 24: 21 only producing, 2 with another role · typical Midcredits score18th

24 titles, 3 with more than one role — producing and writing overlap on 2 of them.

By decade

1960s2 · crew1970s9 · crew1980s12 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Edward L. Montoro's films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 21

Approval · how many liked their films

14thpercentile
Typical film, the median of 21

Reach · how many have seen their films

74thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 50th to 74th1
  • 25th to 49th6
  • Below 25th14

Reviewers score the dialogue 32/100 and the plot and story 32/100 in their films, across 21 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Edward L. Montoro's work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles57–90 · median 79 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity12 titles17–62 · median 49 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles27–66 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles32–42 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles53–89 · median 81 · severeheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Edward L. Montoro work with?

People who share at least 2 of Edward L. Montoro's MovieCove titles, grouped by what they did on them; Christopher George shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers