
Robert Arnoux
Actor · Died March 13, 1964, aged 64 · Lille, Nord, France
Robert Arnoux was born on 23 October 1899 in Lille, France. He was an actor, known for El sueño de Andalucía (1951), Stradivarius (1935) and Princesse Tam-Tam (1935). He died on 13 March 1964 in Paris, France.
Biography from IMDb.
- October 23, 1899
- March 13, 1964 (aged 64)
- Lille, Nord, France
- Actor
- 9 on MovieCove · 78 credits in all
What are Robert Arnoux's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 6
Light 6 · Serious 1 · Dark 1
Grounded 3 · Stylized 5 · Heightened 0
A split, not a type: Gentle 4 · Charged 3 · Intense 1
Steady 5 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 3
Slow burn 3 · Even-paced 4 · Relentless 1
Casual 7 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Roles they play
- Allyas Coton in Princesse Tam-Tam (1935)
- Shadowas Emile Cousinet in Mon curé chez les riches (1952)
Moods and endings
- Happy6
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Arnoux's films?
As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Robert Arnoux's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
78 credits, 9 with a MovieCove page.

Les Mordus de Paris (not in the MovieCove catalog yet)(1965)

Black Humor (not in the MovieCove catalog yet)(1965)

Seul... à corps perdu (not in the MovieCove catalog yet)(1963)

The Boss (not in the MovieCove catalog yet)(1960)

Oh! What a Mambo (not in the MovieCove catalog yet)(1959)

Le triporteur(1957)
Midcredits score: 20th percentile of all films
A Night in the Balearics (not in the MovieCove catalog yet)(1957)

La Garçonne (not in the MovieCove catalog yet)(1957)

Les Lumières du soir (not in the MovieCove catalog yet)(1956)

The Crossing of Paris(1956)
Midcredits score: 90th percentile of all films
My Priest Among the Poor (not in the MovieCove catalog yet)(1956)

Deadlier Than the Male(1956)
Midcredits score: 93rd percentile of all films
Orient Express (not in the MovieCove catalog yet)(1954)

Trois Jours de bringue à Paris (not in the MovieCove catalog yet)(1954)

The Girl in the Bikini(1952)
Midcredits score: 23rd percentile of all films
Mon curé chez les riches(1952)
Midcredits score: 55th percentile of all films (provisional, few ratings)
Each in turn (not in the MovieCove catalog yet)(1951)

Bluebeard (not in the MovieCove catalog yet)(1951)

The Night Is My Kingdom (not in the MovieCove catalog yet)(1951)

Andalusia (not in the MovieCove catalog yet)(1951)

El sueño de Andalucía (not in the MovieCove catalog yet)(1951)

Méfiez-vous des blondes(1950)
Midcredits score: 10th percentile of all films (provisional, few ratings)
Mademoiselle Josette, ma femme (not in the MovieCove catalog yet)(1950)

Les femmes sont folles (not in the MovieCove catalog yet)(1950)

L’Atomique monsieur Placido (not in the MovieCove catalog yet)(1950)

Amédée (not in the MovieCove catalog yet)(1950)

At the Grand Balcony (not in the MovieCove catalog yet)(1949)

Between Eleven and Midnight (not in the MovieCove catalog yet)(1949)

Firemen's Ball (not in the MovieCove catalog yet)(1949)

Fantomas Against Fantomas (not in the MovieCove catalog yet)(1949)

The Revenge of Baccarat (not in the MovieCove catalog yet)(1948)

Rocambole (not in the MovieCove catalog yet)(1948)

Mirror (not in the MovieCove catalog yet)(1947)

History of Singing (not in the MovieCove catalog yet)(1947)

We Are Not Married (not in the MovieCove catalog yet)(1946)

La Femme fatale (not in the MovieCove catalog yet)(1946)

Dorothy Looks for Love (not in the MovieCove catalog yet)(1945)

Love Letters (not in the MovieCove catalog yet)(1942)

Frédérica (not in the MovieCove catalog yet)(1942)

Sideral Cruises (not in the MovieCove catalog yet)(1942)

Prince Charming (not in the MovieCove catalog yet)(1942)

Bearer Check (not in the MovieCove catalog yet)(1941)

For the Yellow Jersey (not in the MovieCove catalog yet)(1940)

Sérénade(1940)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Midcredits score: 82nd percentile of all films
Visages de femmes (not in the MovieCove catalog yet)(1939)

