- November 1, 1909
- October 28, 1986 (aged 76)
- Producer and writer
- 45 on MovieCove · 54 credits in all
What are Robert Arthur's films like?
Across their 44 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 35
Light 33 · Serious 4 · Dark 7
Grounded 17 · Stylized 24 · Heightened 3
A split, not a type: Gentle 22 · Charged 19 · Intense 3
Steady 26 · Shifting 17 · Whiplash 1
A split, not a type: Straight-faced 10 · Some laughs 9 · Funny 25
Slow burn 15 · Even-paced 26 · Relentless 3
Casual 36 · Engaged 8 · Full focus 0
Easy watch 34 · Affecting 5 · Heavy 5
Resolved 41 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy28
- Bittersweet13
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Arthur's films?
As of October 24, 2026, 6 of their 45 MovieCove titles stream on a subscription or free service, most on Tubi (2).
- ZEE5
Subscription and free streaming for Robert Arthur's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
54 credits, 45 with a MovieCove page.
Midcredits score: 43rd percentile of all filmsThe Natalie Cole Special (not in the MovieCove catalog yet)(1978)

One More Train to Rob(1971)
Midcredits score: 27th percentile of all films
Sweet Charity(1969)
Midcredits score: 80th percentile of all films
Hellfighters(1968)
Midcredits score: 64th percentile of all films
The King's Pirate(1967)
Midcredits score: 32nd percentile of all films
Blindfold(1966)
Midcredits score: 51st percentile of all films
A Man Could Get Killed(1966)
Midcredits score: 29th percentile of all films
A Very Special Favor(1965)
Midcredits score: 57th percentile of all films
Shenandoah(1965)
Midcredits score: 88th percentile of all films
Father Goose(1964)
Midcredits score: 90th percentile of all films
The Brass Bottle(1964)
Midcredits score: 56th percentile of all films
Bedtime Story(1964)
Midcredits score: 69th percentile of all films
Captain Newman, M.D.(1963)
Midcredits score: 76th percentile of all films
For Love or Money(1963)
Midcredits score: 46th percentile of all films
The Spiral Road(1962)
Midcredits score: 45th percentile of all films
That Touch of Mink(1962)
Midcredits score: 67th percentile of all films
Lover Come Back(1961)
Midcredits score: 83rd percentile of all films
Come September(1961)
Midcredits score: 80th percentile of all films
The Great Impostor(1960)
Midcredits score: 78th percentile of all films
Operation Petticoat(1959)
Midcredits score: 87th percentile of all films
The Perfect Furlough(1958)
Midcredits score: 57th percentile of all films
Midcredits score: 93rd percentile of all films
Flood Tide (not in the MovieCove catalog yet)(1958)

Man of a Thousand Faces(1957)
Midcredits score: 80th percentile of all films
The Midnight Story(1957)
Midcredits score: 68th percentile of all films
Mister Cory (not in the MovieCove catalog yet)(1957)

Pillars of the Sky(1956)
Midcredits score: 49th percentile of all films
A Day of Fury(1956)
Midcredits score: 51st percentile of all films
Midcredits score: 32nd percentile of all films
Lady Godiva of Coventry(1955)
Midcredits score: 23rd percentile of all films
The Long Gray Line(1955)
Midcredits score: 87th percentile of all films
Midcredits score: 59th percentile of all films
The Big Heat(1953)
Midcredits score: 98th percentile of all films
The Story of Will Rogers(1952)
Midcredits score: 65th percentile of all films
Starlift (not in the MovieCove catalog yet)(1951)

The Golden Horde (not in the MovieCove catalog yet)(1951)
Midcredits score: 53rd percentile of all films
Midcredits score: 59th percentile of all films
Louisa (not in the MovieCove catalog yet)(1950)
Midcredits score: 37th percentile of all films
Buccaneer's Girl(1950)
Midcredits score: 41st percentile of all films
Francis(1950)
Midcredits score: 56th percentile of all films
Bagdad (not in the MovieCove catalog yet)(1949)
Midcredits score: 42nd percentile of all films
Midcredits score: 73rd percentile of all films
Mexican Hayride(1948)
Midcredits score: 57th percentile of all films
For the Love of Mary (not in the MovieCove catalog yet)(1948)
Midcredits score: 87th percentile of all films
Midcredits score: 75th percentile of all films
Buck Privates Come Home(1947)
Midcredits score: 79th percentile of all films
Chip Off the Old Block (not in the MovieCove catalog yet)(1944)

New Moon(1940)
Midcredits score: 70th percentile of all films
Meet the Boy Friend(1937)
Midcredits score: 31st percentile of all films
Career shape
A full career of 51 titles from 1937 to 2009.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert Arthur's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 45; across their 44 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up15
- 50th to 74th17
- 25th to 49th12
- Below 25th1
Shape of the crowd
27 of their 45 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser27
- Broadly Agreed3
- Mixed10
Reviewers score the dialogue 55/100 and the plot and story 45/100 in their films, across 44 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Robert Arthur's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Robert Arthur work with?
People who share at least 2 of Robert Arthur's MovieCove titles, grouped by what they did on them; Frank Skinner shares the most, 11.
Directors
- Charles BartonShared titles: Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), Abbott and Costello Meet Frankenstein (1948), Mexican Hayride (1948), Buck Privates Come Home (1947), The Wistful Widow of Wagon Gap (1947)See all 5 shared titles with Charles Barton

