Martin Melcher

What are Martin Melcher's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Martin Melcher's films?

As of October 24, 2026, 4 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • It Happened to Jane (1959) · producer · free
  • Please Don't Eat the Daisies (1960) · producer · free
• HBO Max1 title, browse their movies on this service
  • Billy Rose's Jumbo (1962) · producer
• Pluto TV1 title, browse their movies on this service
  • That Touch of Mink (1962) · producer · free

Subscription and free streaming for Martin Melcher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 17 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  With Six You Get Eggroll(1968)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Where Were You When the Lights Went Out?(1968)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  The Ballad of Josie(1967)

  Executive Producer

  Midcredits score: 38th percentile of all films38^th
• 

  Caprice (not in the MovieCove catalog yet)(1967)

  Producer
• 

  The Glass Bottom Boat(1966)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Do Not Disturb(1965)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Send Me No Flowers(1964)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  Move Over, Darling(1963)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  The Thrill of It All(1963)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Billy Rose's Jumbo(1962)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  That Touch of Mink(1962)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Lover Come Back(1961)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Midnight Lace(1960)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Please Don't Eat the Daisies(1960)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Pillow Talk(1959)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  It Happened to Jane(1959)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  The Tunnel of Love(1958)

  Producer

  Midcredits score: 37th percentile of all films37^th
• 

  The Green-Eyed Blonde (not in the MovieCove catalog yet)(1957)

  Producer
• 

  Julie(1956)

  Producer

  Midcredits score: 50th percentile of all films50^th

Career shape

A full career of 18 titles from 1956 to 1968.

Biggest box office

Do Not Disturb (1965)

$316K worldwide

Highest rated

Pillow Talk (1959)

Midcredits 90^th

How do Martin Melcher's films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

None of their 17 titles divides audiences: 12 are Crowd Pleasers.

124

• Universally Loved1
• Crowd Pleaser12
• Mixed4

Most loved · producer

Pillow Talk (1959)

Midcredits 90^th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Martin Melcher's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Martin Melcher work with?

People who share at least 2 of Martin Melcher's MovieCove titles, grouped by what they did on them; Doris Day shares the most, 17.