Yves Mirande

What are Yves Mirande's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yves Mirande's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Princesse Tam-Tam (1935) · writer · free
  • The Matrimonial Bed (1930) · writer · free

Subscription and free streaming for Yves Mirande's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Elles étaient douze femmes(1940)

  Writer

  Midcredits score: 26th percentile of all films (provisional, few ratings)~26^th
• 

  Circonstances atténuantes(1939)

  Writer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Princesse Tam-Tam(1935)

  Writer

  Midcredits score: 48th percentile of all films48^th
• 

  Quelle drôle de gosse!(1935)

  Writer

  Midcredits score: 46th percentile of all films (provisional, few ratings)~46^th
• 

  The Matrimonial Bed(1930)

  Writer

  Midcredits score: 33rd percentile of all films33^rd
• 

  L'arpète(1929)

  Writer

  Midcredits score: 73rd percentile of all films (provisional, few ratings)~73^rd

Career shape

Across their 6 MovieCove titles from 1929 to 1940.

Highest rated

Princesse Tam-Tam (1935)

Midcredits 48^th

Most popular right now

Elles étaient douze femmes (1940)

How do Yves Mirande's films land?

Their typical MovieCove film has a Midcredits score in the 47^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 50^th percentile for acclaim.

Shape of the crowd

2 of their 6 titles are Crowd Pleasers.

222

• Crowd Pleaser2
• Broadly Agreed2
• Mixed2

Most divisive · writer

L'arpète (1929)

70^th percentile spread · 13% rated it 4 or lower

Most loved · writer

Circonstances atténuantes (1939)

Midcredits 82^nd · 72% liked

Reviewers score the dialogue 48/100 and the plot and story 36/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yves Mirande work with?

People who share at least 2 of Yves Mirande's MovieCove titles, grouped by what they did on them; Mila Parély shares the most, 2.