Leigh Aman
Producer · Died January 1, 2018, aged 104 · Camberley, Surrey, England, UK
- September 6, 1913
- January 1, 2018 (aged 104)
- Camberley, Surrey, England, UK
- Producer
- 9 on MovieCove · 19 credits in all
What are Leigh Aman's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 0 · Stylized 1 · Heightened 2
Gentle 2 · Charged 1 · Intense 0
A split, not a type: Steady 1 · Shifting 0 · Whiplash 2
Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leigh Aman's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Leigh Aman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 9 with a MovieCove page.
I Start Counting (not in the MovieCove catalog yet)(1970)
Diamonds for Breakfast (not in the MovieCove catalog yet)(1968)
Midcredits score: 57th percentile of all films
One Way Pendulum(1965)
Midcredits score: 27th percentile of all films
Girl with Green Eyes(1964)
Midcredits score: 78th percentile of all films
A Taste of Honey(1961)
Midcredits score: 90th percentile of all films
The Boy and the Bridge (not in the MovieCove catalog yet)(1959)
Midcredits score: 90th percentile of all films
I Am a Camera(1955)
Midcredits score: 56th percentile of all films
Father Brown (not in the MovieCove catalog yet)(1954)
Moulin Rouge(1952)
Midcredits score: 78th percentile of all films
The African Queen(1951)
Midcredits score: 95th percentile of all films
The Interrupted Journey (not in the MovieCove catalog yet)(1949)
Kind Hearts and Coronets(1949)
Midcredits score: 97th percentile of all films
Counterblast (not in the MovieCove catalog yet)(1948)
Green Fingers (not in the MovieCove catalog yet)(1947)
The Laughing Lady (not in the MovieCove catalog yet)(1946)
The Invader (not in the MovieCove catalog yet)(1936)
Cross Currents (not in the MovieCove catalog yet)(1935)
Career shape
A full career of 19 titles from 1935 to 1970.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Leigh Aman's films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 9; across a limited sample of 3 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up6
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 9 titles divides audiences: 6 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser6
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leigh Aman work with?
People who share at least 2 of Leigh Aman's MovieCove titles, grouped by what they did on them; Oscar Lewenstein shares the most, 3.
Actors
- Rita TushinghamShared titles: The Knack... and How to Get It (1965), Girl with Green Eyes (1964)See all 2 shared titles with Rita Tushingham
Editors
- Antony GibbsShared titles: The Knack... and How to Get It (1965), Girl with Green Eyes (1964)See all 2 shared titles with Antony Gibbs
Producers
- Oscar LewensteinShared titles: One Way Pendulum (1965), The Knack... and How to Get It (1965), Girl with Green Eyes (1964)See all 3 shared titles with Oscar Lewenstein
- Michael DeeleyShared titles: One Way Pendulum (1965), The Knack... and How to Get It (1965)See all 2 shared titles with Michael Deeley