Scott G. Anderson – British actor and assistant director, born 1972 in England, UK (IMDb lists 7 December 1967 in Scotland, but most other sources agree on 1972 in England; no firm birthday is established). His most notable film roles include Lookout Frederick Fleet in Titanic (1997), the Killer in Vacancy (2007), Smith in Vacancy 2: The First Cut (2008), Tommy King in Black Mass (2015), a British Officer in Pirates of the Caribbean: Dead Men Tell No Tales (2017), Muny in Hostiles (2017), and Ray Barnes in The Informer (2019). On television he appeared in Sons of Anarchy (2014) as Connor Malone, Mr. Mercedes (2017) as Reggie, and The Last Ship (2014) as Max. He also provided voice work for Memory (2006).
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Biography from TMDB.
- January 1, 1972 (54)
- England, UK
- Actor, also producer
- 14 on MovieCove · 16 credits in all
What are Scott Anderson's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Scott Anderson's films?
As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Scott Anderson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 14 with a MovieCove page.
A Woman's Work(2026)
Midcredits score: 94th percentile of all films (provisional, few ratings)
The Pale Blue Eye(2022)
Midcredits score: 67th percentile of all films
The Informer(2019)
Midcredits score: 66th percentile of all films
Hostiles(2017)
Midcredits score: 88th percentile of all films
Midcredits score: 58th percentile of all films
Black Mass(2015)
Midcredits score: 74th percentile of all films
Midcredits score: 90th percentile of all films
Moonlight Serenade (not in the MovieCove catalog yet)(2009)
Vacancy 2: The First Cut(2008)
Midcredits score: 12th percentile of all films
Sons of Anarchy(2008)
Midcredits score: 98th percentile of all shows
Vacancy(2007)
Midcredits score: 48th percentile of all films
Memory (not in the MovieCove catalog yet)(2006)
Midcredits score: 87th percentile of all films
A Shot at Glory(2000)
Midcredits score: 50th percentile of all films
Titanic(1997)
Midcredits score: 97th percentile of all films
Touched by an Angel(1994)
Midcredits score: 28th percentile of all shows
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 15 titles from 1994 to 2022; peak year 2007.
Film career
Peak 2007 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2000Screen debut· A Shot at Glory
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Scott Anderson's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 12; across a limited sample of 3 films with reception data, the typical film sits in the 84th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th2
- Below 25th1
Shape of the crowd
6 of their 14 titles are Crowd Pleasers.
- Universally Loved3
- Loved with Detractors1
- Cult Classic1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Scott Anderson work with?
People who share at least 2 of Scott Anderson's MovieCove titles; Hal Lieberman shares the most, 2.
- Hal LiebermanShared titles: A Woman's Work (2026), Vacancy (2007)See all 2 shared titles with Hal Lieberman