Teddy Baird
Producer · Died March 23, 1975, aged 73 · London, England, UK
- September 9, 1901
- March 23, 1975 (aged 73)
- London, England, UK
- Producer
- 8 on MovieCove · 21 credits in all
What are Teddy Baird's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 3
Light 4 · Serious 1 · Dark 1
Grounded 2 · Stylized 4 · Heightened 0
Gentle 2 · Charged 4 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 3
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
Easy watch 4 · Affecting 2 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Teddy Baird's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).
Subscription and free streaming for Teddy Baird's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 8 with a MovieCove page.
Two Living, One Dead (not in the MovieCove catalog yet)(1961)
Don't Panic Chaps(1959)
Midcredits score: 15th percentile of all films
Simon and Laura(1955)
Midcredits score: 52nd percentile of all films
Carrington V.C. (not in the MovieCove catalog yet)(1954)
Fast and Loose (not in the MovieCove catalog yet)(1954)
Midcredits score: 90th percentile of all films
The Browning Version(1951)
Midcredits score: 97th percentile of all films
Five Angles on Murder(1950)
Midcredits score: 71st percentile of all films
Golden Arrow (not in the MovieCove catalog yet)(1949)
Now Barabbas (not in the MovieCove catalog yet)(1949)
The Last Days of Dolwyn (not in the MovieCove catalog yet)(1949)
The Winslow Boy(1948)
Midcredits score: 92nd percentile of all films
School for Danger (not in the MovieCove catalog yet)(1947)
Pygmalion(1938)
Midcredits score: 93rd percentile of all films
Under the Red Robe (not in the MovieCove catalog yet)(1937)
Elephant Boy (not in the MovieCove catalog yet)(1937)
As You Like It(1936)
Midcredits score: 37th percentile of all films
Strictly Business (not in the MovieCove catalog yet)(1931)
Dance Pretty Lady (not in the MovieCove catalog yet)(1931)
Tell England (not in the MovieCove catalog yet)(1931)
The Windjammer (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 21 titles from 1930 to 1961.
Highest rated
The Browning Version (1951)
Most popular right now
The Importance of Being Earnest (1952)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Teddy Baird's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up4
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 8 titles divides audiences: 4 are Universally Loved.
- Universally Loved4
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Teddy Baird work with?
People who share at least 2 of Teddy Baird's MovieCove titles, grouped by what they did on them; Anthony Asquith shares the most, 4.
Directors
- Anthony AsquithShared titles: The Importance of Being Earnest (1952), The Browning Version (1951), Five Angles on Murder (1950), The Winslow Boy (1948)See all 4 shared titles with Anthony Asquith
Writers
- Terence RattiganShared titles: The Browning Version (1951), The Winslow Boy (1948)See all 2 shared titles with Terence Rattigan
Actors
- Richard WattisShared titles: Simon and Laura (1955), The Importance of Being Earnest (1952)See all 2 shared titles with Richard Wattis
- Michael RedgraveShared titles: The Importance of Being Earnest (1952), The Browning Version (1951)See all 2 shared titles with Michael Redgrave
- Jean KentShared titles: The Browning Version (1951), Five Angles on Murder (1950)See all 2 shared titles with Jean Kent
Composers, cinematographers and editors
- Desmond DickinsonShared titles: The Importance of Being Earnest (1952), The Browning Version (1951), Five Angles on Murder (1950)See all 3 shared titles with Desmond Dickinson
- John D. GuthridgeShared titles: The Importance of Being Earnest (1952), The Browning Version (1951), Five Angles on Murder (1950)See all 3 shared titles with John D. Guthridge
- Benjamin FrankelShared titles: Simon and Laura (1955), The Importance of Being Earnest (1952)See all 2 shared titles with Benjamin Frankel
Producers
- Earl St. JohnShared titles: Simon and Laura (1955), The Importance of Being Earnest (1952), The Browning Version (1951)See all 3 shared titles with Earl St. John