Le Plus Beau Gosse de France (not in the MovieCove catalog yet)(1938)

Balthazar (not in the MovieCove catalog yet)(1937)

The Virgin Bride (not in the MovieCove catalog yet)(1937)

Boulot aviateur (not in the MovieCove catalog yet)(1937)

The Call of Life (not in the MovieCove catalog yet)(1937)

Enfants de Paris (not in the MovieCove catalog yet)(1937)

Josette (not in the MovieCove catalog yet)(1937)

Seven Men, One Woman (not in the MovieCove catalog yet)(1936)

La souris bleue (not in the MovieCove catalog yet)(1936)

The Land That Dies (not in the MovieCove catalog yet)(1936)

Bourrachon (not in the MovieCove catalog yet)(1935)

Princesse Tam-Tam(1935)
Midcredits score: 48th percentile of all films
Stradivarius (not in the MovieCove catalog yet)(1935)

La Fille de Madame Angot (not in the MovieCove catalog yet)(1935)

A Night at a Honeymoon (not in the MovieCove catalog yet)(1935)

Gangster malgré lui (not in the MovieCove catalog yet)(1935)

Whirlpool (not in the MovieCove catalog yet)(1935)

Inspector of the Red Cars (not in the MovieCove catalog yet)(1935)

Antonia (not in the MovieCove catalog yet)(1935)

Marchand d'amour (not in the MovieCove catalog yet)(1935)

Jeunesse (not in the MovieCove catalog yet)(1934)

Liliom (not in the MovieCove catalog yet)(1934)
A Woman at the Wheel (not in the MovieCove catalog yet)(1933)

Je te confie ma femme (not in the MovieCove catalog yet)(1933)

Madame ne veut pas d'enfant (not in the MovieCove catalog yet)(1933)

La Pouponnière (not in the MovieCove catalog yet)(1933)

The Brazilian thing (not in the MovieCove catalog yet)(1932)

Ma femme... homme d'affaires (not in the MovieCove catalog yet)(1932)

The Pearl (not in the MovieCove catalog yet)(1932)
Côte d'Azur (not in the MovieCove catalog yet)(1932)

Tumultes (not in the MovieCove catalog yet)(1932)

Left Bank (not in the MovieCove catalog yet)(1931)
Career shape
Star power in the 79th percentile of 239,109 people with a billed film role, over a full career of 78 titles from 1931 to 1965.

Biggest box office
The Crossing of Paris (1956)

Highest rated
Deadlier Than the Male (1956)

Most popular right now
The Crossing of Paris (1956)
Film career
- 1934Screen debut· Liliom
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Robert Arnoux's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
- Below 25th3
Shape of the crowd
4 of their 9 titles are Mixed.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed4
Reviewers score the acting 72/100 in their films, across 5 reviewed titles; fans 78, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Arnoux work with?
People who share at least 2 of Robert Arnoux's MovieCove titles, grouped by what they did on them; Jean Boyer shares the most, 2.
Directors
- Jean BoyerShared titles: Sérénade (1940), Circonstances atténuantes (1939)See all 2 shared titles with Jean Boyer
Writers
- Jean-Pierre FeydeauShared titles: Mon curé chez les riches (1952), Circonstances atténuantes (1939)See all 2 shared titles with Jean-Pierre Feydeau
- Yves MirandeShared titles: Circonstances atténuantes (1939), Princesse Tam-Tam (1935)See all 2 shared titles with Yves Mirande
Actors
- Bernard LajarrigeShared titles: The Crossing of Paris (1956), Méfiez-vous des blondes (1950)See all 2 shared titles with Bernard Lajarrige

- Jean GabinShared titles: Deadlier Than the Male (1956), The Crossing of Paris (1956)See all 2 shared titles with Jean Gabin

- Georges BeverShared titles: Sérénade (1940), Circonstances atténuantes (1939)See all 2 shared titles with Georges Bever

Cinematographers and editors
- Victor ArméniseShared titles: Mon curé chez les riches (1952), Circonstances atténuantes (1939)See all 2 shared titles with Victor Arménise
- Jean FeyteShared titles: Méfiez-vous des blondes (1950), Princesse Tam-Tam (1935)See all 2 shared titles with Jean Feyte
Producers
- Pierre CabaudShared titles: Deadlier Than the Male (1956), Méfiez-vous des blondes (1950)See all 2 shared titles with Pierre Cabaud