- Andrew V. McLaglenShared titles: One More Train to Rob (1971), Hellfighters (1968), Shenandoah (1965)See all 3 shared titles with Andrew V. McLaglen

- Robert MulliganShared titles: The Spiral Road (1962), Come September (1961), The Great Impostor (1960)See all 3 shared titles with Robert Mulligan

- Charles LamontShared titles: Francis in the Haunted House (1956), Abbott and Costello in the Foreign Legion (1950), Curtain Call at Cactus Creek (1950)See all 3 shared titles with Charles Lamont

Writers
- Oscar BrodneyShared titles: The Brass Bottle (1964), A Day of Fury (1956), Lady Godiva of Coventry (1955), The Black Shield of Falworth (1954), Francis Goes to the Races (1951), Curtain Call at Cactus Creek (1950), Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), The Gal Who Took the West (1949), Mexican Hayride (1948)See all 9 shared titles with Oscar Brodney
- Stanley ShapiroShared titles: A Very Special Favor (1965), Bedtime Story (1964), That Touch of Mink (1962), Come September (1961), Lover Come Back (1961), Operation Petticoat (1959), The Perfect Furlough (1958)See all 7 shared titles with Stanley Shapiro
- John GrantShared titles: Abbott and Costello in the Foreign Legion (1950), Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), Abbott and Costello Meet Frankenstein (1948), Mexican Hayride (1948), Buck Privates Come Home (1947), The Wistful Widow of Wagon Gap (1947)See all 6 shared titles with John Grant
- Stanley RobertsShared titles: Come September (1961), The Story of Will Rogers (1952), Curtain Call at Cactus Creek (1950)See all 3 shared titles with Stanley Roberts
Actors
- Tony CurtisShared titles: Captain Newman, M.D. (1963), The Great Impostor (1960), Operation Petticoat (1959), The Perfect Furlough (1958), The Midnight Story (1957), The Black Shield of Falworth (1954)See all 6 shared titles with Tony Curtis

- Bud AbbottShared titles: Abbott and Costello in the Foreign Legion (1950), Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), Abbott and Costello Meet Frankenstein (1948), Mexican Hayride (1948), Buck Privates Come Home (1947), The Wistful Widow of Wagon Gap (1947)See all 6 shared titles with Bud Abbott

- Lou CostelloShared titles: Abbott and Costello in the Foreign Legion (1950), Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), Abbott and Costello Meet Frankenstein (1948), Mexican Hayride (1948), Buck Privates Come Home (1947), The Wistful Widow of Wagon Gap (1947)See all 6 shared titles with Lou Costello

- Rock HudsonShared titles: Blindfold (1966), A Very Special Favor (1965), The Spiral Road (1962), Come September (1961), Lover Come Back (1961)See all 5 shared titles with Rock Hudson

Composers, cinematographers and editors
- Frank SkinnerShared titles: Shenandoah (1965), Captain Newman, M.D. (1963), The Perfect Furlough (1958), Man of a Thousand Faces (1957), Francis in the Haunted House (1956), Lady Godiva of Coventry (1955), The Black Shield of Falworth (1954), Francis Goes to the Races (1951), Francis (1950), The Gal Who Took the West (1949), Abbott and Costello Meet Frankenstein (1948)See all 11 shared titles with Frank Skinner

- Ted J. KentShared titles: Blindfold (1966), Father Goose (1964), The Brass Bottle (1964), That Touch of Mink (1962), Operation Petticoat (1959), A Time to Love and a Time to Die (1958), Man of a Thousand Faces (1957), The Midnight Story (1957), The Black Shield of Falworth (1954)See all 9 shared titles with Ted J. Kent
- Milton CarruthShared titles: Bedtime Story (1964), The Perfect Furlough (1958), Francis in the Haunted House (1956), Pillars of the Sky (1956), Francis Goes to the Races (1951), Francis (1950), The Gal Who Took the West (1949)See all 7 shared titles with Milton Carruth
- Russell MettyShared titles: Captain Newman, M.D. (1963), That Touch of Mink (1962), A Time to Love and a Time to Die (1958), Man of a Thousand Faces (1957), The Midnight Story (1957), Buccaneer's Girl (1950), Curtain Call at Cactus Creek (1950)See all 7 shared titles with Russell Metty

Producers
- Ernest B. WehmeyerShared titles: A Man Could Get Killed (1966), Blindfold (1966)See all 2 shared titles with Ernest B. Wehmeyer
- Martin MelcherShared titles: That Touch of Mink (1962), Lover Come Back (1961)See all 2 shared titles with Martin Melcher


