- January 20, 1946 (80)
- Producer, also writer
- 11 on MovieCove · 12 credits in all
What are Alexandra Rose's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 5 · Serious 5 · Dark 0
Grounded 9 · Stylized 0 · Heightened 1
Gentle 3 · Charged 5 · Intense 2
Steady 4 · Shifting 5 · Whiplash 1
Straight-faced 2 · Some laughs 6 · Funny 2
A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 1
Casual 9 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 5 · Heavy 2
Resolved 9 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alexandra Rose's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Alexandra Rose's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 11 with a MovieCove page.
Changing Hearts(2002)
Midcredits score: 36th percentile of all films
The Other Sister(1999)
Midcredits score: 55th percentile of all films
Exit to Eden(1994)
Midcredits score: 8th percentile of all films
Frankie and Johnny(1991)
Midcredits score: 76th percentile of all films
Quigley Down Under(1990)
Midcredits score: 77th percentile of all films
Overboard(1987)
Midcredits score: 76th percentile of all films
Nothing in Common(1986)
Midcredits score: 39th percentile of all films
Norma Rae(1979)
Midcredits score: 90th percentile of all films
Big Wednesday(1978)
Midcredits score: 86th percentile of all films
I Wanna Hold Your Hand(1978)
Midcredits score: 78th percentile of all films
Drive-In (not in the MovieCove catalog yet)(1976)
Black Belt Jones(1974)
Midcredits score: 56th percentile of all films
Career shape
A full career of 12 titles from 1974 to 2002.
Biggest box office
Nothing in Common (1986)
Highest rated
Norma Rae (1979)
Most popular right now
Overboard (1987)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alexandra Rose's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up6
- 50th to 74th2
- 25th to 49th2
- Below 25th1
Shape of the crowd
8 of their 11 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser8
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 52/100 and the plot and story 44/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Alexandra Rose's work okay for kids?
Across up to 7 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Alexandra Rose work with?
People who share at least 2 of Alexandra Rose's MovieCove titles, grouped by what they did on them; Garry Marshall shares the most, 4.
Directors
- Garry MarshallShared titles: The Other Sister (1999), Frankie and Johnny (1991), Overboard (1987), Nothing in Common (1986)See all 4 shared titles with Garry Marshall
Actors
- Tom SkerrittShared titles: Changing Hearts (2002), The Other Sister (1999)See all 2 shared titles with Tom Skerritt
- Hector ElizondoShared titles: Frankie and Johnny (1991), Nothing in Common (1986)See all 2 shared titles with Hector Elizondo
Composers and cinematographers
- John A. AlonzoShared titles: Overboard (1987), Nothing in Common (1986), Norma Rae (1979)See all 3 shared titles with John A. Alonzo
- Basil PoledourisShared titles: Quigley Down Under (1990), Big Wednesday (1978)See all 2 shared titles with Basil Poledouris
Producers
- Nick AbdoShared titles: Frankie and Johnny (1991), Overboard (1987), Nothing in Common (1986)See all 3 shared titles with Nick Abdo
- Tamara AsseyevShared titles: Norma Rae (1979), Big Wednesday (1978), I Wanna Hold Your Hand (1978)See all 3 shared titles with Tamara Asseyev
