
Jean Kent
Actor · Died November 30, 2013, aged 92 · Brixton, London, England, UK
Jean Kent (29 June 1921 - 30 November 2013) was a British film actress. She signed to Gainsborough Pictures during the Second World War. Kent's first good role in Two Thousand Women (1944), playing a stripper who is interned by the Germans. She was a Pacific Islander in Bees in Paradise (1944) with Arthur Askey and was the ingenue in a Tommy Trinder musical Champagne Charlie (1944). The turning point in her career came when she was given a dramatic part in the Gainsborough melodrama film Fanny by Gaslight (1944). The movie established Kent as Gainsborough's backup to Margaret Lockwood. Kent played another sexually aggressive girl in Madonna of the Seven Moons (1945) with Calvert and Granger. It was a big hit. Rank borrowed her to support Rex Harrison in The Rake's Progress (1945). Kent continued to have success in films. Her favorite film was musical Trottie True (1949) where she played the lead. Kent's film appearances grew less frequent from the mid 1950s onward. She had support roles in The Prince and the Showgirl (1957) and Bonjour Tristesse (1958) and a good part in the horror film The Haunted Strangler (1959). She was in the comedy Please Turn Over (1959) and the thriller Beyond This Place (1959). She was one of several female stars in Bluebeard's Ten Honeymoons (1960) with George Sanders. Kent was married to Austrian actor Josef Ramart from 1946 until his death in 1989, aged 70. They met on the set of Caravan. Actor Stewart Granger was the best man at their wedding. They appeared together in the films Caravan and Trottie True. Kent made her last public appearance in June 2011, when she was honoured by the British Film Institute on her 90th birthday. Kent died in the West Suffolk Hospital, Bury St. Edmunds on 30 November 2013, following a fall at her home in Westhorpe. The coroner recorded a narrative verdict that Kent died from accidental injuries and that cardiac disease may have contributed to a fall. Description above from the Wikipedia article Jean Kent, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Read moreShow less
Biography from TMDB.
- June 29, 1921
- November 30, 2013 (aged 92)
- Brixton, London, England, UK
- Actor
- 12 on MovieCove · 51 credits in all
What are Jean Kent's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 8
A split, not a type: Light 4 · Serious 3 · Dark 2
A split, not a type: Grounded 6 · Stylized 2 · Heightened 1
Gentle 2 · Charged 5 · Intense 2
Steady 5 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 5 · Funny 0
Slow burn 5 · Even-paced 4 · Relentless 0
Casual 4 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 3 · Heavy 2
Resolved 9 · Open-ended 0 · Ambiguous 0
Roles they play
- Shapeshifteras Valya in Sleeping Car to Trieste (1948)
- Shapeshifteras Agnes (Astra) in Five Angles on Murder (1950)
Moods and endings
- Happy2
- Bittersweet6
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jean Kent's films?
As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jean Kent's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
51 credits, 12 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Missing Persons (not in the MovieCove catalog yet)(1990)

After Henry (not in the MovieCove catalog yet)(1988)
Fifties Features - The Women behind the Pictures (not in the MovieCove catalog yet)(1986)

Lovejoy (not in the MovieCove catalog yet)(1986)

Lytton's Diary (not in the MovieCove catalog yet)(1985)
Time of My Life (not in the MovieCove catalog yet)(1980)

Tycoon (not in the MovieCove catalog yet)(1978)

Shout at the Devil(1976)
Midcredits score: 50th percentile of all films
K Is for Killing (not in the MovieCove catalog yet)(1974)

Thriller(1973)
Midcredits score: 79th percentile of all shows
Up Pompeii! (not in the MovieCove catalog yet)(1969)

ITV Playhouse (not in the MovieCove catalog yet)(1967)
United! (not in the MovieCove catalog yet)(1965)

Public Eye (not in the MovieCove catalog yet)(1965)

The Wednesday Play (not in the MovieCove catalog yet)(1964)

Steptoe and Son (not in the MovieCove catalog yet)(1962)

Sir Francis Drake (not in the MovieCove catalog yet)(1961)

Bluebeard's 10 Honeymoons (not in the MovieCove catalog yet)(1960)

Please Turn Over (not in the MovieCove catalog yet)(1959)

No Hiding Place (not in the MovieCove catalog yet)(1959)

Web of Evidence (not in the MovieCove catalog yet)(1959)

Grip of the Strangler (not in the MovieCove catalog yet)(1958)

