- Writer and editor
- 3 on MovieCove
What are Del Andrews' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 0 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Del Andrews' films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on The Roku Channel (2).
Subscription and free streaming for Del Andrews' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Little Women(1933)
Midcredits score: 83rd percentile of all films
Midcredits score: 98th percentile of all films
Hell's Heroes(1929)
Midcredits score: 83rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1929 to 1933.
How do Del Andrews' films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Reviewers score the dialogue 57/100 and the plot and story 74/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Del Andrews work with?
People who share at least 2 of Del Andrews' MovieCove titles, grouped by what they did on them; C. Gardner Sullivan shares the most, 2.
Writers
- C. Gardner SullivanShared titles: All Quiet on the Western Front (1930), Hell's Heroes (1929)See all 2 shared titles with C. Gardner Sullivan
Composers
- Heinz RoemheldShared titles: All Quiet on the Western Front (1930), Hell's Heroes (1929)See all 2 shared titles with Heinz Roemheld
- Sam PerryShared titles: All Quiet on the Western Front (1930), Hell's Heroes (1929)See all 2 shared titles with Sam Perry
Producers
- Carl Laemmle Jr.Shared titles: All Quiet on the Western Front (1930), Hell's Heroes (1929)See all 2 shared titles with Carl Laemmle Jr.
