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Anna Anthony

Producer · Born March 30, 1971 (55) · Stockholm, Sweden

Anna Anthony was born on 30 March 1971 in Stockholm, Sweden. She is a producer and production manager, known for In a Better World (2010), Show Me Love (1998) and Jalla! Jalla! (2000). She was previously married to Mikael Håfström.

Biography from IMDb.

Born
March 30, 1971 (55)
From
Stockholm, Sweden
Works as
Producer
Titles
19 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 26% in 30 days

What are Anna Anthony's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama7 titlesTypical Midcredits score: 84th percentile, at or above their average across these genres
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 82nd percentile, at or above their average across these genres
: browse their Comedy movies
Action3 titlesTypical Midcredits score: 49th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
36%
Self
26%
Survival
13%
Society
10%
Morality
7%
Power
4%
Ideas
4%
Family bonds8 titles, browse their movies with this themeIdentity7 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeGuilt3 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 4 · Dark 8

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 6 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 9 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 9 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 9 · Some laughs 5 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 11 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 10 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 5 · Heavy 8

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Melancholic
8
Warm
5
Joyful
4
Absurd
3
Other
17

How their films linger

Feel-good7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy5
  • Bittersweet8
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Anthony's films?

As of October 24, 2026, 8 of their 19 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Also on these channels

Subscription and free streaming for Anna Anthony's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 19 with a MovieCove page.

  • Jönssonligan & Wall Enberg (not in the MovieCove catalog yet)(2026)

    Producer

  • Flaggan(2026)

    Producer

    Midcredits score: 60th percentile of all films

  • Bert sabbar allt (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • An Honest Life(2025)

    Producer

    Midcredits score: 26th percentile of all films

  • The Jönsson Gang Returns (not in the MovieCove catalog yet)(2024)

    Producer

  • Trouble(2024)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • True Fear(2024)

    Producer

    Midcredits score: 13th percentile of all films

  • Long Live the Bonus Family (not in the MovieCove catalog yet)(2022)

    Producer

  • Comedy Queen(2022)

    Producer

    Midcredits score: 72nd percentile of all films

  • Day by Day (not in the MovieCove catalog yet)(2022)

    Producer

  • Bert's Diary (not in the MovieCove catalog yet)(2020)

    Executive Producer

  • Becoming Astrid(2018)

    Producer

    Midcredits score: 85th percentile of all films

  • Scenes in the Night (not in the MovieCove catalog yet)(2018)

    Producer

  • All Inclusive (not in the MovieCove catalog yet)(2017)

    Producer

  • We Are the Best!(2013)

    Co-Producer

    Midcredits score: 87th percentile of all films

  • In a Better World(2010)

    Co-Producer

    Midcredits score: 94th percentile of all films

  • Balls (not in the MovieCove catalog yet)(2010)

    Producer

  • The Woman Who Dreamed of a Man(2010)

    Producer

    Midcredits score: 12th percentile of all films

  • Leo (not in the MovieCove catalog yet)(2007)

    Producer

  • Island of Lost Souls(2007)

    Producer

    Midcredits score: 34th percentile of all films

  • Falkenberg Farewell (not in the MovieCove catalog yet)(2006)

    Producer

  • Zozo (not in the MovieCove catalog yet)(2005)

    Producer

  • Next Door(2005)

    Co-Producer

    Midcredits score: 58th percentile of all films

  • Manslaughter(2005)

    Producer

    Midcredits score: 68th percentile of all films

  • Elixir (not in the MovieCove catalog yet)(2004)

    Producer

  • Brothers(2004)

    Co-Producer

    Midcredits score: 91st percentile of all films

  • The Inheritance(2003)

    Co-Producer

    Midcredits score: 84th percentile of all films

  • Kopps(2003)

    Producer

    Midcredits score: 71st percentile of all films

  • Jalla! Jalla!(2000)

    Producer

    Midcredits score: 74th percentile of all films

  • Together(2000)

    Co-Producer

    Midcredits score: 93rd percentile of all films

  • A Summer Tale (not in the MovieCove catalog yet)(2000)

    Producer's Assistant

  • Show Me Love(1998)

    Associate Producer

    Midcredits score: 90th percentile of all films

  • Tranceformer: A Portrait of Lars von Trier (not in the MovieCove catalog yet)(1997)

    Production Supervisor

  • Breaking the Waves(1996)

    Executive Producer's Assistant

    Midcredits score: 96th percentile of all films

Career shape

A full career of 31 titles, 30 of them dated from 1996 to 2026.

Biggest box office

Together (2000)

$15M worldwide

Highest rated

In a Better World (2010)

Midcredits 94th

Most popular right now

True Fear (2024)

By role

only this rolewith another role
Producing30 of 31: 30 only producing, 0 with another role · typical Midcredits score79thOther crew1 of 31: 1 only other crew, 0 with another role

By decade

1990s3 · crew2000s11 · crew2010s6 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anna Anthony's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 18

Approval · how many liked their films

71stpercentile
Typical film, the median of 18

Reach · how many have seen their films

80thpercentile
Typical film, the median of 18

Midcredits score across 19 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

8 of their 19 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed5

Most divisive · producer

Flaggan (2026)

61st percentile spread · 21% rated it 4 or lower

Most loved · producer

Breaking the Waves (1996)

Midcredits 96th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anna Anthony's work okay for kids?

Across up to 9 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles35–77 · median 63 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity9 titles17–62 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles50–60 · median 57 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 50 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 47 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anna Anthony work with?

People who share at least 2 of Anna Anthony's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 9.

Directors

Writers

Actors

Cinematographers and editors

Producers