Bonjour Tristesse(1958)
Midcredits score: 76th percentile of all films
Midcredits score: 59th percentile of all films
Before I Wake (not in the MovieCove catalog yet)(1955)

The Big Frame (not in the MovieCove catalog yet)(1952)

The Browning Version(1951)
Midcredits score: 97th percentile of all films
Five Angles on Murder(1950)
Midcredits score: 71st percentile of all films
Her Favourite Husband (not in the MovieCove catalog yet)(1950)
The Reluctant Widow (not in the MovieCove catalog yet)(1950)

Trottie True (not in the MovieCove catalog yet)(1949)

Sleeping Car to Trieste(1948)
Midcredits score: 67th percentile of all films
Bond Street (not in the MovieCove catalog yet)(1948)

Good-Time Girl (not in the MovieCove catalog yet)(1948)

The Loves of Joanna Godden (not in the MovieCove catalog yet)(1947)

The Man Within (not in the MovieCove catalog yet)(1947)

Carnival (not in the MovieCove catalog yet)(1946)

The Magic Bow (not in the MovieCove catalog yet)(1946)

Caravan (not in the MovieCove catalog yet)(1946)

Notorious Gentleman(1945)
Midcredits score: 56th percentile of all films
The Wicked Lady(1945)
Midcredits score: 73rd percentile of all films
Waterloo Road (not in the MovieCove catalog yet)(1945)
Midcredits score: 54th percentile of all films
Two Thousand Women (not in the MovieCove catalog yet)(1944)

Champagne Charlie (not in the MovieCove catalog yet)(1944)

Soldier, Sailor(1944)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Man of Evil(1944)
Midcredits score: 65th percentile of all films
Bees in Paradise (not in the MovieCove catalog yet)(1944)

Warn That Man (not in the MovieCove catalog yet)(1943)

Miss London Ltd. (not in the MovieCove catalog yet)(1943)
It's That Man Again (not in the MovieCove catalog yet)(1943)
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 51 titles from 1943 to 1990.

Biggest box office
The Prince and the Showgirl (1957)

Highest rated
The Browning Version (1951)

Most popular right now
The Prince and the Showgirl (1957)
Film career
- 1945Screen debut· The Wicked Lady
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Jean Kent's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up3
- 50th to 74th9
Shape of the crowd
9 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser9
- Broadly Agreed1
Reviewers score the acting 76/100 in their films, across 8 reviewed titles; fans 83, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jean Kent work with?
People who share at least 2 of Jean Kent's MovieCove titles, grouped by what they did on them; Anthony Asquith shares the most, 3.
Directors
- Anthony AsquithShared titles: The Browning Version (1951), Five Angles on Murder (1950), Man of Evil (1944)See all 3 shared titles with Anthony Asquith

Writers
- Terence RattiganShared titles: The Prince and the Showgirl (1957), The Browning Version (1951)See all 2 shared titles with Terence Rattigan

- Aimée StuartShared titles: The Wicked Lady (1945), Man of Evil (1944)See all 2 shared titles with Aimée Stuart
- Frank LaunderShared titles: Notorious Gentleman (1945), Soldier, Sailor (1944)See all 2 shared titles with Frank Launder

Actors
- Charles VictorShared titles: The Prince and the Showgirl (1957), Five Angles on Murder (1950), Soldier, Sailor (1944)See all 3 shared titles with Charles Victor

- Martita HuntShared titles: Bonjour Tristesse (1958), The Wicked Lady (1945)See all 2 shared titles with Martita Hunt

- David HorneShared titles: The Prince and the Showgirl (1957), Notorious Gentleman (1945)See all 2 shared titles with David Horne

- Griffith JonesShared titles: Notorious Gentleman (1945), The Wicked Lady (1945)See all 2 shared titles with Griffith Jones

Composers, cinematographers and editors
- Desmond DickinsonShared titles: The Browning Version (1951), Five Angles on Murder (1950)See all 2 shared titles with Desmond Dickinson
- John D. GuthridgeShared titles: The Browning Version (1951), Five Angles on Murder (1950)See all 2 shared titles with John D. Guthridge
- William AlwynShared titles: Notorious Gentleman (1945), Soldier, Sailor (1944)See all 2 shared titles with William Alwyn

Producers
- Teddy BairdShared titles: The Browning Version (1951), Five Angles on Murder (1950)See all 2 shared titles with Teddy Baird

