Skip to content
MovieCove

Federico Amérigo

Producer

Works as
Producer
Titles
7 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 11% in 30 days

What are Federico Amérigo's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
38%
Morality
16%
Society
16%
Bonds
14%
Power
10%
Survival
4%
Sacrifice2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 4 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
2
Contemplative
2
Dread
1
Romantic
1
Other
3

How their films linger

Haunting3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet1
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Federico Amérigo's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Federico Amérigo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 7 with a MovieCove page.

  • Cayó de la gloria el diablo (not in the MovieCove catalog yet)(1972)

    Producer

  • Queen Doll(1972)

    Producer

    Midcredits score: 31st percentile of all films (provisional, few ratings)

  • La Generala (not in the MovieCove catalog yet)(1971)

    Producer

  • The Olympics in Mexico(1969)

    Executive Producer

    Midcredits score: 80th percentile of all films

  • Pedro Paramo (not in the MovieCove catalog yet)(1967)

    Executive Producer

  • Lola of My Life (not in the MovieCove catalog yet)(1965)

    Producer

  • The Shunammite (not in the MovieCove catalog yet)(1965)

    Producer

  • The Two Elenas (not in the MovieCove catalog yet)(1965)

    Producer

  • The Widow (not in the MovieCove catalog yet)(1965)

    Producer

  • A Pure Soul (not in the MovieCove catalog yet)(1965)

    Producer

  • Tajimara (not in the MovieCove catalog yet)(1965)

    Producer

  • The Golden Cockerel (not in the MovieCove catalog yet)(1964)

    Executive Producer

  • Sonatas(1959)

    Producer

    Midcredits score: 19th percentile of all films (provisional, few ratings)

  • Nazarin(1959)

    Executive Producer

    Midcredits score: 95th percentile of all films

  • The Innocent (not in the MovieCove catalog yet)(1956)

    Production Manager

  • Robinson Crusoe(1954)

    Production Manager

    Midcredits score: 64th percentile of all films

  • Wuthering Heights (not in the MovieCove catalog yet)(1954)

    Production Manager

  • Él (not in the MovieCove catalog yet)(1953)

    Production Manager

  • One Big Affair (not in the MovieCove catalog yet)(1952)

    Production Manager

  • A Woman Without Love(1952)

    Producer

    Midcredits score: 53rd percentile of all films

  • Daughter of Deceit (not in the MovieCove catalog yet)(1951)

    Production Manager

  • Si usted no puede, yo sí (not in the MovieCove catalog yet)(1951)

    Production Manager

  • The Young and the Damned(1950)

    Production Manager

    Midcredits score: 99th percentile of all films

  • The Great Madcap (not in the MovieCove catalog yet)(1949)

    Production Manager

  • The Pearl (not in the MovieCove catalog yet)(1947)

    Production Director

  • Gran Casino (not in the MovieCove catalog yet)(1947)

    Production Manager

  • El rebelde (Romance de Antaño) (not in the MovieCove catalog yet)(1943)

    Production Manager

Career shape

A full career of 25 titles from 1943 to 1972.

Biggest box office

A Woman Without Love (1952)

$2.2K worldwide

Highest rated

Nazarin (1959)

Midcredits 95th

Most popular right now

A Woman Without Love (1952)

By role

only this rolewith another role
Producing13 of 25: 13 only producing, 0 with another roleOther crew12 of 25: 12 only other crew, 0 with another role

By decade

1940s4 · crew1950s10 · crew1960s9 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Federico Amérigo's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 5

Approval · how many liked their films

52ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

3 of their 7 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser3
  • Mixed2

Most divisive · producer

Queen Doll (1972)

56th percentile spread · 19% rated it 4 or lower

Most loved · producer

Nazarin (1959)

Midcredits 95th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Federico Amérigo work with?

People who share at least 2 of Federico Amérigo's MovieCove titles, grouped by what they did on them; Carlos Savage shares the most, 3.

Directors

Actors

Cinematographers and editors

Producers