Oscar Lewenstein

What are Oscar Lewenstein's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Oscar Lewenstein's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on MGM+ (6).

• MGM+6 titles, browse their movies on this service
  • The Bride Wore Black (1968) · producer
  • Mademoiselle (1966) · producer
  • The Knack... and How to Get It (1965) · producer
  • The White Bus (1967) · producer
  • The Bed Sitting Room (1969) · producer
  • One Way Pendulum (1965) · producer
• The Criterion Channel2 titles, browse their movies on this service
  • Girl with Green Eyes (1964) · producer
  • Tom Jones (1963) · producer
• HBO Max1 title, browse their movies on this service
  • Tom Jones (1963) · producer
• Prime Video1 title, browse their movies on this service
  • The Bride Wore Black (1968) · producer

Subscription and free streaming for Oscar Lewenstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Rita, Sue and Bob Too (not in the MovieCove catalog yet)(1987)

  Executive Producer
• 

  Ride of the Valkyrie (not in the MovieCove catalog yet)(1977)

  Producer
• 

  Right to Work March (not in the MovieCove catalog yet)(1972)

  Actor
• 

  The Bed Sitting Room(1969)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  The Bride Wore Black(1968)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Red, White, and Zero (not in the MovieCove catalog yet)(1968)

  Executive Producer
• 

  The White Bus(1967)

  Executive Producer

  Midcredits score: 54th percentile of all films54^th
• 

  The Sailor from Gibraltar(1967)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Mademoiselle(1966)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  The Knack... and How to Get It(1965)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  One Way Pendulum(1965)

  Executive Producer

  Midcredits score: 27th percentile of all films27^th
• 

  Girl with Green Eyes(1964)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Tom Jones(1963)

  Producer

  Midcredits score: 56th percentile of all films56^th

Career shape

A full career of 11 titles from 1964 to 1987.

Biggest box office

The Bride Wore Black (1968)

$45K worldwide

Highest rated

The Bride Wore Black (1968)

Midcredits 87^th

How do Oscar Lewenstein's films land?

Their typical MovieCove film has a Midcredits score in the 56^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Shape of the crowd

5 of their 9 titles are Crowd Pleasers.

53

• Cult Classic1
• Crowd Pleaser5
• Mixed3

Most divisive · producer

The Sailor from Gibraltar (1967)

70^th percentile spread · 15% rated it 4 or lower

Most loved · producer

The Bride Wore Black (1968)

Midcredits 87^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Oscar Lewenstein's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Oscar Lewenstein work with?

People who share at least 2 of Oscar Lewenstein's MovieCove titles, grouped by what they did on them; Antony Gibbs shares the most, 5.