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MovieCove
Sam Perry

Sam Perry

Composer

Works as
Composer
Titles
9 on MovieCove · 16 credits in all

What are Sam Perry's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 6

A split, not a type: Grounded 3 · Stylized 1 · Heightened 2

A split, not a type: Gentle 0 · Charged 4 · Intense 2

Steady 2 · Shifting 4 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 5 · Full focus 0

Easy watch 0 · Affecting 2 · Heavy 4

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
6
Dread
2
Romantic
2
Cold
1
Other
2

How their films end · 1 with a twist

  • Bittersweet3
  • Tragic3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sam Perry's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sam Perry's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 9 with a MovieCove page.

  • Captive Wild Woman(1943)

    Composer

    Midcredits score: 17th percentile of all films
  • Gentleman Jim(1942)

    Composer

    Midcredits score: 94th percentile of all films
  • Who Done It? (not in the MovieCove catalog yet)(1942)

    Composer

  • Ride 'Em Cowboy(1942)

    Composer

    Midcredits score: 62nd percentile of all films
  • Danger on the Air (not in the MovieCove catalog yet)(1938)

    Additional Music

  • The Big Cage (not in the MovieCove catalog yet)(1933)

    Music Producer

  • The Criminal Code(1931)

    Composer

    Midcredits score: 75th percentile of all films
  • The Lion and the Lamb (not in the MovieCove catalog yet)(1931)

    Compositor

  • The Indians Are Coming (not in the MovieCove catalog yet)(1930)

    Composer

  • Midcredits score: 98th percentile of all films
  • Shanghai Lady (not in the MovieCove catalog yet)(1929)

    Composer

  • The Last Performance (not in the MovieCove catalog yet)(1929)

    Composer

  • Hell's Heroes(1929)

    Composer

    Midcredits score: 83rd percentile of all films
  • The Man Who Laughs(1928)

    Composer

    Midcredits score: 95th percentile of all films
  • Midcredits score: 91st percentile of all films
  • Midcredits score: 82nd percentile of all films

Career shape

A full career of 13 titles from 1925 to 1943.

By role

only this rolewith another role
Music12 of 13: 12 only music, 0 with another role · typical Midcredits score83rdOther crew1 of 13: 1 only other crew, 0 with another role

By decade

1920s4 · crew1930s5 · crew1940s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Sam Perry's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 6

Approval · how many liked their films

88thpercentile
Typical film, the median of 6

Reach · how many have seen their films

78thpercentile
Typical film, the median of 6

Midcredits score across 9 titles, by percentile

  • 75th and up7
  • 50th to 74th1
  • Below 25th1

Shape of the crowd

None of their 9 titles divides audiences: 4 are Universally Loved.

  • Universally Loved4
  • Crowd Pleaser4
  • Mixed1

Reviewers score the sound and music 56/100 in their films, across 6 reviewed titles; fans 60, detractors 35. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Sam Perry's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 33 · mildMedian of all films: 44
Frightening / Intense3 titlesmedian 55 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Sam Perry work with?

People who share at least 2 of Sam Perry's MovieCove titles, grouped by what they did on them; Walter Anthony shares the most, 3.

Writers

Actors

Composers and editors

Producers

Mixed roles