
Tamara Asseyev
Producer · Born February 4, 1943 (83) · USA
- February 4, 1943 (83)
- USA
- Producer
- 14 on MovieCove · 16 credits in all
What are Tamara Asseyev's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 5 · Serious 3 · Dark 4
Grounded 11 · Stylized 0 · Heightened 1
A split, not a type: Gentle 6 · Charged 2 · Intense 4
Steady 7 · Shifting 4 · Whiplash 1
Straight-faced 9 · Some laughs 2 · Funny 1
Slow burn 7 · Even-paced 5 · Relentless 0
Casual 6 · Engaged 6 · Full focus 0
A split, not a type: Easy watch 5 · Affecting 4 · Heavy 3
Resolved 9 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy4
- Bittersweet5
- Tragic1
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tamara Asseyev's films?
As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Tamara Asseyev's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

A Month by the Lake(1995)
Midcredits score: 47th percentile of all films
Murder by Moonlight(1989)
Midcredits score: 9th percentile of all films
Midcredits score: 40th percentile of all films
Midcredits score: 50th percentile of all films
Midcredits score: 47th percentile of all films
After the Promise(1987)
Midcredits score: 91st percentile of all films
The Penalty Phase(1986)
Midcredits score: 42nd percentile of all films
Norma Rae(1979)
Midcredits score: 90th percentile of all films
Big Wednesday(1978)
Midcredits score: 86th percentile of all films
I Wanna Hold Your Hand(1978)
Midcredits score: 78th percentile of all films
Drive-In (not in the MovieCove catalog yet)(1976)

Sweet Kill(1972)
Midcredits score: 12th percentile of all films
The Dunwich Horror(1970)
Midcredits score: 23rd percentile of all films
Targets(1968)
Midcredits score: 91st percentile of all films
The Wild Racers(1968)
Midcredits score: 3rd percentile of all films
My Three Sons (not in the MovieCove catalog yet)(1960)
Career shape
A full career of 12 titles from 1960 to 1989.

Biggest box office
Norma Rae (1979)

Highest rated
After the Promise (1987)

Most popular right now
Big Wednesday (1978)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Tamara Asseyev's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 14; across their 12 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up5
- 50th to 74th1
- 25th to 49th4
- Below 25th4
Shape of the crowd
6 of their 14 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser5
- Broadly Agreed1
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Tamara Asseyev's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Tamara Asseyev work with?
People who share at least 2 of Tamara Asseyev's MovieCove titles, grouped by what they did on them; Robert K. Lambert shares the most, 3.
Directors
- Tony RichardsonShared titles: Beryl Markham: A Shadow on the Sun (1988), The Penalty Phase (1986)See all 2 shared titles with Tony Richardson

Actors
- Brian CoxShared titles: Murder by Moonlight (1989), Beryl Markham: A Shadow on the Sun (1988)See all 2 shared titles with Brian Cox

Composers, cinematographers and editors
- Robert K. LambertShared titles: Murder by Moonlight (1989), The Hijacking of the Achille Lauro (1989), Beryl Markham: A Shadow on the Sun (1988)See all 3 shared titles with Robert K. Lambert
- David A. SimmonsShared titles: Beryl Markham: A Shadow on the Sun (1988), The Penalty Phase (1986)See all 2 shared titles with David A. Simmons
- Steve YaconelliShared titles: Beryl Markham: A Shadow on the Sun (1988), The Penalty Phase (1986)See all 2 shared titles with Steve Yaconelli
- Ralph BurnsShared titles: After the Promise (1987), The Penalty Phase (1986)See all 2 shared titles with Ralph Burns

Producers
- Alexandra RoseShared titles: Norma Rae (1979), Big Wednesday (1978), I Wanna Hold Your Hand (1978)See all 3 shared titles with Alexandra Rose
- Michael SolingerShared titles: The Hijacking of the Achille Lauro (1989), After the Promise (1987)See all 2 shared titles with Michael Solinger
- Roger CormanShared titles: Sweet Kill (1972), The Wild Racers (1968)See all 2 shared titles with Roger Corman


