Alberto Valenzuela
- Editor
- 8 on MovieCove · 28 credits in all
What are Alberto Valenzuela's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 2
Grounded 6 · Stylized 0 · Heightened 0
Gentle 1 · Charged 4 · Intense 1
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
A split, not a type: Casual 4 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Valenzuela's films?
As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Alberto Valenzuela's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 8 with a MovieCove page.
Don Quixote(1992)
Midcredits score: 49th percentile of all films
Bloodtide(1982)
Midcredits score: 7th percentile of all films
The Perfect Woman (not in the MovieCove catalog yet)(1979)
Drizzle (not in the MovieCove catalog yet)(1978)
Life Changes (not in the MovieCove catalog yet)(1976)
The House in the South (not in the MovieCove catalog yet)(1976)
Letters from Marusia (not in the MovieCove catalog yet)(1975)
Do You Hear the Dogs Barking? (not in the MovieCove catalog yet)(1974)
Queen Doll(1972)
Midcredits score: 31st percentile of all films (provisional, few ratings)
The Olympics in Mexico(1969)
Midcredits score: 80th percentile of all filmsVoy de gallo (not in the MovieCove catalog yet)(1963)
The Mind and the Crime (not in the MovieCove catalog yet)(1963)
Romance in Puerto Rico (not in the MovieCove catalog yet)(1962)
September Storm(1960)
Midcredits score: 16th percentile of all filmsUna estrella y dos estrellados (not in the MovieCove catalog yet)(1960)
Flor de canela (not in the MovieCove catalog yet)(1959)
The Little Savage(1959)
Midcredits score: 12th percentile of all films (provisional, few ratings)
Enchanted Island (not in the MovieCove catalog yet)(1958)
El secreto de mi mujer (not in the MovieCove catalog yet)(1955)
Sheena: Queen of the Jungle (not in the MovieCove catalog yet)(1955)
Robinson Crusoe(1954)
Midcredits score: 64th percentile of all films
Wuthering Heights (not in the MovieCove catalog yet)(1954)
Él (not in the MovieCove catalog yet)(1953)
La extraña pasajera (not in the MovieCove catalog yet)(1953)
Daughter of Deceit (not in the MovieCove catalog yet)(1951)
Si usted no puede, yo sí (not in the MovieCove catalog yet)(1951)
The Young and the Damned(1950)
Midcredits score: 99th percentile of all films
The Great Madcap (not in the MovieCove catalog yet)(1949)
Career shape
A full career of 27 titles from 1949 to 1992.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alberto Valenzuela's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 26th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th2
- Below 25th3
Shape of the crowd
4 of their 8 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser2
- Mixed4
Reviewers score the pacing 39/100 in their films, across 4 reviewed titles; fans 50, detractors 29. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Valenzuela work with?
People who share at least 2 of Alberto Valenzuela's MovieCove titles, grouped by what they did on them; Byron Haskin shares the most, 2.
Directors
- Byron HaskinShared titles: September Storm (1960), The Little Savage (1959)See all 2 shared titles with Byron Haskin
Cinematographers and editors
- Carlos SavageShared titles: The Olympics in Mexico (1969), Robinson Crusoe (1954)See all 2 shared titles with Carlos Savage
- Jorge Stahl Jr.Shared titles: September Storm (1960), The Little Savage (1959)See all 2 shared titles with Jorge Stahl Jr.
Producers
- Federico AmérigoShared titles: Queen Doll (1972), The Olympics in Mexico (1969)See all 2 shared titles with Federico Amérigo